Wang Bingshen's brush calligraphy works are square works written vertically. Writing content is generally four to six lines. Because there are many rows and columns, we should attach great importance to the size, opening and closing, echo and rhythm change of text layout. Pay attention to the primary and secondary relationship between words and inscriptions when creating. Generally, the text of a paragraph is smaller than the text, so it should be natural and vivid, and it should not be flush with the text from top to bottom. The seal is smaller than the letter, so you need to leave one more word.
Wang Bingshen's brush calligraphy appreciates the style of China's calligraphy and painting. Rectangular, different sizes. If you cut four feet of rice paper into three parts, it is called four feet and three cuts. If you cut five feet of rice paper into three parts, it is called five feet and three cuts. By analogy, it is also three-in-one, with different sizes. Four-by-three is usually a three-foot map (actually two feet seven inches, one-third of eight squares). Five feet and three openings are one third of twelve square feet, and the area of each opening is four feet.
The sense of rhythm in calligraphy works