For Joe, reeds are a cover. Joe didn't want to expose her emotionally intractable events, so she changed the subject and found something different in the soup. Refusing to speak, being in a trance, involving the shadow of childhood, makes people feel distressed. Reed is an obstacle for Joe. Joe Erqiang finished cooking a big table of good dishes, but in the most important soup, he met a suspected duck feather; After inspection and verification, this reed brought home by Qiao Simei flew into the soup everywhere; The performance of the top two in the whole paragraph is simple and lovely.

For Qiao Yicheng, this is an unreliable hobby that his little sister doesn't understand but can tolerate; He will say a few words of blame, but actually he doesn't really interfere (of course, his attitude will change greatly after he discovers the hidden truth of reeds). Big brother is like a father. This eldest brother is both a father and a mother. His heart is broken and his mouth is worn out. It's embarrassing to be the most dedicated.

When the complicated father talks about the adaptation of the novel, Weixi has her persistence and flexibility. "Many readers want to see the famous scenes and highlights in the book displayed in TV series, but in fact, literature and TV series are completely different. In the process of adaptation, my main idea is that the core of the story cannot be changed. The unity of a family, the feelings of a family can not be changed, but the way the characters walk from the starting point to the end point can be adjusted. "

Some netizens lamented when watching the drama that the image of father Joe made people angry and anxious. In the story, Joe's wife gave birth to a baby in the hospital, but he played mahjong with a group of friends, thinking of playing this card before going to see his wife. Even after his wife died in childbirth, Joe's sad thing was not her death, but that relatives and friends didn't have much money.

When "Children of the jstars" was broadcast, the audience had expectations, but they were also worried, especially about the director Zhang Kaizhou. The audience familiar with him knows that as a powerful director of The Noon Sun, Zhang Dao is good at camera language, and his landscaping and lines are also excellent, but his biggest problem is to control the rhythm. The previous works "Qingpingle" and "Do you know that it should be green, fat, red and thin" are all affected by this reason, and their word of mouth has declined.

However, Zhang Dao was uncharacteristically this time. The rhythm of the story is compact, the plot develops smoothly without procrastination, and the audience is very practical. Several excellent actors are acting on the Internet, laughing and crying. This play is worth a blast.