I think it should be explained by linking the white film with the red film. It is more difficult for men to pursue the white film of noble Leng Yan (probably because the white film has been preserved). At this time, the passionate red item appeared, expressing his love for the man without reservation. The man was shaken (the lover was too painful, and Lao Tzu wanted to taste the taste of being loved), and at the same time, in order to test the white film that had been indifferent to him, he stayed with the red film. For a white man with such high self-esteem, I won't ask that man to come back to me. Since then, Xiao Lang has been a passer-by. The so-called life-and-death (it can be seen that white should be intentional before, just because of reserve, so girls sometimes have to give some hints appropriately). When the passion with hongyi receded, the man slowly found that he liked baiyi (not excluding the best complex), but things had reached a dead end.