I sympathize with the children who have been hurt, but I also hope that the perpetrators will get the punishment they deserve.
This year, there is also a domestic film carnival with the theme of "sexual assault on girls". At first glance, I thought it was a "China version of the melting pot".
Fortunately, I watched the movie in advance, only to find that there are more places worth thinking about in the carnival.
The film Carnival directed by Vivian Qu, on behalf of China, has achieved excellent results in various international film festivals this year.
Not only was it shortlisted in the main competition unit of Venice International Film Festival in September this year, but it also won the Best Film Award in the 54th Antalya Kumquat Award, which is the first time that a China film won the Kumquat Award.
Elia suleiman, the chairman of the jury and a famous director (twice nominated for the Palme d 'Or Award), gave the award-winning comments: This violent, honest and beautiful film depicts a cruel reality with poetic brilliance from the first frame to the last.
It caused a shock in Korean society. At the appeal of the people, the Gwangju case was retried and the people involved were re-prosecuted and sentenced. The film also prompted the South Korean government to revise a series of laws, increase the punishment for sexual assault cases of the disabled and minors, and formulate the Law on Partial Revision of the Special Law on Punishment of Sexual Violence Crimes, also known as the Furnace Law. The faint hope conveyed at the end of the film finally triggered the butterfly effect in reality, which had a huge positive impact.
The last sentence of the melting pot-we fought all the way, not to change the world, not to let the world change us-made people cry, but I would rather believe that the subtext of the film is that we fought all the way, not only to change the world, but also to let the world change us.