Perhaps the heroic momentum of Huangguoshu infiltrated Chen Jialin's cultural character, perhaps the profound mystery of Dragon Palace made Chen Jialin wise and intelligent, and made Chen Jialin have such literary talent and coquettish spirit. Jialin's calligraphy pays attention to both traditional kung fu and modern consciousness, and the two are perfectly combined. Garin's best creation is cursive script, which is quite common in the cursive scripts of the two kings in Jin Dynasty, Yan Zhenqing in Tang Dynasty, Mi Fei in Song Dynasty and Ming and Qing Dynasties. In Chen Jialin's calligraphy collection, there is a frame of Yan Zhenqing's "Picture of Sacrificing a Woman", which can be described as forcing Xiao mentally and feeling "confused". Perhaps it is a long-term concern about the calligraphy of letters and manuscripts, so Garin's cursive script always shows traces of random writing and writing. Every time I see it, I feel relaxed and don't pose. So it is natural to compose music with a pen. As far as pen is concerned, he emphasizes the richness and variability of lines, agility and expressiveness. The so-called eight sides of the pen can be seen everywhere in his calligraphy works. The mastery of lines makes Galin's brushwork square, his pen and ink moist and his layers uneven, which is both unexpected and reasonable. Therefore, Garin's cursive scripts are often selected for various large-scale exhibitions in China and received wide acclaim. He said that Chen Jialin's calligraphy "presents the general characteristics of simplicity, lightness, ups and downs, and highlights the diversified pursuit of spatial forms". Dai Mingxian said, "Play with a batch of Jialin's recent works and use five-color ink at the same time." On the basis of mastering traditional calligraphy, Garin turned his attention to modern calligraphy. The works we see in his calligraphy collection, such as classical-modern and equality. The former is full of the word "Xin" written on red rice paper, which is quite interesting to use ink, and then takes the classic works in traditional calligraphy as the framework, giving people a strong sense of modernity and impact; The latter greatly exaggerates the word "peace", which is very heavy and decorative. Garin is also good at seal script, especially seal script creation, which breaks the traditional creative mode of sticking to the rules and emphasizing the center. For example, the couplet "Language is Popular, Art is Vivid, Painting is Vivid" published in China Calligraphy and Painting, which sometimes goes against the sky, sometimes Zhan Feng, sometimes Fang Bi, sometimes rounded, sometimes exaggerated, sometimes deformed, sometimes extensive, sometimes precise and rigorous, and can be used to write inscriptions. I guess that his seal script is not only based on various methods, but also on his seal creation. Under the guidance of Mr. Dai Mingxian, Jialin's seal cutting took the road of combining tradition with modernity, and paid attention to the harmony between knife method and form, such as Zhu Wen's General Rules, Luck, Fu Zhai Yun, Cloud Chasing the Moon, Sincere and Distant, Jialin's Seal Cutting and so on. I have to say something about Garin's paintings here. I feel that he is "writing" a painting with calligraphy. He studied sketch and oil painting when he was young, so he has a strong modeling ability. He moved the lines of calligraphy to various pictures, and wrote natural landscapes with lines, with mountains and valleys in his chest, which had a unique charm. His paintings break the pattern of "painting a water in three days and painting a stone in five days", emphasizing the rhythmic beauty of lines, which is convenient for brushing, wiping, spotting and dyeing at one time. As a calligrapher, Jia Lin set foot in Danqing, and his advantage lies in his grasp and understanding of lines. Lines can be said to be the life and soul of China's paintings. The lightness and darkness of lines and the control of Ji Xu constitute the agile existence in Jia Lin's paintings, and the combination of points and lines deepens the beauty of rhythm and melody in his paintings. The clouds on the paper are wonderful, and I would like to reward them with my friends.