In the process of combining poetry, calligraphy, painting and sealing, the combination of calligraphy and painting is probably much earlier than the combination of the other two types with painting. This is because the tools of Chinese calligraphy and painting are the same, and the operation Sometimes there are many reasons other than the same. It is said that Cai Kuang of the Eastern Han Dynasty was already a literati capable of both calligraphy and painting. The combination of calligraphy and painting has two meanings. First, the painter himself is good at calligraphy and is a calligrapher. Since calligraphy and painting have the same origin, he consciously or unconsciously incorporates calligraphy into painting when painting. This can not only show the artist's meticulousness, but also express calligraphy. The elegance of home. The second is to write inscriptions or inscriptions on the picture to coordinate with the image on the picture. In this way, the book is incorporated into the painting. It has become an indispensable part of the painting and constitutes another form of beauty of Chinese painting. The written signature in Chinese paintings is also called "signature". Generally speaking, it is indispensable. It is equivalent to the signature of the painter in Western paintings, indicating the ownership of the painting. For other inscriptions, you can draw and write a title, a line of what you want to say, or a poem or a paragraph of prose. In fact, inscription is a very learned art. It requires literary accomplishment. The inscription cannot be casual. The content of the inscription must be intrinsically connected with the picture, so that the viewer can see the scenery and express his or her feelings through the inscription. Or it may guide the viewer to use the painting as a bridge to expand, expand the world, and feel the magnificence of history or the philosophy of life. At the same time, the form of the font, the content and style of the painting, etc. should also be taken into consideration when writing the inscription. For example, it is not suitable to use Kuangcao for a fine brushwork painting, and it is not suitable to use block letters for a freehand brushwork. The position of the font should be just right. It should make people feel that it goes up or down a little. Adding a word or subtracting a word will not be good. This is just right. In short, the words and pictures are required to be unified and harmonious to increase the formal beauty of the pictures.

The combination of poetry and painting also appeared with the combination of calligraphy and painting, that is, there appeared a painter who liked to write poems or lyrics, and his calligraphy was good, so he used it

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