First, there is a donkey carrying a 10 basket of charcoal on the right side of the picture. Meng Yuanyuan in the Northern Song Dynasty recorded in Dream of China in Tokyo: Every October in the lunar calendar, Bianjing began to "put charcoal in the heater, put wine in front of it and have a warm party". It is against the life customs of Song people to say that Tomb-Sweeping Day set fire to coals before and after. Father Meng and Zhang Zeduan lived in the same era. Dream of Tokyo is an important material to study the customs of the capital of song dynasty, and the historical events described should be credible.
Second, there is a farm fence full of eggplant and other crops. More interestingly, several children are playing and chasing naked. None of this is Tomb-Sweeping Day's business.
Third, there are more than a dozen people with fans on the screen, which are fan-shaped and sunshade-shaped. Common sense tells people to use fans in dog days, and few people use fans in early spring.
Extended data:
There is no clear record in history of how long it took Zhang Zeduan to complete The Riverside Scene at Qingming Festival.
The Spread History of Riverside Scene at Qingming Festival;
11kloc-0/year, Zhang Zeduan's Riverside Scene at Qingming Festival was included in the imperial court. 1 127, after the change of Jingkang, The Riverside Scene at Qingming Festival involves Ren Jin. 1 186 The picture is accompanied by inscriptions by (Jin) Zhang Zhu, Zhang Gongyao, Li Quan, Wang Yong (Jin) and Zhang Shiqi.
1260, after the establishment of the Yuan Dynasty, the Riverside Scene at Qingming Festival was included in the Secret House. Those who installed pools for official craftsmen stole the palace with fakes. It was sold to an expensive official, and on the way, it was sold to Chen Yanlian in Hangzhou by the custodian. 1365, (yuan), the picture shows Zhou's former residence in Jingshan. About 146 1 year ago, this painting was inscribed at Zhu Hepo's home in Dali Temple (tomorrow).
145 1, (Ming) Li Dongyang wrote long postscript on the back of the picture twice, recording the content of the picture and its spread in China and South Korea in Ming Dynasty: after Hongzhi, it was firmly owned by Tu Xupu, a university student in Huagai Temple. Xu gave it to Li Dongyang when he died. 1524, the map was returned to Lu Wan, the minister of war. Lu Zuo's inscription. After Lu's death, his son was sold to his family in Kunshan, and soon returned to Yan Song and the Prime Minister.
Baidu Encyclopedia-Riverside Scene at Qingming Festival