1. Look at the guitar headstock

The headstock of Yamaha’s mid- to low-end models (F310, F370, F600, FG800, FG820, FG830, FG850, etc.) adopts a dovetail design, with the middle Concave, lines with graceful curvature

. Since this arc processing process is troublesome, many counterfeiters often simply cut the wood due to labor costs, so this feature is the most important feature for identifying mid- to low-end Yamaha guitars. Basically, you can tell the authenticity at a glance from the headstock.

2. Look for the “M” in English for YAMAHA marked inside the sound hole.

This is the second important feature to identify genuine and fake Yamaha, but now there are some counterfeiters and This has been improved so this feature can be used as an assist. The middle of the M in the letters of the fake YAMAHA piano is bottomed out, while the middle of the M in the real piano is not bottomed out.

The M letter in the middle of all places where the English word "YAMAHA" appears on a Yamaha guitar is non-bottoming. It is said that this is a pit deliberately left by Yamaha. After all, in the era when there were no anti-counterfeiting labels, such small details of the design can really leave a good identification method.

3. Guard plate color

Among the genuine Yamaha low-end models, F310, F370DW, and FX310AII, the guard plate color is pure black. F370, F600, FG800, FG820, FG830, FG850 and other models are in dark red agate color, and the information collection is limited. If you have any additional information, please leave me a message. The guard plates of fake pianos are mostly bright red agate color.

Extended information:

Scale practice:

1. Most scales can be used by all 8 fingers of the left and right hands. Practicing scales can train the balance ability of the fingers.

2. Scale practice can help you become familiar with the fingerboard phonemes. All scales are composed of 24 major and minor modes, and the European music we are most exposed to almost all belongs to these modes. Once you are familiar with the scales, you will be familiar with them in general. these modalities.

3. In fact, music is composed of complete or incomplete scales, especially the melody part.

⒋. The scale seems simple, but in fact it is very difficult to do well if it strictly requires uniformity, speed, and granularity.

⒌. Add different rhythms, stresses, and dynamics to the scale exercises, and use all imaginable right finger combinations (requiring students to use im, ia , ma, pi, pm, pa, ich, mch, ach, ami, ima, mia, mai, pima, pami, etc., practice with any combination you can think of. Some combinations may lack practicality, such as adding ch to combination, but it is very useful for training the right finger) you will find that scale practice is really broad.

⒍. Scale exercises play a great role in training the coordination ability of left and right hands.