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What are the gains and losses of the retro tendency of Chen Ziang's poems?
1, Chen Ziang thinks highly of himself, but his ambition is hardly rewarded. He spoke frankly, and everyone who insulted the powerful was framed and imprisoned twice. These life experiences are naturally projected in his poems, and the most obvious is the strong sense of helplessness and unknown to the world. Words such as "solitary phoenix", "solitary English" and "solitary scale" often appear in his works. But even so, Chen Ziang's loneliness has never manifested itself as depression and self-pity, but as heroism, arrogance and unyielding.

2. Chen Ziang's poems also show some one-sided tendencies. His works are mainly composed of five-character ancient styles in Han and Wei Dynasties, but there are almost no seven-character poems, and the number of regular poems is also quite small. The latter two styles prevailed in the Southern Dynasties, and he seems to have deliberately avoided them. In addition, his masterpiece "Feeling" is far from Ruan Ji's poem "Yong Huai", and there are also shortcomings in his writing that Ruan Ji's poems are too much discussed and sometimes seem boring.