the fate of Jia Baoyu.

cranes give people the impression that they are atmospheric and detached.

"The top of the Dan is suitable for bearing the sun, and the frost feathers are not stained with mud", which is the gesture of a crane, and only a noble gentleman can imitate it. "Wandering in the secluded trees and the moon, whispering in the small pavilion wind", this is the walking of the crane, with its chest held high, slow and elegant, full of gentlemanly demeanor. "Far away from the Yangtze River, there are few birds in Gaoxiang", which is the flight of cranes, soaring straight up and overlooking the flock of birds.

In the image of traditional poetry, people who lead a clean and self-loving life and enjoy a well-known reputation are called "Heming Men". Many celebrities like to keep company with cranes, so they often keep cranes in classical gardens in China. There are also many descriptions of cranes in A Dream of Red Mansions, but most of them happen in Yihong Garden, which is not unrelated to Jia Baoyu.

On the 26th visit to Baoyu by Jia Yun, I saw a few rocks in the courtyard, planted with plantains, and there were two cranes plucking their feathers under the pine trees.

Back to the 36th time, Baochai chatted with Baoyu to relieve her afternoon fatigue: I didn't want to be admitted to the hospital, and in perfect silence, together with two cranes, fell asleep under the banana.

There are two cranes in Yihong Garden, and Jia Baoyu likes cranes very much, which often appears in his poems.

The first one, Autumn Night is Things, is that there is absolutely no noise in the dark clouds, and the light of the osmanthus soaks into the veil. Moss locks and stone patterns allow sleeping cranes, and wells float with tung and expose wet crows.

Second, Winter Night is Things: The plum soul and bamboo dream are already late at night, but the stork and the owl have not slept. Songying only sees cranes in one court, but pears are everywhere without smelling warblers.

The cranes described by the author either pluck their feathers leisurely, take a walk, or sleep peacefully, which has a distant artistic conception. Baoyu also has a page whose name is Companion Crane. The name of Baoyu's page can be literally regarded as an elegant thing for everyone to divide their work.

But from another angle, the page boys are always accompanying Jia Baoyu. Can you think that accompanying cranes is accompanying Baoyu, and comparing cranes with Jia Baoyu? It is very artistic to carefully check that each name is transformed from ancient poetry.

Related information:

In the Grand View Garden, Baoyu is the most lonely person, not Daiyu. His loneliness comes from the deep heart, and it is an unacceptable persistence and persistence. Imagine how desolate and majestic it is for a white crane to spread its wings and fly over the cold pond under the cold moonlight.

what a similar artistic conception it is to look at the back of Jia Baoyu who is far away alone in the 12th snow shadow! Crossing the crane shadow in the cold pond and burying the flower soul in Leng Yue are tragic and beautiful, which is a metaphor for the ultimate fate of Jia Baoyu and Lin Daiyu.

That's why it's called the wonderful sentence in A Dream of Red Mansions, the voice of sorrow. That's why Miaoyu said, "A few words are good, but they are too depressed and miserable. This is also related to people's luck. " The tragedy of A Dream of Red Mansions is nothing more than Bao Dai's. From the beginning of Lin Daiyu's tragedy, the Jia family opened the curtain of falling apart, and from Jia Baoyu's tragedy, it left a vast white land.