Chinese calligraphy art is an art that goes beyond superficial simulation and directly reaches the source of the subject's heart. What I bring to you below is a picture of the calligraphy of the character "filial piety". I hope you like it.

Appreciation of the calligraphy pictures of the word "filial piety":

Pictures of the calligraphy of the word "filial piety" 1

Pictures of the calligraphy of the word "filial piety" 2

The brush calligraphy picture of the character filial piety 3

The brush calligraphy picture of the character filial piety 4

The brush calligraphy picture of the character filial piety 5

Famous artist On the use of brushwork:

The famous calligraphers in Chinese history all have unique insights into the use of brushes, and even made outstanding contributions. Cai Yong of the Han Dynasty was a talented man of his generation and the most outstanding literary artist of the Eastern Han Dynasty. He said in his calligraphy treatise "Nine Movements": Fu calligraphy originates from nature. When nature is established, yin and yang are born; when yin and yang are born, the situation emerges. Hide the head and protect the tail, the strength is in it, the pen is firm, the skin is beautiful. Therefore, it is said: The power coming is irresistible, and the power going is irresistible, but if the pen is soft, strange things will happen.

Whenever the writing is finished, the upper part covers the lower part, and the lower part is used to support the upper part, so that the situations reflect each other and there is no backing up.

It is advisable to review left and right when writing, so as not to expose the program alone.

Hidden front, point out the traces of entry and exit. If you want to go left, go right first, and then return to the left.

Hidden head, the round pen belongs to the paper, so that the center of the pen can always move in the dot painting.

Protect the tail, draw a few points to use up all the potential, and use all your strength to close it.

The speed comes from the pecking of the saucer, and also from the vertical stroke.

The purpose of brushstrokes is to use them in a sharp and sharp way.

The disadvantage lies in the shortage of methods of fighting.

Horizontal scales and vertical strangles.

This is called the Nine Movements. Even if there is no teacher to teach it, it can still be in harmony with the ancients. It requires a lot of skill in calligraphy and calligraphy to create a wonderful scene. ?

Mrs. Wei is the daughter of the Wei family, a wealthy family in the Eastern Jin Dynasty. Many members of her family have been famous calligraphers. Her calligraphy was passed down directly from Zhong Yao and incorporated into the secret skills of the Wei family. She is the most famous female calligrapher after Cai Mei. In addition to her achievements in calligraphy creation and calligraphy theory research, she is also famous for being the calligraphy teacher of Wang Xizhi, the sage of calligraphy. Mrs. Wei said in "Brush Formation Diagram": "The secret of the three skills lies in the brush; the secret of the six arts lies in the silver hook." ?Whenever you learn calligraphy, you must first learn to hold the pen. If it is a real calligraphy, remove two inches from the end of the pen. If you are doing cursive writing, remove three inches from the end of the pen and hold it. The strokes, strokes, waves, bends, and curves must all be delivered with all one's strength. ?There are seven types of writing. There are those who are anxious but slow to write, and there are those who are slow but anxious to write. If the pen is held close but cannot be tightened, the mind and the hand are not aligned, and the former who intends to write later will lose; if the pen is far away but urgent, the person who intends to write before and the latter will win. There are also six kinds of brushes: the structure is round and ready like seal script, floating and falling like grass, dangerous and scary like eight points, graceful and slim like flying white, upright and straight like crane head, and vertical and horizontal like ancient official script. ?

During the Eastern Jin Dynasty, the thoughts and behaviors of our country's literati underwent fundamental changes. They advocated individuality, liked to be original and unique. Wang Xizhi is the most outstanding calligrapher in my country. "Confessing to his wife" is a manifestation of his informality, and "choosing a son-in-law" is the society's recognition of his bohemian behavior. The period when Wang Xizhi lived was a period when Chinese calligraphy art matured. The maturity mentioned here includes the maturity of various fonts and various calligraphy techniques. Wang Xizhi wrote in "Inscribed on Mrs. Wei's post": "I dared not see Yao for three years, so I devoted myself to changing my record." Every time you make a wave, you often fold the brush three times; every time you make a mouthful, you always hide your front edge; every horizontal stroke you make is like a row of clouds in an array; every stroke you make is like the hair of a hundred jun crossbows; every time you make a point , like a falling stone from a peak; every mouth is bent like a steel hook; every pull is like a long-lived withered vine; every indulgence is like a footstep. ?If you want to learn cursive writing, there is another way. It is necessary to slow down the front and back. The shape of the font is like a dragon and a snake, which are connected continuously. The edges and sides must still be undulating, and the pen must not be flush with each other. ?This is Wang Xizhi’s understanding, inheritance and summary of brushwork based on practice. In fact, calligraphers of all ages have attached great importance to the study of calligraphy.