Rococo Art: A gorgeous, exquisite and complicated artistic style, which combines Baroque style and China's decorative taste, and uses multiple S-lines.
Impressionist painting: an epoch-making art school in the history of western painting, which reached its peak in the 1970s and 1980s from 65438 to 2009. Its influence spread all over Europe and gradually all over the world, but it achieved the most brilliant artistic achievements in France.
The so-called stone reliefs are actually the architectural structures carved with portraits in underground tombs, cemeteries, ancestral halls, tombs and temples in the Han Dynasty. Most of these buildings belong to funeral ceremonies, so the stone relief in the Han Dynasty is essentially a sacrificial funeral art.. Stone relief is not only the peak of the development of China's classical art before the Han Dynasty, but also has a far-reaching influence on the art after the Han Dynasty, and occupies an important position in the art history of China.
"Cao clothes out of the water" is a concept opposite to "the wind prevailed in the Five Dynasties", which mainly refers to two different forms of clothing pleats in ancient figure paintings. The former is blunt and thick, and the clothes of the characters are close to the body, as if they had just come out of the water; The latter's brushwork is round and elegant, and the clothes painted by figures are like the wind. "Cao clothes come out of the water", also known as "Cao family's appearance", is one of the methods of pleating and painting of China ancient figures created by Cao in the Northern Qi Dynasty of Cao in Central Asia. "Tu Zhi" said that Cao's figure paintings are often tied tightly with fine pens, like clothes covered with tulle and the feeling of just being fished out of the water, so later generations named them.
China's painting terminology. It is an overview of Wu Daozi's figure painting style. Wu Daozi (about 686-760) was the most outstanding painter in the prosperous Tang Dynasty and made outstanding achievements in religious painting. In brushwork, he created a kind of ups and downs, patchwork description of "water shield strips", which strengthened the heavy feeling and three-dimensional sense, and he highlighted the combination of human body curve and nature. This style of painting also had a certain influence in the later West. The painted figures, sleeves and streamers have the tendency to dance with the wind, so they are called "Five Dynasties when the wind". Later generations also call it beauty because of its superb painting skills and elegant style. Chinese painting terminology. It is an overview of Wu Daozi's figure painting style. Wu Daozi (about 686-760) was the most outstanding painter in the prosperous Tang Dynasty and made outstanding achievements in religious painting. In brushwork, he created a kind of ups and downs, patchwork description of "water shield strips", which strengthened the heavy feeling and three-dimensional sense, and he highlighted the combination of human body curve and nature. This style of painting also had a certain influence in the later West. The painted figures, sleeves and streamers have the tendency to dance with the wind, so they are called "Five Dynasties when the wind". Later generations also call it beauty because of its superb painting skills and elegant style.
Narrating the spirit with form: Gu Kaizhi in the Eastern Jin Dynasty wrote in "Winning the Praise of Flowing Paintings in Wei and Jin Dynasties": "People have their own strengths and weaknesses. Now, we should look far and near to see their right, so we can't change things, and we can't fight by mistake." Those who live, die, die (or die) are right, but in fact, they are right to write about God in form, and they are good at using life to convey God's loss. In fact, if you are right, you will lose a lot, and if you are irregular, you will lose a little. An image is ambiguous. If you don't realize it, you will understand it. Gu's famous thesis of "writing God in form" points out that artists should not only pursue the fidelity of external images, but also the similarity of internal spiritual essence when reflecting objective reality. In his view, God should be based on form, and if it is only similar in shape and cannot reflect the unique air of the painting object, it is unsuccessful. For the description of characters, he pays great attention to the consistency and complexity of depicting characters' inner activities and performance dynamics. According to legend, he painted figures, sometimes for years. When people asked him why, they replied: "Four-body beauty has nothing to do with beautiful and vivid description, it is being blocked." Because "when you see the appearance of a fairy, your feelings are in your eyes. "