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Classical Chinese essays unwilling to settle for mediocrity

1. The ant who refused to be mediocre read the answers

The ant who was unwilling to be mediocre

Anonymous

Summary: Lev had just left his desk After a while, when he came back, he found an ant crawling on the cake he just bought. Now his interest in enjoying it was gone. Lev asks why Ant ruined his mood. The ant covered in butter said slowly that it was hungry and was attracted by the smell of cake. Moreover, it had a small appetite and a little cake was enough.

Keywords: ant cake desk mood cream food intake fragrance enjoyment questioning destruction

Category number: I267

Text snapshot: Column My husband left his desk for a while and when he came back, he found an ant crawling on the cake he had just bought. Now his interest in enjoying it was gone. Lev asks why Ant ruined his mood. The ant covered in butter said slowly that it was hungry and was attracted by the smell of cake. Moreover, it had a small appetite and a little cake was enough. Lev became even more angry after hearing this: "With your status, how can you be worthy of being with me? 2. Write a classical Chinese essay to persuade people to persevere

Review materials for classical Chinese in the Chinese language class of the high school entrance examination 1. Classical Chinese poetry Key points of silent writing + reading: 1. Ai Lian Shu (Part 6) ⑴ Author: Zhou Dunyi (Song Dynasty), philosopher

Selected from: "Zhou Yuan Gongji" ⑵Subject: Prose. >

Technique: Describe the object and describe the person. ⑶ Central theme: The author’s yearning for a gentleman and his attitude toward a clean life.

⑷Focus of silent writing: The origin of the lotus. The mud is not stained, and the clear water is not evil. 2. Born in sorrow, died in happiness (Part 7) ⑴ Author: Mencius (Warring States), politician and thinker

Selected from: "Mencius." ". ⑵Subject matter: Argumentative essay.

Technique: Use a combination of historical examples and reasoning, and go into depth. ⑶Central theme: Explain that people's difficulties can inspire fighting spirit, and the country is prone to destruction.

⑷ Argument: Born in sorrow, died in happiness. ⑸ Key points of dictation: Therefore, when heaven is about to assign a great responsibility to a person, he must first strain his mind, strain his muscles and bones, and starve his body. His body is depleted of skin, and his behavior is disturbed by his actions, so his heart and mind are tempted to do what he cannot.

3. The Oil Seller (Part 7) ⑴ Author: Ouyang Xiu (Song Dynasty), writer. , one of the Eight Great Masters of the Tang and Song Dynasties. Selected from: "Collected Works of Ouyang Wenzhong? Return to the Fields"

⑵Subject matter: Philosophical essay. Technique: Express the character's personality through the character's expression, actions and language description. Characteristics.

⑶ Central theme: practice makes perfect; practice makes true knowledge 4. The Story of Nuclear Boat (Part 7) ⑴ Author: Wei Xuezhen (Ming Dynasty) Selected from "Yu Chu Xin Zhi" edited by Rising Tide (Qing Dynasty). .

⑵Subject matter: expository text. Technique: Adopt the structural layout of "total-divided-total", with space as the order. ⑶Central theme: express the sculptor's thoughts. The exquisite craftsmanship and ingenious conception reflect the superb achievements of ancient Chinese crafts. 5. The Donkey of Guizhou (Seven Parts) ⑴ Author: Liu Zongyuan (Tang Dynasty), one of the Eight Great Masters of the Tang and Song Dynasties

Selected from: " "Liu Hedong Collection". ⑵Theme: Fables.

Method: Detailed and clear, focused. ⑶Central theme: Although some things seem powerful, they are not terrible as long as you dare to fight and are good at fighting. Can defeat it.

⑷Evolved into the idiom: Guizhou donkey has no skills, Guizhou donkey has no skills. ⑸The key point of dictating: Because the tiger is happy, he said: "The skills stop here!" "6. Wolf (seven strokes) ⑴Author: Pu Songling (Qing Dynasty) Selected from: "Strange Stories from a Chinese Studio".

⑵Theme: short story. Technique: vivid and detailed depiction.

p> The descriptions of actions and expressions are very vivid. ⑶ The central theme: To deal with evil people like wolves, we must dare to fight and be good at fighting.

7. Cao GUI’s Debate (Part 8) ⑴ Selected from: Zuo Qiu Ming ( "Zuo Zhuan" written by the Spring and Autumn Period). ⑵Subject matter: Writing historical essays

Technique: Using the Battle of Changshao in Qi and Lu as a clue, it describes the "despicableness" of Duke Zhuang of Lu and highlights Cao GUI's "long-range strategy". ⑶ Central theme: It clarifies that only by winning the trust of the people and being good at grasping opportunities can we win the war.

8. The Theory of Confucius and Mencius (Part 8) ⑴ The first four chapters, author: Confucius, selected from: "Confucius." ". The last two are from "Mencius" by Mencius

⑵Subject matter: Confucius, Mencius and his disciples' words and deeds. ⑶Central theme: ①Confucius's self-report of his moral cultivation and improvement of cognitive ability. The process reflects the law of continuous accumulation of life experience to a certain extent.

②Learning is inseparable from thinking, and thinking is conducive to learning.

③Learning should be closely integrated. If you don’t understand, ask, including asking people whose status is lower than your own. (The relationship between learning and inquiry) ④ Encourage people to keep improving themselves.

Stop before success, and the previous efforts will be wasted. Keep going, and you will eventually succeed. The key is not the strength, but the determination of the will. ⑤ You should not be overwhelmed by learning, you must be persistent, and you must concentrate on it. ⑥ You must not be superstitious about books, but you must learn the essence of books and be critical and skeptical. Spirit.

9. Yueyang Tower (Nine Parts) ⑴ Author: Fan Zhongyan (Song Dynasty) Selected from: "Fan Wenzhenggong Collection". ⑵Theme: Scenery, argumentative essay.

Technique: Describe the two different "feelings of looking at things" when the "immigrated guest poet" ascends the building, thus transitioning to discussion. ⑶Central theme: It expresses the author's political ambition and life attitude of "worrying about the world's worries first, and rejoicing after the world's happiness".

It is both self-encouragement and mutual encouragement with friends. ⑷Key points of silent writing: If the rain is falling, the moon is not open; the wind is howling, the turbid waves are emptying; the sun and stars are dim, the mountains are hidden; the business trip is not possible, the rafts are toppling and destroyed; the dusk is dark, the tigers roar and the apes crow; Deng Si In the building, there are those who are nostalgic for their country, worried about slander and fear of ridicule, their eyes are full of desolation, and they feel extremely sad.

When spring comes and the scenery is bright, the waves are calm, the sky above and below is bright, a vast expanse of blue; sand gulls gather in the air, brocade scales swim, and the shore is covered with orchids, lush and green. Or when the long smoke disappears, the bright moon shines thousands of miles away, the floating light leaps into the gold, the silent shadow sinks into the jade, and the fishermen answer each other's songs, how wonderful is this joy! When you climb the tower, you will feel relaxed and happy, forgetting your favors and disgrace together, drinking wine in the wind, and you will be overjoyed.

10. The Drunken Old Man’s Pavilion (Nine Parts) ⑴ Author: Ouyang Xiu (Song Dynasty), one of the Eight Great Masters of Tang and Song Dynasties. Selected from: "Collected Works of Ouyang Wenzhong".

⑵Theme: Scenery, argumentative essay. Technique: Use the word "乐" throughout the text.

Antithesis sentences and judgment sentences. ⑶Central theme: express one’s thoughts of loving the mountains and rivers and enjoying the happiness with the people.

⑷ Key points in dictation: ① The person who looks bright but profound is Langya. ②The drunkard's intention is not in wine, but in the mountains and rivers.

③The joy of mountains and rivers is the wine contained in the heart. ④The wild fields are fragrant and fragrant, and the fine trees are beautiful and dense.

⑤ People know that they enjoy traveling with the prefect, but they don’t know how much fun the prefect enjoys. 11. Peach Blossom Spring (Nine Parts) ⑴Author: Tao Yuanming (Jin Dynasty) Selected from: "Collected Works of Tao Yuanming".

⑵Theme: Notes. Technique: Use objective narrative methods to fictionalize some plots and create a beautiful paradise.

⑶ Central theme: It reflects the people's aversion to war and their desire to pursue a peaceful life, and expresses the author's dissatisfaction with reality and longing for an ideal society. ⑷ Evolution of idioms: paradise, no one cares about it, suddenly enlightened, fallen heroes are colorful, hearing chickens and dogs, enjoying themselves, yellow hair hanging down 12. Snake catcher's story (nine chapters) ⑴ Author: Liu Zongyuan (Tang Dynasty), eight great masters of the Tang and Song Dynasties one.

Selected from: "Liuhe East Collection". ⑵Subject matter: narrative and argumentative essays.

Technique: A description of the three generations of the Chiang family who would rather risk their lives to catch snakes than suffer the consequences of harsh rule. ⑶Central theme: It profoundly exposes the cruelty of excessive taxation in feudal society and reflects the author's sympathy for the sufferings of the working people.

⑷Key points of silent writing: ①Destroy the way out of the land, and exhaust the way in from the hut. ②Migrate when they howl, and pause when they are hungry or thirsty.

③Call to the east and west, and rush to the north and south. ④Two of the one-year-old offenders died, while the rest were thriving and happy.

2. Focus on silent writing + appreciation of classical Chinese poems. 3. What are the signatures of classical Chinese essays about "loneliness"

1. Life has never existed independently of loneliness. Whether we are born, we grow, we fall in love, or we succeed or fail, until the end, loneliness exists in the corner of life like a shadow. ——Garcia Márquez

2. Reading is a lonely act. She regards books as oyster shells. She is as safe in books as oysters hiding in shells. This room is wrapped in densely packed pages, just like leaves occupying all the space in a dense forest. ——Calvino

3. The most unbearable loneliness is the lack of true friendship. ——Bacon

4. Those who take pleasure in loneliness are either beasts or gods. ——Bacon

5. A person without true friends is a truly lonely person. ——Bacon

6. Those who like loneliness are either devils or gods. ——Bacon

7. Loneliness can make people capable or clumsy. ——Hugo

8. People cannot live alone, they need society. ——Goethe

9. Talent is best cultivated in solitude; character is best formed in the rough waves of the world. ——Goethe

10. Life is hard. For those who are unwilling to settle for mediocrity, it is an endless struggle, often tragic, without glory, without happiness, and a struggle that unfolds in loneliness and silence. ——Romain Rolland

11. The huge changes in the contemporary era appear strong and pure in the hearts of the lonely giants. This impression will not be diminished even if it comes into contact with reality. ——Romain Rolland

12. Find enjoyment in the power of emotion, just like finding happiness in loneliness and work. ——Balzac

13. Among all kinds of loneliness, people are most afraid of spiritual loneliness. ——Balzac

14. The busy road is the most lonely, because no one loves him. ——Tagore

15. Who in this world does not live alone or die alone.

——San Mao

16. When you are with someone, don’t forget what you discovered when you were thinking alone; when you are meditating alone, remember what you learned when you communicated with others. ——Leo Tolstoy

17. When I am the loneliest, that is when I am the least lonely. ——Beethoven

18. If sobriety is a virtue, shyness will definitely prevent me from showing it off. But it is not a virtue, but a strange truth that suddenly appears to those who seek solitude. ——Kahlil Gibran

19. I bear every moment of loneliness only because I have made a promise.

20. Religion is a kind of spiritual oppression suffered everywhere by the people who work for others all their lives and are pressed by poverty and loneliness.

——Lenin