Marcel duchamp created many sensational works in his life, so here are no examples. For example, naked women coming down stairs, brides, big glasses (also called brides even stripped naked by bachelors), spring and L have a great influence on later paintings. H.O.O. asked. Big Glass, Pay: 1, Waterfall 2, Gas and so on. From the perspective of conceptual art, of course, the notorious porcelain urinal-"spring" is the first to bear the brunt. They are based on visual "no response" and do not talk about any elegant or vulgar aesthetic taste. Occasionally written on ready-made goods.

Short sentences are not the titles of works, but the media that "take the viewer's thoughts to another field dominated by words". It is generally believed that one of the greatest characteristics of works of art is "originality", which is a special and unique thing, but Duchamp said: "In the traditional sense, almost every ready-made object existing today is not original." "Because the paint tubes used by artists are all machine-made and ready-made products, we must come to the conclusion that all the paintings in the world are' the assistance of ready-made things'." Both lack originality.

Landscape Network: 1902 Oil painting on canvas. 6 1×50 cm. Private collection.

Heaven: 19 10 year to191year. Cloth with oil paintings. 114.5×128.5 cm. Philadelphia

Philadelphia Museum of Art, Pennsylvania, USA.

Portrait of Dumucher R: 19 10 oil painting. 100× 65cm. Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA.

Girls and boys/young men are waiting for love in spring: 19 1 1 year oil painting. 65.7×50.2 cm. Private collection.

Sonata: 19 1 1 year oil painting. 145× 1 13cm。 Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA.

Duciena:1911year oil painting. 146× 1 14cm。 Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA.

Gustav's Portrait of Mother Kandelia:1911-12 Oil on canvas. 61× 43.5cm. Private collection.

Portrait of chess player: 19 1 1 year oil painting108×10/cm. Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA.

Non-destructive testing down stairs (2): 19 12 oil painting 147.5×89 cm. Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA

From virgin to bride: 19 12 years. Canvas is 59×53.5 cm. New york Museum of Modern Art, USA.

Bicycle wheels: 19 13. Ready-made clothes: bicycle wheels, 64.8 cm in diameter, placed on a bench, 60.2 cm in height. The original is lost. Replica. Private collection.

Nine apple molds: 19 14 to 19 15. 64× 102 cm. Oil, lead and lead foil glass between glass plates. Private collection.

Chocolate Mill No.2: 19 14. Oil painting line. 65×54 cm. Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA

Bottle rack: 19 14 64. Clothing: The bottle rack is made of galvanized iron sheet. 59×37 cm. The original is lost. Replica. Private collection.

Arm fracture in progress: 19 15. Readymade garments: display shovels, wood and galvanized iron. 12 1.3 cm. Yale British Art Center, New Haven, Connecticut, USA.

The bride is stripped naked by a bachelor or a big glass: 19 15 23. Oil, disappearing, lead foil, silk and dust are mounted on glass plates with aluminum, wood and steel frames. 272.5× 175.8 cm. Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA.

Hidden noise: 19 16. Ready-made clothes: four screws are fixed together with brass pieces between ball strings. 12.9×13×11.4 cm. Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA.

Fountain: 19 17. 19 17. This is one of his works, called "ready-made objects" (also called "physical art"), because he used an existing object-this work used a urinal (urinal) and named it "Fountain" with the signature of "R. Mutt". Duchamp submitted this work to an art exhibition as a provocation, but it was soon dropped. This work, as well as the act of submitting it, is regarded as an important milestone of art in the 20th century. Ready-made clothes: urinal. Black paint, glazed pottery, 23.5× 18 cm, 60 cm high. Private collection.

Copy: From suitcase to box. Ready-made clothes: pencils in Lisa's replica. 19.7× 12.4 cm. Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA.

The new widow: the 1920s. Mini window: wooden polished leather painted blue with eight rectangles. 77.5× 45cm board,1.9× 63.3x10.2cm. New york Museum of Modern Art, USA.

Rotating glass plate (precision optics): 1920. Five colored glass plates are wound on a metal shaft, which looks like they are in a single circle at a distance of one meter. 120.6×184.1cm and 99× 14 cm glass plates. Yale British Art Center, New Haven, Connecticut, USA.

Austerlitz's quarrel: 192 1. Miniature windows: suitable for wood and glass. 62.8×28.7x6.3 cm. Stuttgart National Art Gallery, Germany.

Why don't you sneeze at Rose Levi? 192 1 64. ready-made clothes: 152 marble cube in the form of cube sugar with thermometer and cuttlefish bones in the birdcage. 12.4×22.2× 16.2 cm. Private collection.

Self-portrait in profile: 1958. Colored paper tears on a black background. 14.3x12.5cm. Private collection.

Bride: 89.5× 55.25cm. Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA.

Sad young people in the train/sad young people in the train: oil paintings on cloth and cardboard. 100× 73cm. Original, Venice, Italy.

Blocking the internet: paints and pencils on canvas. 148.9× 197.7 cm. New york Museum of Modern Art, USA.

The adjacent metal of the glider contains a water mill: oil and semi-circular glass, lead and lead wire. 147×79 cm. Philadelphia Museum of Art, Philadelphia, Pennsylvania.