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Wu Weishan's major works
Publishing books and picture books:

Psychology of Visual Arts, Wu Weishan, 260,000-word monograph, Nanjing Normal University Press, 1999.

Carver's Theory, written by Wu Weishan, with 200,000 words, China Social Sciences Press, 2002.

Woodcarving of the Western Han Dynasty, by Wu Weishan, Atlas, Tianjin People's Fine Arts Publishing House, 2003.

The Sculptor's Soul, by Wu Weishan, Korean Book World Press, 2007.

Poetic Sculpture, Singapore World Science Publishing Co., Ltd., 2008.

Poetic Sculpture, Wu Weishan, Nanjing University Press, 2007.

Sculpture Age-Collection of New China Urban Sculpture Construction Achievement Award and Nomination Award, edited by Wu Weishan, People's Fine Arts Publishing House, 20 10.

Buddhist Art in China (four series), edited by Wu Weishan, published by Nanjing University Press in 2008.

Sino-Dutch Red, White and Blue Art (published by Dutch National Art Foundation, 1998)

Wu Weishan Sculpture (large album, People's Fine Arts Publishing House, 1999)

Sculpture and Painting in Wu Weishan (Album, Hong Kong Dynasty Culture and Art Publishing Company, 1999)

Mental Sketch (album, Tianjin People's Fine Arts Publishing House, 2002)

Relief Collection Reading the Shiling River (Atlas, Tianjin People's Fine Arts Publishing House, 2002)

Sculpture and Painting in Wu Weishan (published by Gu Wuxuan Publishing House in 2005, and won the most beautiful book award in China in 2005).

Wu Weishan Freehand Sculpture (a large-scale album, Jiangsu Fine Arts Publishing House, 2006, won the most beautiful book award in China in 2006).

China Buddhist Art, Five Series, edited by Wu Weishan, Nanjing University Press.

New Sculpture in China, edited by Wu Weishan, Culture and Art Press, 20 1 1.

Main thesis:

"I see the style characteristics of China's sculpture", published in the 6th issue of Literature and Art Research in 2005;

Cultural exchange needs big country thinking, People's Daily Theoretical Edition, March 8, 20 10; Xinhua Digest 20 10, No.9, reprinted.

I sculpted Rao's statue, published in Sculpture 20 10, No.2, and reprinted in Xinhua Digest 20 17 17;

Vagueness and Vividness —— From Wu Weishan's characterization, Literature and Art Research, No.2, 2002.

Mourning for the Sage of the East —— Mourning for Ji Xianlin in his later years, by Wu Weishan, published in Xinhua Digest No.3, 2010;

Return of Soul —— Large-scale Group Sculptures in Memorial Hall for Victims of Nanjing Massacre by Japanese Invaders, Literature and Art Research, 2006.

Wu Weishan's Poetic Sculpture, published in National Art 200 1 No.2;

Tradition and Innovation, Wu Weishan, published in National Art,No. 1, 20065438.

Five Notes on Calligraphy, China Calligraphy, 2006.

On freehand brushwork sculpture, art research, 2004.

Freehand Sculpture and Plastic Arts in the Cultural Exchange between the East and the West, copied by China Renmin University, 2004.

On the Sculpture Art and Religious Cultural Characteristics of Angkor Wat in Cambodia, Literature and Art Research, 2009.

On Buddhist ideal modeling style, national art, 2009.

Illustrate seven sculpture styles in China, China Art, 2005.

Sculpture and Synthesis, National Art, 2004.

On the Characteristics and Historical Value of Cheng Yunxian's Sculpture Art, National Art, 2004.

In 2008, China Academy of Fine Arts hosted the "Sino-French Cultural Forum", a multi-cultural sculpture of China city.

In 2008, China Academy of Fine Arts hosted a high-level academic forum on culture and art, A Comparative Study of Chinese and Korean Paintings.

Fu Lei's Contribution to China Fine Arts, Symposium on Fu Lei's Birthday100th Anniversary, sponsored by Nanjing University, 2008.

China Modeling Spirit and Modern Design, Proceedings of the International Symposium on Design and Urban Development of Macau Polytechnic University, 2005.

Sculpting for the Times, Journal of Nantong University (Social Science Edition), 2007.

Wu Weishan's Preliminary Study on Wang Chaowen Sculpture Aesthetics was published in National Art,No. 1 2009.

Master Hongyi Sculpture, Buddhist Art in China, 2008.

Wonderful Creation of Harmony —— Visiting the statue of the boy in front of Buddha in Pilu Temple in Ming Dynasty, China Buddhist Art, 2008.

My Association with Master Yuan Lin, China Buddhist Art, 2008.

Talking about freehand brushwork sculpture again, Collection of China's Fine Arts edited by China Artists Association, 2005.

China Culture Bull and the Memory of Human and Wisdom, Wen Hui Publishing House, 2005.

China Humanistic Spirit and Urban Sculpture, Contemporary Sculpture in China, Heilongjiang Science and Technology Press, 2005.

On Basic Teaching and Sculpture in Fine Arts Colleges, (Second National Journal), 2004.

About Art Teaching, Sculpture, (Second National Journal), 2004 Supplement.

Sculpture and China's Humanistic Spirit, Sculpture, (Second National Journal), 2004.

Sculpture for Sculpture, Sculpture, (Second National Journal), 2005.

The Soul of the Western Han Dynasty —— Imagination in Woodcarving and Sculpture, (Second National Journal), 2008.

Plastic Scared Heart, Sculpture, (Second National Journal), 2008.

My opinion on the artistic style characteristics of China's sculpture —— Also on the value evaluation system of China's sculpture, Sculpture (Second National Journal) 2005.

On One of the Sculptures-Amazing Similarity, Wu Weishan, Sculpture, No.5, 2007.

Talking about Sculpture II-Thinking in Comparison, Wu Weishan, Sculpture, No.6, 2007.

On the third sculpture-vividness in vagueness, Wu Weishan, Sculpture, No.2, 2008.

The Power of Human Nature —— Reflections on Einstein's Image, Wu Weishan, Sculpture, No.3, 2008.

Hero Symphony Orchestra-Watch Boodell's Beethoven Statue Series, Wu Weishan, Sculpture, 1, 2009.

My Opinion on Wang Chaowen's Sculpture Aesthetics —— Reading Miscellaneous Feeling, Wu Weishan, Sculpture, No.2, 2009.

My Opinion on Mr. Wang Chaowen's Sculpture Aesthetics —— Reading Wu Weishan's "Under Miscellaneous Feeling" and "Sculpture", No.3, 2009.

The Value of Yellow River Iron Bull, Wu Weishan, Sculpture, No.4, 2009.

Sculpture Age —— Retrospect and Prospect of Urban Sculpture in New China, Wu Weishan, Literature and Art Research No.6, 20 10.

Urgent Suggestions on Strengthening the Scientific Management of National Urban Sculpture Construction, Wu Weishan, Sculpture Magazine 20 10 No.3.

period

"When I am dust, you will see my smile-in memory of Mr. Xiong Bingming", by Wu Weishan, published in the fifth issue of Sculpture in 2008;

"Plastic Bearing Road-Yao Tan Statue", by Wu Weishan, Sculpture Magazine, No.5, 20 10.

The wall of China's painting will eventually be broken, Wu Weishan, Xinhua Daily, August 10, 20 19.

Carving Confucius by Ancient Method, Wu Weishan, China Culture News, Theoretical Edition, 20 10 12.3.

"Lu Xun and Art", author, published in the theoretical edition of Wen Yi Daily 2010 65438+February 6;

Memories of Mr. Su Tianci, by Wu Weishan, was published in Painting, No.2, March 20 1 1.

Theme: Universal Values in Modern and Contemporary Art in China, by Wu Weishan, published by China Art Museum,No. 1 1,

"Spring Breeze Melts Rain-Remembering Mr. Fei Xiaotong", by Wu Weishan, published in China Culture News, 20 1 March1.