Li, a poet of the Qing Dynasty, was born in Tongzhou. Be honest and love people. He lives in Jinling and borrows the name of the owner of the garden. Known as one of the "Eight Eccentrics of Yangzhou".

The wooden paper-based ink pen was produced in 1754.

Message: On the 10th, when Gu Mei was making smoked fried rice, she made a few strokes and went to Shumei. Ice and snow are home-cooked dishes, and people in Chunfeng never go hungry. Written in October of the 10th or 9th year of Qianlong's reign, I borrowed the garden in Jinling. plum. Cymbal seal: dream within a dream, living on rice, fake, plum blossom, small window, wind and rain, health, Tibetan sound: Chu Town

The ancients painted plum trees with thousands of flowers or sparse branches. Most plum trees bend and sway. Li liked painting plums the most, and once wrote a plum poem: "It may not be timely to write plums. Don't blame the falling flowers. There are thousands of eyes, but only two or three." From thousands of dazzling plum blossoms, the painter captured Two or three of them are the most pleasing to the eye. After the artistic conception, he created an artistic image that is more perfect than the natural plum blossom, using less to win more, which is unforgettable. Zheng Banqiao spoke highly of this.

That was 1754, the 19th year. After Li was dismissed from office, he made a living by selling paintings. The poetry in his paintings reflects his optimistic and hungry painting spirit. The plum blossoms in the picture have strong individual characteristics. The plum branches are "heroic", the plum blossoms are round and natural, the fragrance is sparse, and the demeanor is lonely. Li's friend Yuan Mei commented on his "Li": "Proudness is the root of the plum blossom, and it is the flower of the plum blossom." This is the reason why he developed this style. Li Fang is addicted to beauty, so he has the seal of "lifelong confidant". Through the description of Mei, he portrayed his simple, stubborn and upright character. ‘If you go your own way, you can attract the winds of heaven and earth, and a sweet heart will never freeze to death’. Yuan Mei's words can be said to be a close friend.

Made in 1739.

Title: Thousand acres around Sichuan. Qingjiang topic. Seal: Open your mouth and smile.

Topic: 1. The phoenix sings in the morning sun. Written on the four corners. Clear river. 2. Xia Yu didn't even go out and left two or three Zhu Mo behind. If you know that the diameter of ginger is 1,000 acres, then clear the dusty atmosphere and take a look. Written in June of the fourth year of Long Dynasty in Yuchuang, Jinan. Clear river. 3. One acre of melons and three thousand catties of bamboo in Qingmen. Cloth is useless, it is an ancient profession. Qingjiang topic. 4. Plant bamboo and raise fish. Qingjiang topic. 5. Ling Lun cut bamboo to Kunlun, and Zhang Qian obtained garlic roots from the west. A journey through hundreds of thousands of rugged roads, only a painter can supply the ink. Li Qingjiang was named Monk Momei. 6. The high temperature in summer cannot be covered by fumigation, which may accidentally attract wild animals. By the creek of Shantong, countless breezes and countless bamboos are picking watermelons. In June of the fourth year, I wrote this article on my way back to Jinan from Linqing. Clear river. Seal: Bamboo window, Gu Kuang, Yi Tong, Xiao Li, Mu Laozi, roadside well, wine name, Qingjiang sketch.

This ink pen flower book has twelve openings, each opening is 25.5 cm long and 31.6 cm wide. Judging from the title, this volume was written by Cao Yu on his way back to Ji in June of the fourth year of Qianlong's reign. During this period, Li painted many such album works. For example, "Thousand Acres of Sichuan Picture Album" collected by the Zhejiang Museum and "Plum Blossom Book" collected by the Central Academy of Arts and Crafts. Compared with this book, these two works are very different in terms of paper size, material, content, painting style, and book title. resemblance. can confirm each other.

1739 was a very important year for Li Fang. It was a turning point in his life trajectory and painting style. Although Li's early painting research achieved certain achievements, he still did not deviate from the norms of his predecessors. In November 739, her father Li Yu died of illness, and Fang Li returned to Tongzhou to express her condolences. From then on, until Li lived in Jinling and Yangzhou, he began to get rid of the old habits of his predecessors. Therefore, the works created during this period are of great significance and high academic value for studying the origin and evolution of his painting style.

This volume describes plums, orchids, bamboo, swimming fish, lotus, garlic root, etc. These were all subjects in which he excelled throughout his life. Write a page of fish to obtain the true meaning of the predecessors, which is consistent with other families in the Ming Dynasty. It tends to be realistic, and there is still a long way to go before he wrote "Plum in a Plate" with an almost crazy writing style in his later years. It is famous for its plum-blossom bird, especially its plum blossoms. Different styles vary from period to period. The plum blossom stand in this book represents the typical style of this period. It is not difficult to see that Li is accustomed to using light ink to write the main branches of plum blossoms, using thick ink to slightly modify them, and using fine strokes to draw a few plum blossoms. The layout is high for easy side escape. Plum branches are usually pointed and straight, thin and hard, never sweet and delicate. The poet Yuan Mei was Li's good friend. He once said: "A lonely job will cause the wind of heaven and earth, and honey will never die from frost.". The whole book includes five bamboos, each with its own charm. "The morning sun is shining brightly", I said it several times, and then I wrote another sentence casually, and then "The bamboo shadows cover the quiet window." It is a work that extremely describes strong winds and waves, isolation by thin bamboo, self-comparison or bright ambition. The title is written implicitly, with a painterly meaning, presenting a unified and unique visual effect. This phenomenon is common in Yangzhou and it is a new trend. This is related to the social and market environment of Yangzhou's prosperous business, and the ever-expanding citizen class entering the art market, pursuing novelty and change in art, and even novelty and strangeness. There is a page entitled "Three roads, a thousand bamboo poles, an acre of melons to clear the door, no cloth, old trade", which vaguely reveals the officialdom's frustration and difficult situation. Among the Yangzhou Painting School, many people living in Jinling, Yangzhou, such as Zheng Xie, Li, etc., made a living by selling paintings because their official careers were blocked. Bamboo and stone have become a portrayal of Yangzhou painters' feelings. Li You's poem said: "The waves are floating on the sea, the bamboos are closed inside, and the painter is learning to paint.

They are self-deprecating and bold, but still love the wind." His temperament is calm and indifferent. Therefore, Zheng Xie and Fang Li are very friendly and praise them as "Dongpo lay people, awesome". First of all, because of their painting skills , the temperament and environment are similar. On another page, there is a seven-character poem titled "The summer rain does not come out, but it falls for two or three times, and the river path is full of thousands of acres, and the clean dust is seen, and the bamboo branches are low in the wind and rain." The pen and ink are gentle and the large area of ??white space is in sharp contrast with the compact title. There is no wind or rain, but it is like "But now I remember that night, the storm". The pen and ink are concise and full of artistic conception. "Inscription, praising its simplicity and depth, "If you can't reduce, if you want to increase, you can't increase. It is like a pair of scissors in the ice and snow, cutting out thousands of miles from spring to spring. Only these two leaves create a peaceful scene between heaven and earth. "Fish" is the highlight of this book, and it is also the culmination of Li's complex and simple work "Planting Bamboo and Raising Fish" from "Thousand Acres of Weichuan" and "Thousand Acres of Luanchuan"; Thousand Acres of Bamboo in Weichuan. This person Waiting with thousands of families. Zheng Xie also tasted "Thousands of acres surrounded by rivers, seven springs of purple bamboo, natural in the northwest, between the clouds and dreams of Xiaoxiang, and the cave outside the grass; what is not water, what is not bamboo." I drew the inscription, signature and seal on the edge of the paper, leaving a large white space without writing a single stroke, and I could write "Thousand Acres of Weichuan", just like Da Chongguang's "Painting". "In the picture of the air crash, the real scene is clear, but the virtual scene exists; God cannot be depicted, the real world is forced, God was born; the position is awkward, and most of the paintings are warts; virtuality and reality coexist, and the beauty of no painting is. ". In Fang's works, the foresight and foresight of the sages are indeed first-class and a model for later generations.

Centennial painting vertical axis colored paper

Money: 110 has zero digits . Li Bamboo by the Qing River "History of Huo Zhi". Seal: West of Beijing, My Family is Happy

Li, a native of Tongzhou, Jiangsu Province, was originally named Qingjiang and was one of the Eight Eccentrics of Yangzhou. : "one hundred and ten paintings with zero", "one hundred", a lily, "ten", a rose stone, "zero" means Ganoderma lucidum, and a daylily, which means "come on" "Day lily, you can forget your troubles". However, ordinary prayer works are so elegant that they do not pay attention to pen and ink and light colors, showing us another side of the bookishness of the "Eight Eccentrics of Yangzhou" literati. When Li Fang was the magistrate of Linyi County, his superior After being appointed as the magistrate of Luzhou, he was framed and dismissed. After experiencing the ups and downs of the official family, this picture can prove it. Paper book

Title: The old man draws plum blossoms with his hands together, one draws branches and the other writes dry branches. They grow well, the spring is very dry, and the frost is very bitter in autumn, written in the plum blossom house. River. Imitation of Shangji's pen. The clear river is the ink stone in the sky, and the white clothes are visible in the distance. When he saw Rouge, he would throw out thousands of dollars. "Ren Xuqiu" by Hengxuan. When Yuling opened the door, there was snow and frost everywhere, and there was no sunset. For everyone, Linxi is a beautiful place. Long Mian doesn't like flowers. About 90% of ancient people's landscape paintings include clear rivers. , Concubine Chen, an old painter, intoxicated, photographed by Yu Bing, Qingjiang calligraphy and painting, Qingjiang, can only be eaten in the mouth, the roadside is good, a little careless, in the name of wine

Li. The picture album "Qilu Thousand Acres of Mulberry" has eight pages, including plum blossoms, peonies, chrysanthemums and bamboos. Among them, Li likes to paint plum blossoms. Except for the writer Yuan Mei, his lifelong friends often paint plum blossoms. "Best Friend", "Plum Blossom Meaning" and "Cold Fragrance". The gardens borrowed from his hometown of Tongzhou and Nanjing are called "Plum Blossom Houses", and he often goes deep into them to observe and experience them. , he likes Meicheng's Internet addiction, which has reached the point of both mental and physical wandering, so the plum blossoms he draws, whether "big" or "small", are all done with the halo on the chest. Although they are random. Works, but the fingers are alive. “The compositions of plum blossoms in this album are different, but they are not dominated by dense flowers and branches, but by simplicity. The compositions are also all kinds of strange, whimsical and out-of-this-world. In terms of painting method, plum blossoms are written with dots of thick and light ink and burnt ink using the folding method, and are filled in, which is slightly sloppy. It is said that "the blind ancients are not as good as the old people. The new branches are long and straight, showing the characteristics of "not knowing how to bend to the spring breeze" . White ink crochet, thick ink dots, cold flower calyx with ink charm.

Lotus rice paper was made in 1743. Understanding: rolling up Tianjin brocade, teaching autumn scenery. Eight years in the summer, Li. Printmaking: Painting, Treatment of Eyes and Diseases

Look at this painting by Fang Li, the brush strokes are like the wind, and the ink flowers are flying, which is the victory of the literati. Works, when God is interested, cannot stick to symbols; when you refer to its field, you don't have to care about the source of its testimony. Cultivation can be learned, but spiritual tolerance can be achieved without learning, so It's valuable. Li is also good at reading. He gets more out of his style. The ink is thick and the pen is on the paper, which is more suitable for lightness, depth, and disease. , and can set off each other. If its writing style can be compared with the word "hao", then the book above it is enough to become "bear", and the writing style is still the same.

Bamboo and stone scroll made in 1744

Knowledge: I have been studying painting Xuan Lang for 20 years. The wind and rain are good, and the dew is thin and smoky. I have never been addicted to drugs in my life, and Wan Zhangqingyun needs to mend the sky. In March 1999, I wrote "Plum Blossom House"

Tag: clear square bamboo and stone scroll. Zhongchun, thank you. Seal: , Qiang Mu

Li pays attention to freehand brushwork, regardless of its shape. The paintings are painted with bare leaves, horizontally and vertically, focusing on the performance of bamboo in wind and rain. Lively, it combines poetry, calligraphy and painting, just right. His works include "Zuo Baishan Room".

Li Meilan’s bamboo and stone paintings are mostly made of ink pens, and there are fewer color paintings. Although Li said in his poem that the bamboo slips were painted to express the so-called fresh and refined taste of literati, in fact it was exactly the opposite. The art of the "Eight Eccentrics of Yangzhou" was very different from the aesthetic taste of traditional literati paintings. The four teachers Mei, Lan, Zhu and Ju all showed their concern for the sufferings of the people and real life in their works. They are members of the WTO. Li's friend Zheng Xie, one of the Eight Monsters, is also good at painting bamboo, but their artistic styles and methods are different. The tranquil bamboos in Zheng Xie's paintings mostly have thin stems and thick leaves, and are beautiful and tall; Li likes to paint in strong winds. He said: "It is brave to laugh at oneself, but he still loves the strong wind." The bamboos he painted are thick, long leaves, vigorous and willful, showing their spirit of fighting the strong wind and their momentum to win with force.