However, watching the Korean disaster film Haeundae today changed my view. The story of "Haeundae" is very old-fashioned, that is, the tsunami destroyer human beings. It is in this ancient story that the signature design is permeated with the light of humanity. Haeundae adopts a multi-line narrative strategy, and several people tell their own stories and gather in Haeundae, a Korean resort, until disaster strikes. There was basically no big scene in the last hour, mostly describing the joys and sorrows of these ordinary people. If you watch this hour inadvertently, you will think that you are actually watching the Korean version of love. It was not until disaster arrival that the film officially entered the theme. However, the preparation of the previous hour was not in vain. After the disaster arrival, we were soon infected by the fate of these people who were still alive before. At the end of the heroic sacrifice of the rescue team, my eyes could not help but get wet. The joke told by the friends of the rescue team at 3 pm also became the last tear gas.

A major feature of Korean movies is that they are good at dealing with the feelings of characters, whether it is love, affection or friendship. People, especially women, often burst into tears when watching Korean dramas. For us grandfathers, it's really hard to get into the state when watching that thing, let alone cry. But there are always some excellent things that can impress you. Although there is no strong lens in "Hai Yuntai", it can still infect most audiences as a whole, even if it is out of the instinctive reaction of human beings to witness the sudden death of similar lives, it will make people feel heavy. I watch too many Hollywood disaster movies, and sometimes I feel a little numb. But I can't help but burst into tears when I watch this movie "Haeundae". After watching so many disaster films, how can you not resist? I think, as long as disaster films are close to life and show human nature, they will never be out of date and will always be shocking. Because at any time, everyone has feelings that are usually ignored but cherished. Everyone has only one life, but just keeping his own life doesn't mean he can live, because people need more than this life to live. No one is born a hero. The only hero in this movie is lifeguard Zheng Zhi. Others are just saving their loved ones or those who can be saved by helping. Can a hero cut his insurance rope in exchange for strangers or even opponents? This is also a question that I have been thinking about for a long time after reading it. I don't know, but I know that there are parents who leave the hope of life to their children and face death by themselves, and there are also people who can stretch out their bleeding arms to help their neighbors when they are washed away by the flood, just like the little girl who desperately protects her younger children in The Monster of the Han River. These are not the actions of heroes, but the actions of mortals, which is why they are more touching. A good interpretation of Korean movies used to be that China's ancient love has no borders. Now we are discarding these iconic designs, and Koreans are inheriting this spirit. This film is the sorrow of our country.

I often think, if the tsunami comes, if it is still useful to escape, if my companion falls down in the escape, if a stranger falls in front of me, if there is only one chance to live, but there are two of us, what should I do? If the people around you are killed by the disaster, are there any unsolved misunderstandings, unexpressed feelings and unfulfilled promises? How pure are those vows of eternal love that face life and death choices? Every time we watch a disaster film, this is a question that every audience will inevitably think about. After reading "Hai Yuntai", I always feel a little bitter in tears.

What should have happened happened after all.