Hahn. Hahn has a unique charm. She has the classical temperament and musical literacy of the 19th century, but at the same time she is independent and confident in the 21st century. Her playing style leans toward German rationality and rigor, but she usually reveals all the qualities of an American girl. Lively and approachable. Hahn is not like Julia Fischer, who is astonishing when people first come into contact with her. Hahn's personality and her music are more like a classical oil painting, which requires the audience to stop and watch. It contains multiple levels of rich connotation and charm. Hahn is undoubtedly the kind of performer with talent and hard work, coupled with her classically elegant appearance, she quickly gained a group of enthusiastic listeners. But what’s interesting is that Hahn’s playing style has always maintained a calm, rational, and rigorous playing style. His movements when playing are not large, and he does not have the rich expressions of playing like Maxim Vengerov. Many of them are not Listeners who are very accustomed to listening to classical music may feel that Hahn's performance is too mediocre when they first listen to her performance, but most people will also be amazed by her accurate emotional expression and sustained and precise timbre control. Let’s talk about the feeling of watching her live. The first time I saw Hahn live was in 2011, when Hahn performed with the British Chamber Orchestra. The full sound quality and rational playing style in the album were perfectly presented in Live. At one point, I even thought that Hahn was a performer who would never make mistakes. Because every detail is controlled to perfection. The subsequent autograph sessions left a deep impression on me. Hahn loves her fans very much. Although many people are waiting, and some fans will ask for photos from time to time, Hahn always smiles and signs autographs for every fan. And thank them all. Hahn's signature is really elegant.