The abstract concept of modality in cursive script is rooted in the deep cultural soil of China. The concepts of the unity of heaven and man, the beauty of nature, the impossibility of writing, and the intention to write first affect the development of calligraphy art, which is the abstract concept of modality in cursive script. What I bring to you below is the cursive script of calligraphy. I hope you like it.

Calligraphy Luozi cursive calligraphy appreciation calligraphy Luozi cursive calligraphy 1

Calligraphy Luo Zi Cao Shu II

Calligraphy Luo Zi Cao Shu 3

Calligraphy Luo Zi cursive writing method 4

Calligraphy Luo Zi cursive writing method 5

Cursive art

Now people learn cursive script in a different way from the ancients. For example, Wang Xizhi turned the pen method into a subconscious expression. When writing, you don't need to consider the brushwork. When writing a tape of one word and the next word, you don't need to consider whether it is reflected here or how to connect the previous and the next. From the analysis of cabinet posts and letters, we can see that they are really relaxed, or writing in a dull and painful state, and their mood is different. However, in the process of writing, he will never consider how to write this letter or a handwritten note. This is the situation of Wang Xizhi. Look at Huai Su. Huai Su completely transformed his skills into a subconscious gesture. He passed very strict intensive training, such as writing on banana leaves. He is so familiar with cursive brushwork that he doesn't need to think about it. Otherwise, how can there be a situation of "suddenly calling three or five times and a thousand words are everywhere"? This is an externalization of inner excitement, an expression of * * *, and it is impossible to think about skills in this kind of performance. Therefore, whether Wang Xizhi or Huai Su, their writing state is different from that of modern people.

It's not the same since Wang Duo. Wang Duo has regarded cursive script as an expression. Although he adopts an extremely romantic expression, he has his own ideas when dealing with it and treats it when writing. There is a work, which is Zhang Zhi's cursive script. If you analyze it, you will find that his cursive script looks like a book and is very wild. When he unfolded the cursive script into a big character, it was impossible to finish it in one stroke. He picked it up with a pen. Among the cursive scripts near Zhang Zhitie, there are more than a dozen places to write. He doesn't use the smooth sequence method when selecting. For example, in a brushwork, he always connects the two sides smoothly, and uses the method of dislocation of elder sister, which is a skill of Wang Duo. Careful observation of his original works will reveal this problem. Because he is pushing hard, otherwise, it will be difficult for him to make a smooth transition. In this case, he can only do overlapping, and it is a staggered overlapping method to increase the change of lines. If the lines become thicker, the fonts become larger, or they are connected in sequence, it will appear dull. Wang Duo adopted the staggered overlapping method in processing. This was discovered by Mr Wang Yong when he was studying Wang Duo's works. And in order to increase the font size, Wang Duo consciously reformed the ink method. When Xu Wei was writing a cursive script, in order to make the words more effective, he strengthened the rich changes of lines and the setbacks were more obvious. Compared with Wang Xizhi and Huai Su, their setbacks are more severe. The above are some skills and methods of Xu Wei's handling.

People in the Ming Dynasty were like this. Writing cursive script today, the change is even more different. Because the conditions are different now, it has more information than the ancients. For example, the three basic systems in calligraphy, namely, the brushwork system, the ink method system and the composition system, are studied differently. The study of Mohism, even the inheritance of Mohism from Huang to Huang, is different. What should we learn from the use of water and ink? This is a question that people are considering today.

The generalized cursive script comes from the existence of cursive script. Today's cursive script has developed along a smoother, more convenient and more written road. Therefore, cursive script contains the sum of all brushwork from seal script to official script. For example, Cao Zhang is transformed from official script and seal script, not only official script, but also many seal script components. Wang Duo has this kind of consciousness. When he writes cursive script, he must have the meaning of seal script and official script. What should you do if you want to enter the exhibition hall and occupy the wall of the rotunda of Rainbow Dongling Art Museum? You must add some other ingredients to the cursive script. For example, when Wang Yijun writes a cursive script, he spreads the paper on the ground and then takes off his shoes to write. However, in the process of writing, the application of his brush strokes, when expanded to a large scale, is intentional, not Rainbow's ridicule, but Huai Su, who is trained and very familiar with writing. Therefore, it is intended to pursue the charm of Jin people. In his pursuit of this kind of feeling, how did he show it when he grew up? He thinks more about ink painting. Because the brushwork is simple enlargement, what should I do if I want to enrich it? Just work hard on ink painting. Su Mo was used to add ink to it. These factors are directly extracted from the paintings of Wang Duo and Huang. Only in this way can we ensure that such a big word has rich changes and connotations. So cursive script has developed to this day, using more materials, and the method used is to deliberately absorb something. What's more, the current materials are not only cursive, on the ground, underground, classic, folk, so many things.