Jingshan has gone to Huashan, and Tongguan is open at sunrise.
The secretariat greeted him from afar, and "xianggong" broke Cai Zhou back.
Notes on "Send Twelve Pavilion Ambassadors to Tongguan First" (1) Time: Garrison. Tongguan: Located in the north of Tongguan County, Shaanxi Province, it was established at the end of the Eastern Han Dynasty, and it is a traffic fortress of Qin, Jin and Yu. The old ambassador of Zhang Shi 'er Pavilion: Zhang Jia, then the secretariat of Huazhou, was called the ambassador; He used to be a minister in the province under the door. At that time, it was very common to call officials in Zhongshu and Menxia provinces "Ge Lao".
⑵ Jingshan: also known as Fubu Mountain, located in Lingbao, Henan, east of Tongguan, more than 200 miles away from Huashan and west of Tongguan.
⑶ Don't say goodbye to Hou Yuan: Because Huazhou is still 120 miles away from Tongguan, the clouds don't say goodbye. Xianggong: refers to the commander-in-chief and prime minister of Pinghuai Army. Cai Zhou: Huai's vassal will be Wu Yuanji's base camp. In October of 8 16 (the 12th year of Yuanhe), Tang Jun defeated Cai Zhou and captured Wu Yuanji alive.
Appreciation of "Sending Old Ambassadors to Twelve Pavilions in Ertongguan" This poem was written by the author on his way to the army after the victory in Huaixi. Qian Zhonglian's Collected Works of Interpretation was written in 8 16 AD (the 12th year of Yuanhe). At that time, Tang Jun arrived in Tongguan and was about to go to Iowa. The author wrote this poem as a marching Sima, and quickly presented it to Zhang Jia, the secretariat of Huazhou, to express his pride in victory and inform the other party to prepare to send troops. So the title of the poem is "starting". Twelve is Zhang Jia's first line; Zhang is a member of the provincial government. At that time, officials in Zhongshu and Menxia provinces were generally called "Ge Lao": because the Han Dynasty honored the state secretariat as "envoy", the Tang people used it. This poem was once called "the fastest poem in life" by Han Yu (Jiang Baoxuan), and its artistic feature is that it is a masterpiece full of personality in the quatrains of the Tang Dynasty.
The first two sentences describe the magnificent picture of the victorious army arriving at Tongguan. The name "Jingshan" covers Busan, which is located in lingbao city, Henan Province, more than 200 miles away from Huashan Mountain. Huashan is in the west of Tongguan, towering and overlooking Qinchuan; Listening to the Yellow River, the waves are rough and the scene is extremely magnificent. The first sentence is written from Jingshan to Huashan, as if the victorious army had crossed a vast area in an instant, which was very heroic and set a magnificent tone for the whole poem. Shi Buhua, a scholar in A Qing, called it concise, comparable to Du Fu's famous sentence, "All the land is green and the land is high", which is not too much. Compare the first sentence of Guo Xiangcheng written by the author earlier, the theme is the same, and it is similar to Jingshan's use of "row in the sentence" ("Yancheng-Xiangcheng"); "Jingshan-Huashan") overlapping form. However, Yancheng and Xiangcheng are just two passing place names; But Jingshan and Huashan have a sense of color. In the eyes of the winners, the majestic mountains seem to be impressed by their great achievements and compete to celebrate. The personification technique is vivid. In contrast, the sentence "Yancheng" is dull.
In the second sentence, the author captures several outstanding images to describe the magnificent scene of welcoming the teacher's triumph, which is magnificent. At that time, it was snowing in the middle of winter, and it seemed that "winter is very lovely." "Sunrise" is included in the poem and combined with specific historical content, and the meaning of the image becomes more profound. The sun rises and the ice and snow melt, which symbolizes the temporary reversal of the separatist situation in the buffer region and the realization of "Yuan Zhongxing". The ancient Tongguan fortress sparkled in the bright sunshine. At this moment, four doors are wide open, from a narrow pass where cars are not allowed to enter into a magnificent "Arc de Triomphe". Although there is no direct description of people, the spectacular pictures are hidden between the lines, leaving readers with a broader imagination space: hunting with flags, drums and horns ringing, and a mighty army arriving at Tongguan; Local officials go out to meet behind closed doors; People ate the meat in the pot and ran with joy, standing on both sides of the street to comfort Julian Waghann. "Writing songs and dances into the customs, without a word, is all about words, so it is wonderful" (Cheng Xuexun's "Chinese Poetry Hypothesis"). Poetry critics in the Qing Dynasty had a debate about whether the gate of Tongguan was "four" or "two". In fact, poetry is not more rigid than geography. Try to change the "four fans" into "two fans", which is not enough to read. In short, the weather and the realm have come out. Therefore, it is necessary to write like this only from the perspective of artistic treatment. In addition, surprise is the characteristic of Korean poetry.
The last two sentences of the poem are changed to the second person's tone, and Zhang Jia, the secretariat of Huazhou, is informed to prepare to arise. Tongguan is still 120 miles from Iowa, so it is said to be "far". Soldiers who greet victory from a distance should have a hard time. However, this has to be said by people who go out to meet guests, which is almost human nature. "Don't say goodbye to Hou Yuan" here is to accept the tone of the welcoming party, completely abandon the polite routine, but better express the arrogant modality and the host's mind, so it is extremely reasonable. There is a corresponding sentence in "Crossing Xiangcheng" that "home and mountain don't have to meet from afar". Although the words are different, the meaning is similar. But the former is humorous, relaxed and humorous, which conforms to the actual situation in a festive environment and is more interesting to read. The latter is limited by common sense, but it is difficult to fully express such artistic conception.
The fourth sentence "xianggong" refers to the actual commander-in-chief of Pinghuai Army-Zai Feng Du. The victory of Huaixi cannot be separated from his strategizing. "Cai Zhou" was originally the lair of Wu Yuanji, a powerful warlord in the west of Huai River. In October of the 12th year of Yuanhe (8 16), Tang captured Wu Yuanji alive and attacked Cai Zhou on a snowy night. This is the key battle of Pinghuai, so the poem uses "breaking Cai Zhou" to replace the victory of Huaixi. The word "new" is called "pro", but the word "new" is particularly wonderful. It not only contains the meaning of "pro", but also indicates that the decisive battle has just ended. At that time, the imperial court "rewarded Yuan Gong at one time", while people "celebrated peace in the New Year". It was the moment when the atmosphere of victory and pride reached * *. The sincere praise of Pei Du in the poem reflects the author's attitude towards the United War. With Zhifu as the conclusion, the whole poem is gathered in one sentence, why the mountain runs, why the sun is high, why Tongguan is wide open, and who the secretariat is waiting for. The following is a general answer, which has become the focus of the whole poem. The first three sentences did not directly write triumph, but this sentence should be straight. This technique is as impressive as the appearance of important figures in traditional drama.
Throughout the poem, write one or two sentences all the way, three straight sentences and four straight sentences, which can be called hard pen and express lofty sentiments. Because it has opening and closing in the straight, ups and downs, toughness in the rigid, unevenness in the straight and full of charm. A political lyric poem, written in the form of military orders, expresses the author's politics, which is beyond the reach of ordinary entertainment works. Appreciation 2 This poem was written by the author on his way to victory with the army after the victory in Huaixi. At that time, Tang Jun arrived in Tongguan and was about to go to Iowa. The author wrote this poem as a marching horse, and quickly presented it to Zhang Jia, the secretariat of Huazhou, to express the pride of victory and to inform the other party to prepare an army. So the title of the poem is "starting". Twelve is Zhang Jia's first line; Zhang is a member of the provincial government. At that time, officials in Zhongshu and Menxia provinces were called "Ge Lao"; Because the Han dynasty honored the state secretariat as "envoy", the Tang people used it. This poem was once called "the fastest poem in life" by Han Yu (Jiang Baoxuan). Its artistic feature is to oppose quatrains in a subtle and graceful way, which is a beautiful structure full of personality in Tang quatrains.
The first two sentences describe the magnificent picture of the victorious army arriving at Tongguan. The name "Jingshan" covers Busan, which is located in lingbao city, Henan Province, more than 200 miles away from Huashan Mountain. Huashan is in the west of Tongguan, towering and overlooking Qinchuan; Listening to the Yellow River, the waves are rough and the scene is very magnificent. The first sentence is written from Jingshan to Huashan, as if the victorious army had crossed a vast area in an instant, which was very heroic and set a magnificent tone for the whole poem. Shi Buhua, a scholar in A Qing, said that it is concise and powerful, which is not too much with Du Fu's famous sentence "Green is about to drip, spanning Qilu and Qilu". Compare the first sentence of Guo Xiangcheng written by the author earlier, the theme is the same, and it is similar to Jingshan's use of "row in the sentence" ("Yancheng-Xiangcheng"); "Jingshan-Huashan") overlapping form. However, Yancheng and Xiangcheng are just two passing place names; But Jingshan and Huashan have a sense of color. In the eyes of the winners, the majestic mountains seem to be impressed by their great achievements and come to celebrate in an endless stream. The personification technique is vivid. In contrast, the sentence "Yancheng" is dull.
In the second sentence, the author grasped several prominent images and showed the magnificent scene of welcoming the teacher's triumph, which was extremely broad. At that time, it was snowing in the middle of winter, and it seemed that "winter is very lovely." "Sunrise" is included in the poem and combined with specific historical content, and the meaning of the image becomes more profound. The sun rises and the ice and snow melt, which symbolizes the temporary reversal of the separatist situation in the buffer region and the realization of "Yuan Zhongxing". The ancient Tongguan fortress sparkled in the bright sunshine. At this moment, four doors are wide open, from a narrow pass where cars are not allowed to enter into a magnificent "Arc de Triomphe". Although there is no direct description of people, the spectacular picture is hidden between the lines, leaving readers with a broader imagination space: hunting with flags, drums and horns ringing, and a mighty army arriving at Tongguan; Local officials go out to meet behind closed doors; People ate the pulp in the kettle, comforted Julian Waghann with joy and haste ... "It's better to write songs and dances without words, so there are no words to describe them" (Cheng Xuexun's Hypothesis of Korean Poetry). Poetry critics in the Qing Dynasty had a debate about whether the gate of Tongguan was "four" or "two". In fact, poetry is not more rigid than geography. Try to change the "four fans" into "two fans", which is not enough to read. In short, the weather and the realm have come out. Therefore, it is necessary to write like this only from the perspective of artistic treatment. In addition, surprise is the characteristic of Korean poetry.
The last two sentences of the poem are changed to the second person's tone, and Zhang Jia, the secretariat of Huazhou, is informed to prepare to arise. Tongguan is still 120 miles from Iowa, so it is said to be "far". Soldiers who greet victory from a distance should have a hard time. However, this has to be said by people who go out to meet guests, which is almost human nature. "Don't say goodbye and welcome" here is to accept the tone of the welcoming party, completely abandon the routine of politeness, but better express the arrogant modality and the host's mind, so it is extremely reasonable. There is a corresponding sentence in "Crossing Xiangcheng" that "home and mountain don't have to meet from afar". Although the words are different, the meaning is similar. But the former is humorous, relaxed and humorous, which conforms to the actual situation in a festive environment and is more interesting to read. The latter is limited by common sense, but it is difficult to fully express such artistic conception.
The fourth sentence "xianggong" refers to the actual commander-in-chief of Pinghuai Army-Prime Minister Pei Du. The victory of Huaixi cannot be separated from his strategizing. "Cai Zhou" was originally the lair of Wu Yuanji, a powerful warlord in the west of Huai River. In October of the 12th year of Yuanhe, Tang defeated Cai Zhou in Hakodate and captured Wu Yuanji alive. This is the key battle of Pinghuai, so the poem uses "breaking Cai Zhou" to replace the victory of Huaixi. The word "new" is called "pro", but the word "new" is particularly wonderful. It not only contains the meaning of "pro", but also indicates that the decisive battle has just ended. At that time, the imperial court "rewarded Yuan Gong for a while" and the people "celebrated the New Year", which was the moment when the atmosphere of victory and pride reached * * *. The sincere praise of Pei Du in the poem reflects the author's attitude towards the United War. With Zhifu as the conclusion, the whole poem is gathered in one sentence, why the mountain runs, why the sun is high, why Tongguan is wide open, and who the secretariat is waiting for. The following is a general answer, which has become the focus of the whole poem. The first three sentences did not directly write triumph, but this sentence should be straight. This technique is as impressive as the appearance of important figures in traditional drama.
Throughout the poem, writing one or two sentences all the way, three straight sentences and four straight sentences, can be said to be a pen to express pride. Boldly used the method of "drinking feathers without stones", which is completely new. Because of its opening and closing in rigidity, ups and downs, toughness in rigidity and unevenness in straightness, it is "rolled into a poem" (Cha Shen Xing) with full charm. A political lyric poem, written in the form of military orders, expresses the author's politics, which is beyond the reach of ordinary entertainment.
This poem was written by the author on the road to victory with the army after the victory in Huaixi. At that time, Tang Jun arrived in Tongguan and was about to go to Iowa. The author wrote this poem as a marching horse, and quickly presented it to Zhang Jia, the secretariat of Huazhou, to express the pride of victory and to inform the other party to prepare an army. So the title of the poem is "starting". Twelve is Zhang Jia's first line; Zhang is a member of the provincial government. At that time, officials in Zhongshu and Menxia provinces were called "Ge Lao"; Because the Han dynasty honored the state secretariat as "envoy", the Tang people used it. This poem was once called "the fastest poem in life" by Han Yu (Jiang Baoxuan). Its artistic feature is to oppose quatrains in a subtle and graceful way, which is a beautiful structure full of personality in Tang quatrains.
The first two sentences describe the magnificent picture of the victorious army arriving at Tongguan. The name "Jingshan" covers Busan, which is located in lingbao city, Henan Province, more than 200 miles away from Huashan Mountain. Huashan is in the west of Tongguan, towering and overlooking Qinchuan; Listening to the Yellow River, the waves are rough and the scene is very magnificent. The first sentence is written from Jingshan to Huashan, as if the victorious army had crossed a vast area in an instant, which was very heroic and set a magnificent tone for the whole poem. Shi Buhua, a scholar in A Qing, said that it is concise and powerful, which is not too much with Du Fu's famous sentence "Green is about to drip, spanning Qilu and Qilu". Compare the first sentence of Guo Xiangcheng written by the author earlier, the theme is the same, and it is similar to Jingshan's use of "row in the sentence" ("Yancheng-Xiangcheng"); "Jingshan-Huashan") overlapping form. However, Yancheng and Xiangcheng are just two passing place names; But Jingshan and Huashan have a sense of color. In the eyes of the winners, the majestic mountains seem to be impressed by their great achievements and come to celebrate in an endless stream. The personification technique is vivid. In contrast, the sentence "Yancheng" is dull.
In the second sentence, the author grasped several prominent images and showed the magnificent scene of welcoming the teacher's triumph, which was extremely broad. At that time, it was snowing in the middle of winter, and it seemed that "winter is very lovely." "Sunrise" is included in the poem and combined with specific historical content, and the meaning of the image becomes more profound. The sun rises and the ice and snow melt, which symbolizes the temporary reversal of the separatist situation in the buffer region and the realization of "Yuan Zhongxing". The ancient Tongguan fortress sparkled in the bright sunshine. At this moment, four doors are wide open, from a narrow pass where cars are not allowed to enter into a magnificent "Arc de Triomphe". Although there is no direct description of people, the spectacular pictures are hidden between the lines, leaving readers with a broader imagination space: hunting with flags, drums and horns ringing, and a mighty army arriving at Tongguan; Local officials go out to meet behind closed doors; People ate the pulp in the kettle, comforted Julian Waghann with joy and haste ... "It's better to write songs and dances without words, so there are no words to describe them" (Cheng Xuexun's Hypothesis of Korean Poetry). Poetry critics in the Qing Dynasty had a debate about whether the gate of Tongguan was "four" or "two". In fact, poetry is not more rigid than geography. Try to change the "four fans" into "two fans", which is not enough to read. In short, the weather and the realm have come out. Therefore, it is necessary to write like this only from the perspective of artistic treatment. In addition, surprise is the characteristic of Korean poetry.
The last two sentences of the poem are changed to the second person's tone, and Zhang Jia, the secretariat of Huazhou, is informed to prepare to arise. Tongguan is still 120 miles from Iowa, so it is said to be "far". Soldiers who greet victory from a distance should have a hard time. However, this has to be said by people who go out to meet guests, which is almost human nature. "Don't say goodbye and welcome" here is to accept the tone of the welcoming party, completely abandon the routine of politeness, but better express the arrogant modality and the host's mind, so it is extremely reasonable. There is a corresponding sentence in "Crossing Xiangcheng" that "home and mountain don't have to meet from afar". Although the words are different, the meaning is similar. But the former is humorous, relaxed and humorous, which conforms to the actual situation in a festive environment and is more interesting to read. The latter is limited by common sense, but it is difficult to fully express such artistic conception.
The fourth sentence "xianggong" refers to the actual commander-in-chief of Pinghuai Army-Prime Minister Pei Du. The victory of Huaixi cannot be separated from his strategizing. "Cai Zhou" was originally the lair of Wu Yuanji, a powerful warlord in the west of Huai River. In October of the 12th year of Yuanhe, Tang defeated Cai Zhou in Hakodate and captured Wu Yuanji alive. This is the key battle of Pinghuai, so the poem uses "breaking Cai Zhou" to replace the victory of Huaixi. The word "new" is called "pro", but the word "new" is particularly wonderful. It not only contains the meaning of "pro", but also indicates that the decisive battle has just ended. At that time, the imperial court "rewarded Yuan Gong for a while" and the people "celebrated the New Year", which was the moment when the atmosphere of victory and pride reached * * *. The sincere praise of Pei Du in the poem reflects the author's attitude towards the United War. With Zhifu as the conclusion, the whole poem is gathered in one sentence, why the mountain runs, why the sun is high, why Tongguan is wide open, and who the secretariat is waiting for. The following is a general answer, which has become the focus of the whole poem. The first three sentences did not directly write triumph, but this sentence should be straight. This technique is as impressive as the appearance of important figures in traditional drama.
Throughout the poem, writing one or two sentences all the way, three straight sentences and four straight sentences, can be said to be a pen to express pride. Boldly used the method of "drinking feathers without stones", which is completely new. Because of its opening and closing in rigidity, ups and downs, toughness in rigidity and unevenness in straightness, it is "rolled into a poem" (Cha Shen Xing) with full charm. A political lyric poem, written in the form of military orders, expresses the author's politics, which is beyond the reach of ordinary entertainment.
A brief introduction of Han Yu (768 ~ 824), the author of Send Zhang Twelve Pavilion to Tongguan, is a writer, philosopher and thinker of the Tang Dynasty, Han nationality, born in Heyang, Henan (now mengzhou city, Jiaozuo, Henan), and his ancestral home is Han Changli, dengzhou city, Henan. In his later years, he served as an assistant minister in the official department, also known as the Korean official department, and posthumous title was "Wen". After 792, he was promoted for our time and supervised the imperial history. De Zongmo was demoted for writing about the disadvantages of current politics. In Tang Xianzong, he was a doctor in Guo Zi, a historian and a calligrapher in China. In August19 (in the 14th year of Yuanhe), he was demoted as the secretariat of Chaozhou for discouraging Xianzong from welcoming Buddha bones. Mu Zong was then the son of the nation offering wine, assistant minister of the Ministry of War, assistant minister of the official department, and Jing was the suggestion. Politically, he opposed the separatist regime in the buffer region. Xian Zongyuan and He took an active part in the war against Huai and Wu Yuanji, and served as the marching Sima of Pei Du. Ideological worship of Confucianism, rejection of Buddhism. At the same time advocate the theory of destiny. It is believed that "heaven" can reward good and punish evil, and people can only conform to and obey the destiny. His theistic thought adapted to the need of consolidating feudal rule; In literature, he opposed parallel prose since Wei and Jin Dynasties, advocated learning the prose language of pre-Qin and Han Dynasties, turning parallel prose into prose, expanding the expressive function of classical Chinese, and advocating that literature should carry Tao. Together with Liu Zongyuan, he was an advocate of the ancient prose movement in the Tang Dynasty, which opened up the development path of ancient prose since the Tang and Song Dynasties. Han Yu is good at borrowing predecessors' words and paying attention to the refinement of contemporary spoken language. He can create many new sentences, many of which have become idioms so far, such as "adding insult to injury", "complaining easily" and "chaos". He is a master of languages. Han Yu is the founder of China's "orthodoxy" concept and a symbolic figure who respects Confucianism and opposes Buddhism. Later generations spoke highly of Han Yu, who was regarded as the first of the "Eight Masters in Tang and Song Dynasties" by the Ming Dynasty, and was also called "Liu Han" with Liu Zongyuan, and was named "a great writer of articles" and "a hundred generations of literators". All his works were included in Mr. Changli's anthology.
Han Yu's Other Works ○ Chun Xue
○ Being a member of the Ministry of Water Affairs in early spring/early spring rain/early spring.
The teacher said.
○ Miscellaneous remarks 4. Ma Shuo
○ Left moved to Languan to show my grandnephew Xiang.
○ More works by Han Yu