Wang Xizhi's "Lanting Preface": *** twenty-eight lines, three hundred and twenty-four words, perfect in composition, structure and writing style. It was his proud work when he was thirty-three years old. do. Later generations commented that "Youjun's font is a change from the ancient method. Its majestic and elegant style comes from nature, so it is regarded as a follower in ancient and modern times." Therefore, calligraphers of all dynasties have praised "Lanting Preface" as "the best running script in the world". Reached the state of perfection.

2. Yan Zhenqing. In the history of calligraphy, Yan Zhenqing is the most accomplished and influential calligrapher after the two kings. His books were widely collected, and he changed the ancient method and developed his own "face style" that was solemn, solemn, sincere, powerful, and majestic, which had a huge influence on later generations.

Yan Ti established his immortal leading position in the history of regular script for thousands of years.

3. Zhao Mengfu, Zhao Mengfu is a famous calligrapher and painter from ancient to modern times. He is erudite and talented, good at poetry and prose, understands economics, is good at calligraphy, fine painting skills, good at epigraphy and stone, knows the rules and regulations, and understands appreciation.

In particular, he achieved the highest achievements in calligraphy and painting, creating a new style of painting in the Yuan Dynasty, and was known as the "Crown of the Yuan Dynasty". In painting, landscapes, figures, flowers and birds, bamboos and rocks, and pommel horses are omnipotent; fine brushwork, freehand brushwork, green, and ink are also masterful. "Stones are like flying white trees, and bamboos are like bamboos. If someone can understand this, they will know that calligraphy and painting are originally the same." This poem by Zhao Mengfu has become the motto of the Chinese calligraphy and painting circles.

In view of Zhao Mengfu’s achievements in cultural history, in 1987, the International Astronomical Society named the Mercury crater after Zhao Mengfu to commemorate his contribution to the history of human culture.

4. Liu Gongquan, in the history of calligraphy in my country, there is a master who is good at regular script and famous for his strength and strength. This is the well-known Liu Gongquan.

The laurels of Liu Gongquan’s success are not only made of thorns of hard work, but also plucked by standing on the shoulders of giants. He is good at absorbing the wisdom and achievements of calligraphy experts and transforming it into his own calligraphy art. Liu Gongquan took over the banner of regular script from Yan Zhenqing, created his own "Liu style", and erected a towering monument. When people look up at this monument, they stop in admiration, attach great importance to its books, and admire its people. Therefore, the books and people will remain immortal together.

5. Wang Xianzhi, Wang Xianzhi’s calligraphy is exquisite in regular script, running script, cursive script, and official script, and he is especially famous for his cursive script. His regular script is represented by "Thirteen Lines of Luo Shen Fu", and his most famous running script is "Yatou Wan Tie". The famous cursive script "Mid-Autumn Tie" was listed as one of the "Three Xi Tie" in the Qing Dynasty.

6. Su Shi, Su Shi has many literary and artistic talents, including superb attainments in poetry, lyrics, prose, calligraphy, and painting. He is an outstanding literary giant in China, a leader in the literary world of the Northern Song Dynasty, and has established many literary achievements. Prose and Ouyang Xiu are known as "Su Ou" and are one of the eight great writers of Tang and Song Dynasties.

Su Shi's running script is different from Huang Tingjian's freshness and Cai Xiang's gentleness and gracefulness. Instead, his writing is plump, round, vigorous and hearty; because of his extensive cultivation, "the spirit of learning and writing is full of vitality, coming from "Between the pen and the ink", it is innocent and plain, its style is handsome and elegant, and it is known for its charm. His "Huangzhou Hanshitie" is known as "The Third Running Script in the World" because of his rich and graceful writing style, full of ups and downs and full of emotions.

6. Dong Qichang, Dong Qichang is talented in literature and art. He is proficient in Zen theory, connoisseur of collections, poetry and prose, good at calligraphy, painting and theory. He was a domestic scholar and a leader in the art world for decades. He was the most outstanding and influential calligrapher and painter in the late Ming Dynasty.

Dong Qichang specializes in landscape painting. He pays attention to traditional techniques, pursues a plain and innocent style, and pays attention to the charm of brushwork and ink. "History of Painting" commented: "Dong Qichang's landscapes, trees and rocks, flowing smoke and clouds, full of spirit, and his elegant brushwork, elegant and elegant, are the best in this dynasty." Dong Qichang's paintings have an important impact on the painting world in the late Ming and early Qing Dynasties. It had a great influence and spread to the modern painting world.

During the reigns of Kangxi and Yongzheng, his calligraphy had a profound influence that was unmatched by other calligraphers.

8. Zhang Xu is a master of poetry and calligraphy, both in cursive and regular script, especially in long cursive script. His cursive script is famous in contemporary times and has influenced later generations. It occupies an extremely important position in the history of Chinese calligraphy. At that time, Pei Wen and Li Bai's poems and sword dances were called "Three Wonders", and they were praised as the "Grass Saint" by later generations.

9. Mi Fu, Mi Fu is good at poetry and prose, is good at calligraphy and painting, and is a calligrapher, painter, connoisseur, and collector. He is one of the "Four Calligraphers of the Song Dynasty" (Su, Mi, Huang, One of Cai) and second to none. His calligraphy style is casual and unrestrained, but also strict with the law.

Mi Fu studied calligraphy the most and made the greatest achievements in his life. Mi Fu claims that his works are "collections of ancient characters", and he has a deep understanding of the ancient masters' brushwork, composition and charm. This also shows to a certain extent that Mi Fu has put a lot of effort into the tradition of studying calligraphy. When he was young, he studied hard Tang Kai scripts such as Yan, Liu, Ou and Chu, and gained solid basic skills.

10. Huai Su is famous for his "crazy grass". Huaisu became a monk since he was a child. In his free time from Zen, he loved calligraphy. He worked hard in the pond and picked banana leaves to practice calligraphy. The wooden boards were used as paper, and the leaves were pierced through the boards. The bare pens became mounds. After that, the pens moved like dragons and snakes, filling the paper with clouds and smoke. Zhang and Xu share the same name, collectively known as "Bian Zhang Kuang Su".

Huaisu's cursive calligraphy is thin and vigorous, with natural flying movements, like a sudden rain and whirlwind, changing at any time. Although his calligraphy is free-spirited and ever-changing, it is still lawful. Huaisu and Zhang Xu formed a situation where the two peaks of calligraphy in the Tang Dynasty stood side by side, and they were also two unattainable peaks in the history of Chinese cursive calligraphy.