The following is about electric guitar (statement: the content I collected from other websites is not my own original, in short, I hope to help you):

Generally, the magnet material used for large double-strip pickup will not breathe out.

Ceramics are very textured, and the cold timbre is the most powerful.

Al-Ni-Co 5 has a very smooth and warm tone and moderate power.

Al-Ni-Co 2 is very warm, which can reflect the vibration of strings and has the lowest power.

The greater the power, the smaller the vibration amplitude of the strings (haha, because the greater the power, the greater the magnetic force attracting the strings.

EMG's active technology is to increase strength and keep the strings vibrating, so that he can rub hard and keep the strings vibrating.

What are the characteristics of timbre produced by these three materials? I'll tell you about the timbre of some masters that people often listen to. Masters like Joe, VAI and Van halen all use ceramic pickups, among which Joe's base code is relatively low.

The base code of VAI and Duncan of Van halen are both relatively powerful, and the more famous models are EMG8 1 and Duncan SH5 or above.

There are also a lot of users of Alnico 5, such as the famous Duncan SH 1(59) and Jeff NECK's famous JB (SH4)JM(SH3) and Jackson's commonly used TB4, and the famous EMG85 and TONE ZONE with bottom code are also Alnico 5.

Al-Ni-Co 2 has a famous diagonal line, and his signature timbre is Gibson and rustling.

Small pairs are generally high-powered ceramic magnets, but each has its own characteristics. For example, their magnets are generally magnetic strips rather than magnetic points, so that the vibration of strings can be fully picked up without vibration loss. The sound is quite full (SH 13 corner signature in big doubles, LB500 on N4 and most EMG are designed in this way).

Also, his voice is loud, but his voice is thin and fine, which means a little single coil, and high frequency is better.

And has the advantage of double coils without noise.

The solo between the famous song 18 and Life in the Slum is Xiao Shuang. The sound is very impactful but delicate. This is a small double room.

The following is the information of Duncan's common pickup trucks.

Series name magnet neck DC impedance bridge DC impedance neck resonance peak bridge resonance peak balance output type

SH- 1 59 model Al-Ni-Co V bar 7.43K8.13K6.80KHz 6.00KHz 6/3/8 Retro

SH-2 Jazz Al-Ni-Co V Bar 7.72k 7.90k 8.00KHz 7.00KHz 5/3/9 Medium, etc.

SH-3 STAG MAG Al-Ni-Co II rod 16.20k 6.50KHz 4/3/6 medium.

SH-4 JB Al-Ni-Co V-bar 16.40k 5.50KHz 5/6/8 Medium/High

SH-5 customized ceramic rod14.10K6.00kHz 7/6/9 medium/high.

SH-6 distorted ceramic rod12.70k16.60k 6.50khz 5.50khz 5/8/9 high.

SH-8 intruder ceramic rod 7.20k16.80k 8.00khz 5.00khz 7/8/4 high.

SH- 10 Full-cut Al-Ni-Co V-bar 7.40K14.60K8.00KHz 5.50KHz 4/4/8 Medium.

SH- 1 1 customized Al-Ni-Co II rod 14.40k 5.20KHz 3/7/7 high.

SH- 12 GL SCREAMIN aluminum-nickel-cobalt v-strip 10.00k 7.00KHz 5/4/9, etc.

Sh-13 Dimebuck Ceramic Rod16.25k5.10 kHz 6/5/8 Height

SH- 14 Customized 5 Al-Ni-Co V-shaped strip 14.4k 5.40KHz 6/3/8 Medium/High

DC resistance and resonance peak, which are the key links that affect the timbre of the pickup. The thickness of copper wire and the number of winding turns of copper wire will affect DC resistance. Generally speaking, the greater the DC resistance, the greater the output power and the lower the treble. Single-coil pickup, the DC resistance of retro sound quality is generally around 6.5K, and the DC resistance of high output sound quality is 15K. For a dual-coil microphone, the DC resistance is between 7.5k-16.5k. From this point of view, it seems simple to choose a suitable pickup, but in fact it is only one of the few factors that determine the tone color of the pickup. What is a resonance peak? We can say that if the resistance frequency of the pickup reaches the maximum, it can be said that the resonance peak has been reached. The higher the resonance frequency, the clearer the timbre of the pickup. For example, if the resonance peak of one pickup is 9.0KHz and the other is 3.5KHz, then we know that the tone of the former is brighter. For another example, the DC resistance of one pickup is 6.6K, and the other is16.9k. We can know that the output power of the former is less than that of the latter. You can compare the pickup truck models you know by this method. Besides listening directly, this method is the most direct. (The above selection method is applicable to Seymour Duncan pickup truck. )

Seymour Duncan classic model introduction

-Mahogany is generally a beautiful and gentle wood. Using maple for the fingerboard will reduce the weight of the piano, and your guitar tone should be very balanced. I don't know how your guitar sounds now, but I have some suggestions here.

-Your bridge system is Freudian rose style. You need a two-coil pickup or crank system. They should have a large point distance and be suitable for bridges. If you like playing with metal, you need a big output pickup.

-The suggestion is

-JB-4 (jeff baker) He has a good harmony, a compact midrange and excellent treble and bass.

-SH-6 (Duncan distortion) has a stronger midrange and looks more energetic (with ceramic rod device).

-TB- 12 is a typical hot rod classic pickup truck with a strong midrange (the so-called screaming guardian roaring demon).

-SH-8 has high output, and then it is very rich, but it can't play bright timbre.

-SH- 13 is very loud and still has quite high pitch. Generally speaking, high-output pickups will lose their bright timbre. 13 is to obtain high-output and bright pitch.

-PA-TB2 is not a very famous pickup, but it is a very good metal music pickup. Large output and very clean, bass range is also very clear, absolutely suitable for Freud Rose Bridge system.

If your guitar is too bright for you, I recommend SH8. If it is too warm, then you may need TB-6 or PA-TB2, SH- 13.

If you prefer the original timbre of your guitar, then TB4 is the best.

The pickup truck on the neck will recommend you.

SH- 1 ('59) matches the wood of your guitar very well. Very clean and classic, and it has a good output.

SH-55 has a softer tone. Typical old Gibson's warm timbre is particularly prominent on mahogany.

APH- 1H is moist and clear, reinforced with Al-Ni-Co IIl aluminum alloy devices.

You can use the middle one.

SSL-4 (quarter pound). Good output and loud sound. or

SSL-5 (custom interleaving) is suitable for the chord matching of classic Strats guitars.