Cao Zhi's data 1
Cao Zhi (192-233) Zijian. Guo Pei qiaocheng people. An outstanding poet in the Three Kingdoms Wei Dynasty. Cao Cao's third son, Wang Chen, lost his mind and was called Wang Chensi in the world. Cao Pi's half-brother. Young and clever, he was favored by Cao Cao because of his talent and knowledge. He once wanted to be a prince, but later he fell out of favor. After Cao Pi proclaimed himself emperor, he suffered suspicion and persecution, was repeatedly relegated, changed his fief, and died of depression.
Cao zhi's information 2
Cao Zhi (192 ~ 232) was a poet of Wei during the Three Kingdoms period. He Zijian is the third son of Cao Cao's wife Bian Shi. Cao Zhi has been brilliant since he was a child. 10 is over 0 years old. He read hundreds of thousands of words of poems, articles and words, and wrote a chapter, which won the favor of Cao Cao. Cao Cao once thought that Cao Zhi was the "most important" among the philosophers, and wanted to make him a prince several times. However, Cao Zhi's laissez-faire behavior and repeated violations of law and discipline aroused Cao Cao's anger, while his younger brother, Cao Pi, was rather pretentious and finally gained the upper hand in the struggle to establish a reserve army, and was made a prince in the twenty-second year of Jian 'an (2 17). In the twenty-fifth year of Jian 'an, Cao Cao died of illness, and Cao Pi succeeded to Wei and soon proclaimed himself emperor. Cao Zhi's life has changed fundamentally since then. He has changed from a noble son who lives a leisurely life to the object of being restricted and attacked everywhere. In the seventh year of Huang Chu (226), Cao Pi died of illness, and Cao Rui succeeded to the throne, namely Wei Mingdi. Cao Rui still keeps strict precautions and restrictions on him, and the situation has not fundamentally improved. During the period of Ming Ming II 12, Cao Zhi moved several times, and the last fief was in Chen County, so it was called "Chen Wang" or "Chen Siwang". Poetry is the main field of Cao Zhi's literary activities. The content of the early stage and the later stage is very different. Early poems can be divided into two categories, one is to express the leisure life of his noble son, and the other is to reflect his feelings of the times when he was born in troubled times and grew up in the army. In his later poems, he mainly expressed his grief and indignation under repression, and expressed his desire not to be abandoned and his desire to make contributions to the world. There are more than 80 poems by Cao Zhi. Cao Zhi has many innovations and developments in the art of poetry. Especially in the creation of five-character poems. First of all, most of the ancient poems in Han Yuefu are narrative, and it was not until Nineteen Ancient Poems that lyric elements occupied an important position in the works. Cao Zhi developed this trend, organically combining lyric and narrative, so that the five-character poems can not only describe the complex changes of events. It can also express tortuous psychological feelings, which greatly enriches its artistic functions. As a master of Jian 'an literature, Cao Zhi had a great influence on later generations. In the Jin, Southern and Northern Dynasties, he was promoted to the position of article model. Cao Zhi edited 78 selected works before his death. After Cao's death, he collected more than 100 works, including 30 volumes of Sui Shu Classics, 1 volume of Ode to Women, and 5 volumes of Painting Praise. But it was originally hidden in the late Northern Song Dynasty. Cao Zijian 10, a six-year edition of Jiading, Southern Song Dynasty, has 206 poems, poems and essays. The Ming Dynasty, Wang Shixian and Zhang Yan each carved Chen Ji, which was based on the Southern Song Dynasty. In the Qing Dynasty, Ding Yan's Comments on Cao Jiquan and Zhu's Textual Research on Cao Jikao were revised and revised in detail, and many missing sentences were added, which were two complete and precise works. Huang Jie has Cao Zijian's Poetry Talk, Cao Zhi's Poetry Talk in ancient times, and Zhao Youwen's Cao Zhi Collation today.
Cao Zhi's information 3
(192 ~ 232) Wei poets in the Three Kingdoms period. He Zijian is the third son of Cao Cao's wife Bian Shi.
Life Cao Zhi was brilliant since childhood, 10 years old. He read hundreds of thousands of words of poems, articles and words, and wrote a chapter, which won the favor of Cao Cao. Cao Cao once thought that Cao Zhi was the "most important" among the philosophers, and wanted to make him a prince several times. However, Cao Zhi's laissez-faire behavior and repeated violations of law and discipline aroused Cao Cao's anger, while his younger brother, Cao Pi, was rather pretentious and finally gained the upper hand in the struggle to establish a reserve army, and was made a prince in the twenty-second year of Jian 'an (2 17).
In the twenty-fifth year of Jian 'an, Cao Cao died of illness, and Cao Pi succeeded to Wei and soon proclaimed himself emperor. Cao Zhi's life has changed fundamentally since then. He has changed from a noble son who lives a leisurely life to the object of being restricted and attacked everywhere. In the first two years of Cao Pi's ascent to the pole, the blow to him was particularly fierce. Cao Pi, through the "ambassador to the country" and some local officials, made excuses twice and gave him the punishment of disdaining cutting the city. Huang Chu lived in the shadow of persecution all his life. In the seventh year of Huang Chu (226), Cao Pi died and Cao succeeded to the throne, namely. Cao still kept strict precautions and restrictions on him, and this situation has not fundamentally improved. Cao Zhi has written many times to ask for appointment, hoping to serve the country, and stated to Cao□ the harm of excessive use of ministers with different surnames, but Cao□ only "responded with literary talent" and had no intention of adopting it. During the period of Emperor Wenming 12, Cao Zhi moved the fief many times, and the last fief was in Chen County, so he died and thought about it, so he was called "Chen Wang" or "Wang" in later generations.
Cao Zhi's life, bounded by Cao Pi's accession to the throne, has obviously formed two periods. But whether in the early or late stage, his strongest desire is to make a difference in politics. He has repeatedly said that he wants to "serve the country faithfully, benefit the people, make contributions and make a lasting legacy" (written with Yang Dezu) and "carve the tripod with one's hand and hang his name on bamboo and silk" (asking for a self-test form). He is ambitious and thinks highly of himself, and he has many pertinent opinions on the analysis of the situation of the Three Kingdoms and the internal situation of Cao Wei at that time. Cao Zhi's thought is quite complicated. From time to time, he advocated "harmony is the most important" and "changing the custom of etiquette and music", and praised Confucian sages such as Tang, Wen, Wu, Confucius and so on. Sometimes they preach "keeping chastity for a long time can guarantee vegetarianism" and "waiting for water to do nothing with nature", which means "carrying forward the legacy of Laozi and Zhuangzi". Sometimes, in an article, Confucianism and Taoism are often mixed, such as "The Four Wonders". He was in contact with the doctrines of Yin and Yang and Legalists, as well as divination and Buddhist scriptures. This kind of inclusive thought is directly related to the social thought that broke through the shackles of Confucian classics superstition since the end of Han Dynasty. At that time, Cao Cao and a group of people in the ideological and cultural circles all had the characteristics of relatively open and active thoughts, and Cao Zhi was the most complicated one. His thought has both rich and colorful advantages and chaotic disadvantages.
Cao Zhi devoted himself to writing all his life. He once said "I am good at writing" and "I have written many books" (preface). After his death, Cao also called him "since childhood, books are inseparable". It is difficult to tell the truth, but it is impossible (Wei Zhi Chen Sichuan). His poems, all kinds of poems and essays, both in quantity and quality, were the best at that time.
Poetry creation is the main field of Cao Zhi's literary activities. The content of the early stage and the later stage is very different. Early poems can be divided into two categories, one is to express his carefree life, and the other is to reflect his feelings of the times when he was born in troubled times and grew up in the army. The former works, such as Cockfighting, Public Banquet, Sitting with the King, etc. Describe the enjoyment of the amusement feast, the content is rather empty and vague. Another kind of works include A Trip to Mount Tai and Stone. Fu Liangxing on Mount Tai describes the hard life of people in coastal areas. "For people in coastal areas, this is a drama, leaving them in the wild. A wife, like an animal, is blocked by a forest. Chai Men is depressed, and the fox and rabbit want me. " From these simple and true descriptions, we can appreciate the poet's sympathy for the lower classes. "Farewell to the British Family", written in the 16th year of Jian 'an, was written to bid farewell to a friend, Ying□. In addition to describing friendship, the poem focuses on the desolate scene of Luoyang, the imperial capital of the Eastern Han Dynasty, and the poet's inner excitement, which reflects the great damage caused by the melee between warlords at the end of the Han Dynasty and has strong practical significance. The poem "Never before, never after" is consistent with the description of Cao Cao's "White bones exposed in the wild, there are no crows in a thousand miles" (A trip to a vast distance) and RoyceWong's "When you go out, you can't see them, but the white bones cover the plain" (one of the seven sorrows).
In addition, Du Ming also wrote about the "wonderful riding and shooting, the joy of swimming" of Luo Jing teenagers. The predecessors thought it was ironic, but from the content, it was a self-portrait of the author's life. His "White Horse Piece" describes the heroic spirit of "Rangers Fighting Righteousness" and his ambition to make contributions to the country, in order to "give up who I am and settle down." Parents don't care, how can we talk about children and wives? Celebrities are strong and are not allowed to be selfish, which shows their ambition to make contributions. The poetic style is vigorous and powerful, and it has always been a famous article.
In his later poems, he mainly expressed his grief and indignation under repression, and expressed his desire not to be abandoned and his desire to make contributions to the world. His representative works include Bird of Noda, White Horse Wang Biao, Seven Wounded Poems, Elegy, Elegy Collection and Miscellaneous Poems. The trip of Noda oriole was written at the beginning of Cao Pi's succession. In the poem, the oriole catches the eagle on the top and the net on the bottom, which is a metaphor for the killing of his friends Ding Yi and Ding□ by Cao Pi. Prince Charming Wang Biao is a masterpiece. This poem was written in Huang Chu for four years. In May of that year, the captaincy turned to the capital Luoyang, and Cao Zhang, the king of Rencheng, died suddenly in Luoyang. In July, when the kings returned to China, Cao Zhi went the same way as Cao Biao (the White Horse King) and was banned by the emissary. The poet "hates it with poison" and angrily wrote an article as a farewell to Cao Yao. First, he wrote about the situation on his way back from Luoyang, which was very correct. In the poem, the messenger of the prison army is angrily denounced as "owl", "jackal" and "fly", but in fact it is directed at Cao Pi. In the poem, Cao Biao is comforted not to be too sad. "Wan Li is still a close neighbor. If you love her, you won't lose her, and the distance is by her side. " The whole work not only reveals deep sorrow, but also does not shed sadness and despair. It is sincere and profound. Seven Wounded Poems tells the sorrow of being abandoned for a long time by comparing the husband and wife of monarch and minister. Six miscellaneous poems are not written in one place at a time. Except for the first and sixth songs (Hengtai on the High Platform and Flying Hundred Feet), the other four songs are probably later works. Among them, the second, third and fourth poems are similar in content to the seven-wounded poems, and most of them express the sadness that time has passed and they have accomplished nothing. The fifth song ("The Servant Shoots Early and Strict") jumped out of the circle of lamenting personal fate, turned its attention to national affairs, expressed its concern about the political situation at that time, and issued the voice of "I want to be lighter than the economy, but I don't have an ark, living in seclusion is not my ambition, and I am willing to worry about my country", showing the mental state of enduring ambition in adversity.
There are more than 80 poems by Cao Zhi, of which Yuefu poems account for a little more than half. This shows that the poet, like his father Cao Cao and his brother Cao Pi, attaches great importance to drawing creative nourishment from Han Yuefu folk songs. For example, the long description of beauty in Beauty Map is based on the description of Luo Fu in the ancient poem Shang Mo Sang written by Han Yuefu. "White Horse" "Whose is it? Wandering in peace, Seven Injuries, Who is the sigher? Speech is a bad wife, and so on. , that is, to learn the question-and-answer skills commonly used in folk songs; " Wu You Yongzhi ","Wear my Danxia clothes, attack my plain clothes, ... take my clothes and wash my thick paste ","Noda's yellow finch trip ","Yellow finch flying, flying the sky "and so on all come from Yuefu folk songs. Most of the chapters in "A White Horse for Wang Biao" are converted from beginning to end, and the sentence pattern of linking chapters commonly used in Yuefu folk songs is also used. In addition, some of Cao Zhi's poems are directly translated from Yuefu poems. The reason why Cao Zhi's poems are clear, harmonious and fresh is because he deliberately absorbed the nutrition of Han Yuefu folk songs.
Cao Zhi has many innovations and developments in the art of poetry. Especially in the creation of five-character poems. First of all, most of the ancient poems in Han Yuefu are narrative, and it was not until Nineteen Ancient Poems that lyric elements occupied an important position in the works. Cao Zhi developed this trend, organically combining lyric and narrative, so that the five-character poems can not only describe the complex changes of events. It can also express tortuous psychological feelings, which greatly enriches its artistic functions. Prince Charming Wang Biao is a good example. Secondly, Cao Zhi is far superior to the classical poems of Han Yuefu and classical poems in the refinement and modification of poetic language. For example, his Beauty is more detailed in description and flowery in rhetoric than Mo Shang Sang. Even his poems about immortals are more mature than similar works in Han Yuefu, and the difference between them is quite remarkable. Due to deliberate refinement, there are many wonderful epigrams in Cao Zhi's poems, such as "Gua Tian didn't accept his shoes, and Li Xia didn't win the whole crown" (Gentleman's Travel and Yuefu Poetry Collection are old sayings), "I died in a national disaster" (White Horse) and "I live in a mansion and return to Shan Ye" ("I lost my life"). Some emotions conveyed by metaphors at the beginning of a poem often cover the whole poem with condescending momentum. Therefore, Cao Zhi's poems often leave a strong impression on people from the beginning. The so-called "Chen Si's best music" (Shen Deqian's "Ancient Poetry Source" Volume 5) refers to this. In addition, Cao Zhi's five-character poems also pay attention to the order of sentence placement and the harmony of phonology. For example, "The Public Banquet" "Qiu Lan was taken away by Nagano, and Zhu Hua was taken away by Green Pool. A diving fish is jumping in the clear waves, a good bird is singing, and so on, that is, a preliminary antithesis has been formed, and some poems also have a relatively flat form in phonology.
As for the overall artistic style of Cao Zhi's poems, Zhong Rong once pointed out that his "lofty spirit, lofty words, elegant feelings and resentment, and flying literary talents" ("Poetry") is a relatively comprehensive evaluation. Cao Zhi's poems, on the one hand, are sincere and strong in feelings and vigorous in brushwork, which embodies the elegant and generous style of Jian 'an poetry, on the other hand, they present rich colors and brilliant literary talent. In this respect, Cao Zhi surpassed his predecessors and was the best among all Jian 'an writers. Therefore, in the history of China's poetry, he is regarded as a master of five-character poems, just as Zhong Rong said, "The charm overflows in the present and stands out from the crowd".
Cao Zhi's Fu is a literary work, with more than 40 existing works, ranking first among Han and Wei writers. From the content, it can be roughly divided into three categories. One kind is the chronological style, such as eastern levy, staging and narrative. Followed by narratives, such as Li Si Fu, Gan Jie Fu and Xi Ji Fu. The third thing is chanting, such as Bao Dao Fu, rosemary Fu, turtle Fu and so on. The latter two categories are more numerous. Cao Zhi's contribution has three characteristics. First, draw on a wide range of materials and expand in the direction of daily life. Second, miniaturization. It seems that he has never written a great poem. Nowadays, all works are short poems, generally only a few hundred words, and the longest poem "Ode to Luo Shen" is only about a thousand words. Third, lyricism, regardless of chronological style or chanting objects, he abandoned the tradition of ostentation and extravagance of Han Fu, but permeated with strong subjective feelings.
Cao Zhi's most outstanding poems include Luo Shen Fu, Bird Fu and Bat Fu. Luo Shen Fu was written in the early years of Huang Dynasty. It takes Fu Fei, the legendary god of waterinfo, as the theme, and draws lessons from the writing style of Song Yu's Ode to the Goddess. It depicts a beautiful and affectionate woman, expressing the author's love for her and the disappointment that she can't hand over because of the difference between God and man. The description in Fu is exquisite and vivid, such as Luo Shen, graceful and graceful as Youlong. Glory Qiuju, Song Chun, Hua Mao. It seems that Xi covered the moon like a light cloud and drifted back into the snow like the wind. From a distance, if the sun rises in the morning glow, it is forced to observe it, if the hibiscus burns out in waves, and so on. , from different angles, using a series of clever metaphors, portrayed a distinct image. In the past, there was a saying that this famous piece in the history of literature was "sentimental", that is, Cao Zhi thought of Zhen Shi (the wife of Cao Pi) and wrote it, but later some researchers pointed out its absurdity. "Duckling" uses anthropomorphic techniques to write the story of ducks and sparrows, showing sympathy for the oppressed weak. The writing of this fu is allegorical, which is very special in the history of fu, and it is a four-character quatrain, much like a four-character narrative? BR> Cao Zhi's prose includes many genres, such as praise, topic, inscription, mourning, chapter and table, preface, book, preface, theory and miscellaneous talk. There are nearly a hundred relatively complete articles today. Among them, there are masterpieces written in the early stage, such as Letters to Yang Dezu, Letters to Wu Ji, Arguments on Taoism, Confusion of the King, Letters to Seek Self-test, Letters to Seek Communication and Kiss, Letters to Make Birds Hate Birds, Letters to Borrow Fields, Letters to Doors, etc. In A Book with Yang Dezu, the author commented on some authors at that time in kind and straightforward language, and also talked about his own ideological ambitions. The article also expresses his views on politics and literature, which is an important material for studying Cao Zhi's literary thought. The article "Discrimination of Taoism" expounds the views on immortal affairs, pointing out that it is "very illusory" and that "his own brothers, such as the king and the prince, think it is a joke, but they don't believe it", which shows simple materialism. "Seeking Self-Test Table" and "Seeking Communication and Kissing Table" were both written in the Taihe period of the Ming Dynasty. The basic content of the table contains two points: one is to express grief over the restrictions and constraints in all aspects, saying that one's life is like "bird watching" and "keeping things in prison"; Second, they asked Ming Di to dispel doubts and give himself the opportunity to serve the country and make contributions. These epigrams are impassioned and emotional, almost in tears. "Make Birds Hate Birds" says that the singing of birds comes from nature and has nothing to do with personnel. The so-called "good and evil" circulated by ordinary people means "what fools believe is simple for people to understand". The article quotes many ancient legends and stories to prove that it is quite easy and interesting to write. The theory of borrowing farmland compares the principle of farming with the principle of governing the country, which reflects his pragmatic heart and political ideal. The Story of Skull, with the dialogue structure between Cao Zi and Skull as the main line, preaches the truth that life and death are different and life and death must be equal. The writing style of Zhuangzi in the whole literature is unique in Cao Zhi's Collection. Generally speaking, Cao Zhi's prose also has the characteristics of "appealing to both refined and popular tastes and elegant style", and its genre is rich and diverse, which makes him make outstanding achievements in this respect.
As a master of Jian 'an literature, Cao Zhi had a great influence on later generations. In the Jin, Southern and Northern Dynasties, he was promoted to the position of article model. The statement in Zhong Rong's poems is representative to a certain extent: "Chen Sizhi is also in the article, such as Kong Zhou in the scales and feathers, Qin Sheng and female workers in the piano." Liu Xie also thinks that his poems are "both good and good". However, in actual creation, most of the literati in the Northern and Southern Dynasties loved the elegant poetic style, and only unilaterally developed the characteristics of Cao Zhi's poetry "Ci adopts Hua Mao", ignoring its essence of "extremely high tolerance", so that "the style of Han and Wei, the ink biography of Jin and Song Dynasties" and even the poems between Qi and Liang Dynasties were "beautiful and complicated, all of which were defeated by prosperity and delivery" (Preface to Chen Ziang Bamboo Board)
Cao Zhi edited 78 selected works before his death. After Cao's death, he collected more than 100 works, including 30 volumes of Sui Shu Classics, 1 volume of Ode to Women, and 5 volumes of Painting Praise. But it was originally hidden in the late Northern Song Dynasty. Cao Zijian 10, a six-year edition of Jiading, Southern Song Dynasty, has 206 poems, poems and essays. The Ming Dynasty, Wang Shixian and Zhang Yan each carved Chen Ji, which was based on the Southern Song Dynasty. In the Qing Dynasty, Ding Yan's Comments on Cao Jiquan and Zhu's Textual Research on Cao Jikao were revised and revised in detail, and many missing sentences were added, which were two complete and precise works.
Huang Jie has Cao Zijian's Poetry Talk, Cao Zhi's Poetry Talk in ancient times, and Zhao Youwen's Cao Zhi Collation today.
philology
Chen Shou: The Three Kingdoms and Biography of Wang Chen, Zhonghua Book Company, Beijing, 1959.
Zhao Youwen: Notes on Cao Zhi, People's Literature Publishing House, Beijing, 1984. (Xu Gongzhi)
Cao Zhi's information 4
Complete Works of Cao Zhi/Gu Shi/Cao Zhi.htm
Danxia hides the sun and the flying dragon uncovers the sky, but it only travels in the Han Dynasty {Yudan}, exhorting Yu, Erduckweed, and Noda Huangquexing, the second gate has Wan Li guests.
Fu Liang in "Mount Tai" blames others, singing, Huang Sheng, Ganoderma lucidum, David, implicit budding, and beautiful women who want to travel to Nanshan.
White horse, ascending to heaven, two five tours, singing farewell, fairy, rock, driving, planting space space, concubine, and going east in Pingling.
When the future is difficult, your tree is the wall, and if you want to go high, you are the king and you are the car.
Bitter and hot for wine, like singing, like making friends, like traveling, like traveling, like traveling, like traveling.
Yan Ge Hang Shangmo sings two documents, autumn Hu Hang drinks wine, Hangzhou Yuefu sings ten songs, Gan Lin and Jiahe.
White magpie, white dove, wooden knot, responsibility, bow and bow, five northern winds, five jiao's, five Zheng Hui's, boudoir love poems.
Gong Yan's poems were presented to the Prince as a poem about fighting cocks, and Xu Gan's poems were presented to Ding Yishi, Wang Canshi, Ding Yishi and Baima.
Liu Xun's wife, Wang Chang's miscellaneous poems, abandoned wives' poems, wandering immortals' poems, seven miscellaneous poems, seven hurt poems, resentment poems and love poems.
Love rain poem, seven-step poem, three-character poem, four-character poem, four-character poem, four-character poem.
Hibiscus Poems, Seven Sorrow Poems, Two Parting Poems, Fairy Poems, Widow Poems, Luo Shenfu Poems
html/2006-03/406.htm
Wang Changling, a famous poet in the prosperous Tang Dynasty, was born in the first year of Li Tiansheng (698) and died in the fifteenth year of Tianbao in Xuanzong (756).
There are many versions of Wang Changling's native place, except Taiyuan, Jiangning and Jingzhao. New Tang Book and Chronicle of Tang Poems said that he was from Jiangning, but there was no direct material, probably because Wang Changling was called "Wang Jiangning" at that time. Wang Changling used to be Jiangning Cheng, and Li Zhao's Supplement to National History and Pei Jing's Tombstone of Hanlin Bachelor called him Wang Jiangning, which is the same as Song Kao Gong and Wei Suzhou, while Song, Wei and Wang all used official titles, so Yu Jiangning also used official titles instead of books.
The Old Book of Tang Dynasty originally said that Wang Changling was from Jingzhao (Chang 'an, Tang Dou, now Xi 'an, Shaanxi), probably because he said in the poem Farewell to the Capital of Lipu that "his hometown is now Baling West" and there is another work "Overlooking the city and living in seclusion". Many Shanxi poets in the Tang Dynasty have been to Luoyang and Chang 'an because they were the cultural centers at that time, and some even lived in Beijing for many years. Just because they have lived in Beijing, they cannot be called Beijingers. Photo Collection of He Yueling is a collection of poems edited by Fan Yin in Tang Dynasty. It is believable that Wang Changling is from Taiyuan. Therefore, from He Yueling's Photo Album and Talented Persons in Tang Dynasty, Wang Changling is considered to be from Taiyuan, and now most people also think that he is from Taiyuan.
Neither of the two biographies of Tang Dynasty records the time when Wang Changling was admitted to imperial academy, nor does it record Vae's senior high school entrance examination. Biography of Talented Scholars in Tang Dynasty said that he was a scholar in the 15th year of Kaiyuan (727). Gu Kuang, a poet in the Tang Dynasty, said in the preface to "Collection of Supervising Imperial History and Public Officials" that in the fifteenth year of Kaiyuan, "the young government always built the first place, and Wang Longbiao was old. These people were outstanding at that time." Gu Kuang's preface is accurate. After Wang Changling was buried, he served as secretary of the provincial school. From ancient times to the present, school booksellers have been filled by scholars, which is of great significance to the contemporary world. Therefore, scholars call the school library the official of Taoism and the library of Penglai Mountain. In the twenty-second year of Kaiyuan (734), Wang Changling chose erudite macro-words, which was superior to others, so he was appointed as the commandant of Surabaya County.
According to Wang Changling's poems and records, Mr. Zhan was demoted to Lingnan in the 27th year of Kaiyuan (739), which is a new discovery not recorded in historical records. See Li Bai's poems for details. In the 28th year of Kaiyuan (740), Wang Changling returned to the north and traveled to Xiangyang to meet the famous poet Meng Haoran. Meng Haoran suffered from gangrene and soon recovered. They were very happy after meeting. Because of drinking, he relapsed and died. During this period, Wang Changling got to know Li Bai, a great poet, including the poem "Ba Ling sends Li Twelve". It is a great pleasure for Wang Changling to meet such first-class poets as Meng Haoran and Li Bai. Unfortunately, meeting Meng Haoran became a permanent tactic, and meeting Li Bai was all downhill. Li Baizheng was exiled to Yelang at that time.
In the winter of the 28th year of Kaiyuan (740), Wang Changling left Beijing for Jiangning. At this time, he met the famous poet Cen Can. Cen Can has a poem "Send Wang Changling to Jiangning", and Wang Changling also has a poem to leave. When I passed by Luoyang, I also made friends with poets such as Qian and others, and they also had poems.
As an outstanding poet, Wang Changling has few handed down materials. In addition to being demoted to Lingnan mentioned above, I was demoted, and the exact time and reason are not clear. "Biography of Zhan Caizi" said that he "paid no attention to the details in the later part of his journey, slandered and boiled, and fled to the wild." He Yueling's Photo Album said that he was "experiencing a distant famine again", and Old Tang Book also said that he was "careless and often derogatory". It seems that the poet has been repeatedly vilified and his career is extremely unsatisfactory.
More sadly, Wang Changling later failed to keep such a small position as Long Biaowei, went AWOL, and made a detour to Mizhou, where he was killed by Lu Qiuxiao's secretariat. "Biography of the Talented in the Tang Dynasty" said: Wang Changling "returned to his hometown with a sword and fire, and was killed because of the taboo of Lu Qiuxiao, the secretariat. Later, when Zhang Gao was stationed in Henan, he was going to be slaughtered at dawn, saying that he would kiss the old and ask for forgiveness. He said,' Who can support Wang Changling's pro-desire? Xiao da is dying. "Zhang Gao, who has always sympathized with the poet, finally avenged Wang Changling.
Wang Changling was a famous poet in Tang Dynasty. At that time, he was very famous and was called "the poet king Jiangning". Because the name of the poem was written earlier, I made many friends with the famous poets at that time, and the friendship was very deep. In addition to the above-mentioned friends with Li Bai and Meng Haoran, I also made friends with Gao Shi, Yun,,, Wang Zhihuan, Wang Wei, Chu Guangxi and Chang Jian. He was demoted several times, living in remote Lingnan and Xiangxi, traveling to and from the economically developed Central Plains and Southeast China, to the northwest frontier, and even to the area of Broken Leaves (now Kyrgyzstan). Because of his rich life experience and extensive friends, it is of great benefit to his poetry creation. Wang Changling is good at seven-character quatrains, and he is called the seven-line master by later generations. For example, the poem "Out of the Great Wall" wrote: "The moon passed through Qin, and the Long March people did not return. But make Longcheng fly, and don't teach Huma to cross Yinshan. " Lamenting the incompetence, broad artistic conception, deep feelings and boldness of vision of the garrison commander is indeed a treasure in ancient poetry and is hailed as a masterpiece of the Tang Dynasty. Another example is Joining the Army, which is also a well-known masterpiece. Funeral march and Song of Picking Lotus reflect the unfortunate experiences of ladies-in-waiting, which are delicate and vivid, fresh and beautiful, with a sad style and superior artistic conception, and express the feelings of missing women and the innocence of girls. Farewell work "Lotus Inn and Xin Jian Parting" is also a masterpiece through the ages. Shen Deqian's "Three Hundred Tang Poems" said: "The Dragon Label is a quatrain, full of affection and bitterness, with vague meaning, unpredictable and endless aftertaste."
Yan Qiuxiao killed Wang Changling because he was jealous of talented people, which really destroyed China's ancient poetry and was a sinner of the Chinese nation forever.
According to the Book of Old Tang Dynasty and Biography of New Tang Shuyi, Wang Changling has five volumes handed down from generation to generation in the Tang Dynasty. Today, it's hard to find. The Whole Tang Poetry contains four volumes of Wang Changling's poems and six articles. At present, I can only see Wang Changling's poems.