Zhu ziqing
Zhu Ziqing (1898.11.22—1948.8.12) was originally named Huazi, and later renamed as Ziqing, with a string. Originally from Shaoxing, Zhejiang, he was born in Donghai, Jiangsu, and later settled in Yangzhou with his grandfather and father. When I was a child, I studied in a private school and was influenced by the traditional culture of China. 19 12 entered the first year of primary school, 19 16 entered the preparatory school of Peking University after graduating from high school. Go to sleep, little man. 19 19 was written in February. It was his first poem. He was a participant in the May 4th patriotic movement and embarked on the literary road under the influence of the May 4th wave.
65438-0920 After graduating from the Philosophy Department of Peking University, he taught middle schools in Jiangsu and Zhejiang provinces and took an active part in the New Literature Movement. Poetry Magazine was founded by Yu Pingbo and others in 1922, and it was the earliest poetry publication in the birth period of new poetry. He is a member of the early literature research society. The long poem "Sinking" was published in 1923. At this time, he also wrote beautiful essays such as "Paddle Shadows and Lights Shadow Qinhuai River".
1August, 925, taught in Tsinghua University and began to study China's classical literature. The creation is mainly prose. 1927 wrote "The Back" and "Moonlight on the Lotus Pond", both of which are masterpieces. 193 1 year, studying in America and roaming in Europe. After returning home, he wrote some miscellaneous notes about Europe. 1September, 932, director of the Chinese Department of Tsinghua University. War of Resistance against Japanese Aggression broke out 1937, moved south to Kunming with the school, and served as a professor at National Southwest Associated University, teaching courses such as Song poetry and literary studies. During this period, I wrote the semantic shadow of prose. 1946 returned to Beijing from Kunming as the director of the Chinese Department of Tsinghua University. On the eve of Beijing's liberation, he died of stomach trouble.
His prose is famous for its "refined language" and "beautiful writing".
Mao Zedong praised him for "showing the heroism of our nation".
"Spring" is a lyrical prose by borrowing scenery. The author grasped the characteristics of spring scenery and expressed his praise for spring through accurate and vivid description.
The article begins with "looking forward to spring" and depicts a picture of spring grass, spring flowers, spring breeze and spring rain with relish. People in this beautiful background are also full of spring. They walk into nature and form a picture of "Spring Festival", which makes people admire the novelty, beauty and vitality of spring.
The "drill" unearthed from the grass in the "Spring Grass Map" shows great vitality. Then, from its texture and color-tender green, the "new" of spring grass is written, which also brings joy and joy to children-"sitting", "lying", "rolling", "kicking", "running" and "playing hide and seek", making people feel "light, quiet" and "soft". As the weather gets warmer and flowers are in full bloom, "Spring Flowers" compete for beauty-"You won't let me" and "I won't let you", and the colors compete like fire, such as sunset and snow. The sweetness of flowers makes people think. Bees and butterflies are busy-"noisy" and "flying around" Wildflowers are numerous and flashing-everywhere is "miscellaneous", "eye-like" and "star-like", which further highlights the richness of spring.
Spring breeze can't be seen or touched, but through a series of feelings: touching you like a mother's hand, smelling the smell of earth, grass, flowers, listening to singing, harmony and ringing, the author writes the ethereal spring breeze vividly and vividly.
The Map of Spring Breeze depicts the unique beauty in the spring rain. B The richness, thinness, density, brightness and softness of spring rain are also vividly reflected through vision and feeling. The new beauty of the scenery in the rain is manifested in the feeling of "color -64 shining" and "staring". When the author wrote the night scene, he chose lights, pedestrians with umbrellas, farmers in Dai Li, and silent houses in the rain.
These four pictures are all "you have me and I have you". Grass, flowers, wind and rain are combined harmoniously and perfectly like heaven and earth. Every picture also has people's activities and feelings, and everything seems so harmonious. '
Therefore, the author has grasped the common folk characteristics of China in life and described the labor activities of "city and countryside", "every household" and "people of all ages". "A year's plan lies in spring". Spring has sown the seeds of hope in people's hearts, showing a lively scene of "welcoming the Spring", and people and scenery are once again integrated. As a result, people's love for spring naturally merged into a passion for praise. At the end of the three paragraphs, three figurative sentences are used to eulogize spring. The "newborn doll" is a metaphor for the "newness" of spring, like the beginning of a new life, giving people unlimited hope; "Little girl" is a lovely metaphor for the beauty of spring. "Strong Young Man" praises that spring is full of vitality and gives people strength and confidence.
The full text is full of heartfelt joy and love for spring. Through personification, parallelism, metaphor and other rhetorical methods and the use of overlapping words and sentences, this happy and lively love is more refined.
Praise of spring-reading Zhu Ziqing's prose Spring.
Spring has distinct characteristics in artistic expression.
First, the combination of poetry and painting creates a harmonious realm of blending scenes. The author's deep admiration for spring is not expressed directly, but expressed by depicting all kinds of scenery in spring with affectionate brushstrokes, giving all kinds of scenery a distinct emotional color. For example, the description of flowers not only vividly describes the flowers of various fruit trees, but also describes the blooming wild flowers: "Wild flowers are everywhere: miscellaneous, named and unnamed, scattered in the grass like eyes, like stars, blinking." The author appreciates the happiness of flowers and puts it between the lines. All "scenery words" are "love words". Due to the emotional input, these small wildflowers seem to have become lively animals full of feelings, and the internal poetry and external scenery are harmoniously integrated into concrete and sensible artistic images, so the realm of the picture is painted with a rich lyric tone.
Second, the structure is tight and the levels are orderly. The works are created according to the need to reveal the theme and express emotion. One * * * took five pictures. The connection between the pictures is naturally compact, and the first four pictures are used as the bedding and contrast of the fifth picture, thus opening the artistic conception and revealing the theme. After the topic was announced, the last Qifeng stood out. The article is well-organized, clear in context and varied.
Third, the language is simple and meaningful. Zhu Ziqing is good at refining easy-to-understand and vivid spoken English. His prose language is fresh and simple. Such as writing grass, "in the garden, in the field, you see, a large area is full"; Such as writing flowers, "You won't let me, I won't let you, they are all full of flowers to chase", these short sentences are all from spoken English. In terms of meaning, it is easy to understand; Rhetorically speaking, after artistic processing by the author, the rhythm is bright, not dull, and it has a strong lyrical charm. The author is also good at using wonderful metaphors. Enhance the emotional color of language. For example, writing the spring breeze on your face, saying "like a mother's hand touching you" and comparing spring to "a newborn doll", "a little girl" and "a strong young man" are all novel and appropriate. Unconventional, vivid and profound, intentional outside the sentence, simple and fresh, meaningful.
Reference:
Duan Chongxuan,/article/class1/class2/200507/8689.html.
Zhu Ziqing's short prose "Spring" has simple image, distinct theme and beautiful language, which is often interpreted as a "ode to spring". Actually, this is a misunderstanding. Spring, like Zhu Ziqing's numerous lyric prose about scenery, seems crystal clear and clear at a glance, but it is like a glass of wine, which contains a long and clear charm and fragrance. It's not easy to really taste it. In this poetic Ode to Spring, it is actually full of the writer's thoughts and feelings, life pursuit and even personality pursuit in a specific period, which shows the traditional cultural accumulation in the writer's bones and his yearning for the realm of freedom. After 1927, Zhu Ziqing has been searching for and creating an ideal world in the depths of his soul-the world of dreams, which is used to place his "rather restless" boxing heart, resist external interference, make himself "independent" in claustrophobic study, and achieve his academic achievements. Moonlight on the Lotus Pond is undoubtedly a deep and quiet natural environment found after a bitter soul struggle, which embodies his personal integrity of "getting out of the mud without dyeing" in twists and turns; "Wild scenery in early spring" makes his dream world open and vigorous, which highlights his life belief of "going forward bravely" under the guidance of spring. The latter is naturally the continuation, transformation and promotion of the former. But no matter how different these two worlds are, they all stem from an ideal pursuit of Zhu Ziqing, even a utopian fantasy. Spring does describe and eulogize a lush spring, but it is a vivid portrayal of Zhu Ziqing's inner world.
Most of Zhu Ziqing's essays are marked with writing time and even place. It's just that spring has neither time nor place, nor is it included in his early published works such as Traces (1924), Back (1928) and You and Me (1936). So some people speculate that Spring was written between 1928 and 1937. "Some people think that Spring is a work full of vigor and vitality, and the time should be before 1924. In several collections of Zhu Ziqing's works published in recent years (such as "Complete Works of Zhu Ziqing's Prose", Zhejiang Literature and Art Publishing House, 1995 edition), the source was marked at the end of spring: "Zhu compiled the original text of junior middle school Chinese reading, 1, 1933 July edition. "We don't know where and when this Chinese textbook was chosen, but it shortened the writing cycle of this classic prose by at least four years-from 1928 to 1933. It has also been verified that this essay was specially created at the invitation of "Junior Middle School Chinese Reader", which needs further confirmation. Therefore, I subjectively jump to the conclusion that "Spring" should have been written in 1933 after the author returned from studying in England. The author experienced a "spiritual crisis". After studying abroad for several years, he changed his mind, broadened his horizons and saw new life prospects. Knowing the writing time of Spring is very necessary and meaningful for us to grasp the writer's thoughts and feelings and understand the deep meaning of the work.
After reading Zhu Ziqing's Spring, I can't help but feel that this is a cultural person who has recovered from a serious illness. Facing vilen, who is full of spring, he regained his self-confidence and self-esteem and weaved his ideal dream. This is an intellectual who has experienced "spiritual purgatory". In the warm embrace of nature, he was intoxicated with it, and his poems were full of imagination, and he felt a wonderful realm of "harmony between man and nature" and a spiritual impulse of "being a good person and constantly striving for self-improvement". He retired from the "crossroads" of the times and found his own "shelter" here. I always feel that Zhu Ziqing's "spring scenery" is not the warm and humid spring scenery in his hometown of Jiangsu and Zhejiang, nor the magnificent and abundant spring scenery in the northern suburbs, nor the sketch that the painter faithfully copied, but the artistic picture brewed by the writer under the inspiration and inspiration of nature. There are too many mind codes hidden in this picture.
Mr. Wu, an expert on Zhu Ziqing's research, said: "In many essays, Zhu Ziqing's management of poetic artistic conception is bleak, integrating the' emotion' of personality beauty with the' scenery' of natural beauty, creating an artistic realm in which emotion, scenery and scenery blend. The conception of this realm expresses self-personality as a whole, and takes wonderful images as the externalization means of personality, so in his works, natural beauty becomes the spiritual mimicry or symbolic portrayal of self-personality; Due to the attachment to natural beauty, individual's specific emotions and thoughts are poetically depicted or vaguely symbolized. How to create this artistic conception and complete the attachment and connection between natural beauty and personality beauty? In this regard, Zhu Ziqing inherited and carried forward the overall aesthetic grasp of the artistic spirit of expressing the spirit with form and focusing on the likeness of spirit. Under the guidance of the aesthetic ideal of' poetry can be complained', he produced a hidden color and a quiet style. " (Wu's "The Integration of the Ideal of Poetry Education and Personality", Literature Review No.3 1993) The profound meaning of Zhu Ziqing's prose, I think these words are profound. Zhu Ziqing belongs to the kind of person who is particularly sensitive to feelings, delicate and sincere, and has a unique affinity and appreciation for the changes of the four seasons, landscapes, flowers and birds, etc. His landscapes are often characterized by "I" in landscapes, "I" in landscapes and "I" in landscapes. Therefore, he should mobilize all his senses, thoughts and emotions, repeatedly taste, carefully choose words, and "use a pen like a tongue." It is precisely by putting all his life and personality into the form and spirit of nature that the beauty of nature and the beauty of his life are integrated. Different from Lu Xun, he took a detached critical attitude when describing nature, and even wrote the ugliness of nature. Unlike Zhou Zuoren, he was obsessed with describing nature and forgot himself, hoping to become a part of it. Zhu Ziqing is devoted and pious in the embrace of nature, but at the same time he is conscious and sober. From this point of view, he is the best in China's traditional culture of "harmony between man and nature" and "golden mean". In the concise prose "Spring", his personal integrity and aesthetic ideal are also reflected.
Looking forward to, looking forward to, the east wind is coming, and the pace of spring is approaching.
Everything looked like I had just woken up, and I opened my eyes with joy. The mountains moistened, the water rose and the sun blushed.
In all Zhu Ziqing's prose, it seems that it is rare to see such a clear, cheerful and wonderful work at the beginning. This is not the composition of an inexperienced teenager, but the meticulous work of a middle-aged intellectual who has suffered a lot. The author has such a state of mind and emotion, because he has found a feeling of a bright future after experiencing the darkest days. He is expressing his mood through beautiful spring scenery. "Expect, expect", the overlapping of verbs, is abrupt, powerful and urgent, suggesting his dark and depressed years and his hard pursuit of the future in that kind of suffering. Now that the light has finally arrived, how can he hold back his joy? "I just woke up and opened my eyes happily." This is a hazy scene in early spring, but isn't this his inner experience at the moment?
Zhu Ziqing shows a thriving, colorful and all-round spring in his works. The ground is a vast expanse of green grass, and the fields are peach trees, apricot trees and pear trees in full bloom. Among the blooming flowers, swarms of bees and butterflies are flying. In the sunny and warm sky, the gentle breeze blows, with the smell of earth, grass and flowers, full of all kinds of beautiful bird songs and the loud flute of the shepherd boy ... The author writes about nature vividly, comprehensively, thoroughly and poetically here. In this poetic spring scene, the author unloaded all the ideological and emotional burdens and plunged into this spring world, just like a child into his mother's arms. He wants to roll on the lush grass, play football, race and play games, and enjoy the liveliness and freedom of life. He used his vision, smell, hearing, imagination and fantasy to enjoy the beauty and caress of nature wholeheartedly. Here, nature is so beautiful, and people's lives have become so beautiful. In the beautiful nature, Zhu Ziqing deeply experienced the freedom, vitality and brilliance of life, and showed his childlike feelings and innocent personality.
But this wonderful life experience is temporary, even illusory. Zhu Ziqing believed in "instantaneism", regarded it as a good medicine to cure mental trauma, and knew that he was an intellectual and had many unshirkable obligations as an ordinary person. He wants to pursue a promising and valuable life, and he wants to improve his morality and personality carefully and even deliberately. So in the second half of "Spring", the cheerful tone of the work suddenly became soothing and quiet, and there were continuous spring rains, hazy evening scenes, people rushing for their lives and hard-working farmers. The transcendental natural landscape was skillfully transformed into a realistic picture, and Zhu Ziqing also returned to the wetland from the dream world. "Relax your muscles, be full of energy and do your job." "A year's plan lies in spring." I have just started, and I have plenty of time and hope. "Zhu Ziqing wrote here about people who rush about in the spring, and also wrote their own psychology, determination and hope.
The article is written here, in fact, you can stop. But Zhu Ziqing gave us an unexpected ending, which made the image of spring more complete and magnificent, and made Zhu Ziqing's life and personality more dazzling. He used three metaphors to praise spring and described it as a newborn doll, a beautiful girl and a strong young man. Make the soothing and quiet style suddenly vigorous and fresh, which closely echoes the beginning of the work; Slipping into the plain realistic situation, it suddenly pushed into the bright and cheerful artistic conception created by the first half of the work, and the whole artistic conception was connected again. The "newness", "beauty" and "vigor" of spring injected into Zhu Ziqing's whole body and mind, and Zhu Ziqing also melted into the whole spring and persisted under the guidance of spring. Zhu Ziqing was given a "new life".
In all Zhu Ziqing's essays, spring is a particularly obvious title in the evolution of style. What is the reason for this evolution? What is the special significance of this essay in Zhu Ziqing's creation? It is still worth exploring.