19/kloc-participated in the may 4th movement in his hometown in 0/9, and was the founder of the first progressive publication "Double Ten" (2 issues of Zhejiang Fashion) in Zhejiang.
BR/>； 1920 went to Japan to study and began to accept Marxism.
1927 After the failure of the Great Revolution, he joined the China * * * Production Party and engaged in the workers' movement and translation work. Gorky's Mother translated foreign classics.
1929, Zheng and others organized the Shanghai Fine Arts Association, taking "proletarian drama" as the slogan for the first time.
& lt/ 1930, joined the leftist league, and the executive Committee of the leftist league was elected.
From 65438 to 0933, he was a member, the head of the film group, the Shanghai Cultural Committee, the pioneer of progress, and the film leader of China. The creation of screenplay Wild Flows, Silkworm in Spring, drama Biography of Qiu Jin, Under the Roof of Shanghai, and reportage "Contract Worker" was a great influence of progressive writers in 1930s. After the outbreak of the Anti-Japanese War, Wang Jiu Daily and China Daily, which were hosted in Shanghai, Guangzhou, Guangxi and Hong Kong respectively, went to Chongqing to host the cultural movement in the rear area. Under the direct leadership of Zhou Enlai, they were the chief editor and chief representative of Xinhua Daily. Adapted and created the scripts of Blessing, Lin Jiapu, On Scripting, Xia Yan General Election and Xia Yan. ....../a & gt；
After the founding of New China, he was elected as a member of the first committee of China Federation of Literary and Art Circles.
65438-0955 Deputy Minister of Culture, in charge of film and foreign affairs. /a & gt；
1960 was elected vice chairman of China Federation of Literary and Art Circles and executive director of China Film Workers Association.
1979 was re-elected as the vice chairman of the China Federation of Returned Overseas Chinese at the Fourth National Literary Congress, and people from literary and art circles attended the second meeting of the Congress at the China Film Association. In the same year, he was elected as the chairman of the Chinese Film Association.
1988, the opening remarks of the delegates to the Fifth National Congress. /a & gt；
1994, the State Council awarded the honorary title of film artist who made outstanding contributions to the country.
1995, died in Beijing Hospital.
/a & gt； Xia Yan struggled for the stormy literary world in China in the 1970s, with unique, unremitting, heroic and brilliant performances, which won the respect and love of the people and became a good new culture movement? Pioneers and leaders are on the cultural front.
In the process of studying Xia Yan, Xia Yan made an unforgettable hard struggle and made outstanding contributions, further expanding and deepening his understanding. Through unremitting efforts, in many aspects of this century, the elderly engaged in cultural work have made remarkable and brilliant progress.
Comrade Sun said: "It is the root of China's films." Truth is language.
Xia Yan's contribution to the development of China films is unparalleled.
In the early 1930s, due to the need to crack down on Party organizations, Xia Yan's culture and film industry were spread. He had to obey the party's "orders" and devote himself to a new journey. The screenplay "Translation" directed by Zheng, Soviet movie master and pudovkin was introduced into China, which laid the theoretical foundation for China's films to pay attention to literary creation and the use of montage language by directors. I like the world of kindling and the skill of "stealing fire".
As a result, the party organization Film Headquarters (alias Huangbu) decided to set up and open up a left-wing cultural position. One major newspaper after another opened a film supplement in Shanghai, published a big film review article, expanded the left-wing film team, formed a strong creativity, and vigorously translated the Soviet film theory. Xia Yan translated and published the Soviet audio screenplay The Way Out under the pen name Ding Qianping, which is the first Soviet screenplay translated by China ... Their efforts and strong struggle promoted the emergence of the climax of 1933 left-wing movies, which is the first time in the history of China movies. Among them, Xia Yan's achievements and dedication are indelible.
In order to explore the law of film making, he became a frequent visitor to the cinema, holding a stopwatch, flashlight and laptop, and watched a movie dozens of times. In his own words: "Look at the distant view, close-up or close-up, and then analyze why this shot can't move the lens or a scene for a few seconds or minutes, and then calculate the total number of feet." Such a shot-by-shot study gradually mastered the scriptwriting skills. "
Xia Yan's first film "Wild Flow" was released on March 1933, which caused a sensation in Shanghai. In a sense, this is the real birth of the new China film. First of all, it should be pointed out that a shot, in the countryside, is a representative work of realism in China's films. In the same year, he contributed excellent plays to the audience; Since then, more than two films have appeared every year. 10 A variety of new movie gestures, broad vision of life, distinctive themes and ingenious ideas? Art has won a wide audience and established his respected position in the film industry.
Mao Dun's masterpiece Spring Silkworm was successfully put on the screen by Xia Yan, which set a precedent and was adapted into a classic film. This is the first attempt of the audience, literary and art circles and Lu Xun, and Lu Xun's film adapted from China's literary works won favorable comments. After more than half a century's vicissitudes, "Spring Silkworm" was well received at the Italian film retrospective exhibition held in 1980s. After the founding of New China, Xia Yan creatively created Blessing (Lu Xun), Lin Jiabao (Mao Dun), Resting Garden (Ba Jin) and A (Cheng Tao), which are suitable for big-screen movies and have reached the peak in the history of China movies. They are masterpieces of American film art and have eternal vitality.
Writing a Script, written by Xia Yan in 1950s, is an important theoretical work of film art creation. At the same time, there is a summary and description of the general laws of film production and film art. Ou Yangyuqian's evaluation, he said: "The word is a simple Italian cover, and the near and far goal of language, learning to weave scripts and MCO is a good signpost." Books are indispensable works for China's first generation of filmmakers.
New China established a film director? Xia Yan often plays plays for others. Many famous movie scripts, such as Song of Youth, Eleventh Five-Year Plan, Storm, Nie Er and Dr. Bethune, have been remake by him. In early spring and February, he had as many as 240 positions. Comrade Deng Xiaoping was once called a "film doctor".
Xia Yan can hardly make an immortal contribution to China's film industry. The State Council, pioneer of revolutionary literary works in the 65th anniversary, was awarded the honorary title of film artist who made outstanding contributions to our country.
This is highly praised by the film masters in Xia Yan.
two
Xia Yan's outstanding demeanor in drama. Since the creation of drama in 1930s, many one-act dramas have been published in 1950s and 20th, including nearly 30 one-act dramas, translated dramas, Places to Play with His Friends, Under the Roof of Shanghai, and The World Ended with Fascist Bacteria. Because of its permanent artistic charm and his three representative works, his plays had a great influence, which made him stay in China. His * * * Xia Yan with the same name is also the first full-length drama "Golden Flower", which is famous for its national premiere.
Looking forward to Xia Yan's drama creation, there is a prominent feature from thought to art: First, it is organically unified, politically distinct, contemporary and artistically expressive. His plays are all about the beginning of a new society and the era of life, but they always mean to be expressed through art, and most of them are written in the period of War of Resistance against Japanese Aggression. Therefore, almost all War of Resistance against Japanese Aggression related to Japan is permeated with the anti-Japanese of the times. The atmosphere from the corner of the society is real, because he is good at describing the deterioration and decline of the years and the birth and growth of a new era. On the one hand, his characters and stories reflect the suffocating dark ages. On the other hand, he often plays the role of audience and reader, reminding them of their pain and joy. Mr. Tang Tao, a famous critic, commented that it was "a fresh political lyric poem after the song"
Second, Xia Yan plays a hero familiar to ordinary people. Who wrote it? Different origins, different growth experiences, different personalities, but one heart. He is often placed in a special environment, negotiation or trauma, love and hate, repentance, and the final result may reach these characters. The characters in his works always have a brand and a short board of the times, so they look more real and natural. Describing characters, he portrays the artistic means and depth of characters and explores people's inner world. It is true that he strictly demands that his role be flesh and blood in order to conform to the logic of life. He said, only truly convincing, only through the characters' true and complicated thoughts and feelings, can we communicate with the audience and trigger a * * * sound. His delicate psychological description accurately reproduces the different personalities of different characters, and his washing action outlines the unique emotional depth of the characters, making the environment in which the characters live constitute an inseparable whole life. These unique handwriting endows the Summer Arch with more artistic skills.
Thirdly, Xia Yan's artistic structure is a whole of pure concentration, preciseness, symmetry and artistic conception, and his artistic style. His drama plots always revolve around this theme, development, some false dendrites, "the end of the world" and so on. He is very attentive and pays attention to the structure and layout of the drama. For example, under the eaves of Shanghai, some people say that he is too dull, and we think this is his uniqueness. He is different in artistic pursuit, always considering the pen power, the profundity of diluted artistic conception, the oscillation of character spirit and fighting, such as "fascist bacteria". His dramatic skills are reasonable and traceless, and the writer's creativity and natural structure are almost imperceptible. If life flows naturally, it is a unique artistic talent in summer.
Xia Yan's plays show a long artistic vitality to later generations, and Xia Yanfu's insightful view of drama explores and summarizes the law of artistic creation, which has lasting enlightenment to later generations.
three
In the late 1920s, it was the first theory of translating and introducing foreign books and literary works in China's darkest age, and Xia Yan gained a firm foothold in Shanghai. His first translation was Women and Socialism written by Baerbel, an outstanding French Marxist. This is one of the earliest and most faithful Marxist theoretical works on women's issues. After writing, he first introduced the classic Marxist writers on women's issues in China, which had a great influence on the publishing industry. Early feminist workers, bearded infants, were written in the late 1980s. In their memoirs, they specifically mentioned the progress of their women's groups and chose this book as a study material. Persistent friendship works translated many progressive Akutagawa literary works, and Kimura Yi and Jin left behind the national project; Translation plays an important role in the progress of culture, such as "emerging literature" in the trend of modern European literature. Remarkable achievements have been made in this regard. The Chinese Writers Association was founded in 1928, and one executive member was elected by the Chinese Writers Association.
Of course, the most important achievement in Xia Yan is the translation and dissemination of Gorky's Mother. The first great work of socialist realism in the world was first introduced to China under his pen. For China people living under high pressure, "mother" is a ray of light. Because of this, it has become a best seller. The bookstore owner reprinted it twice and was soon banned. The smart cover changed from red to green and printed the third edition. This is a general order prohibiting distribution. Facing the query of Shao Lizi, a veteran of the Kuomintang, the title of a hidden statue of a cultural celebrity in summer was changed to "Mother" and the signature was changed to "Sun Guangrui". "The exceptional forged version of Series 5 is prohibited by Ming Kai Bookstore. The reader ban has a strong influence, but it has been circulating until today.
From 65438 to 0936, Xia Yan's published works were praised as the model of "bonded labor" in China reportage, which immediately gained great social repercussions. On the basis of serious efforts and extensive investigation experience, he made an accurate judgment and profound understanding of the hell on earth of "bonded laborers" with amazing power, and then showed readers the life, blood and tears of China workers in the 1930s with his unique cold and sharp pen style. Reading this passage reminds people of Marx and Engels' description of the tragic fate of the proletariat in North America and Western Europe in the mid-Kloc-0/9th century. Work at the end of the year: "However, the arrival of dawn is irresistible after all." When Solo warned Americans to be careful about the bodies of every street sleeper, Xia Yan warned that these colonial "bonded laborers" carefully groaned unnecessarily on each spindle. Not long ago, he also said: "I think my job' debt paying labor' can stay." Undoubtedly, this is too harsh for evaluating one's own works, but it also shows that it is very important for the elderly to leave objective values.
1937, Guo was the editor-in-chief and the editor-in-chief of Salvation Daily was founded in Shanghai. He started his career as a journalist from 12 and embarked on a new journey. He said more than once: "In my life, I hate being called home. I just want to be an honest reporter." Reporter: "He often says humorously that he is just an amateur reporter at least from us? He achieved about 50,000 to 60,000 words. His key point behind the news front is that the advantages of journalists in 12 are actually reflected. He claims to be "12, the most unforgettable in his life and the most enjoyable in his work", and he keeps writing almost every day, at least 1000 words a day. Political essays, essays, essays, essays, covering all kinds of content, ancient and modern political thoughts, theories, culture, art, science, people, social life, current events, and travel precautions ... It turned out to be rich and colorful, and the text was full of love. " In the preface of Xia Yan's prose "Liao Mo Killed Comrades", the Literature of Poetry Collection Watching the Spiritual Home says: "Comrade Xia Yan is a rare literary master in our country." After deleting the newspaper Salvation Daily, you have to write editorials, reports and unique skills every day: there must also be good natural science sketches, which are often charming and full of vitality. Liu Lao pointed out: For example, comrades, the Central Committee painted the growth and change of an introductory thing, or natural scientific knowledge, which is reasonable for people to understand this matter and the relevant situation, but interestingly, it is still rare in our literary world. "This can be used in 1940 war-torn Guilin. He wrote a complete set of Weeds, which can be seen from the souls of the older generation. The article writes:
"... grass that is not a blade, called" Hercules ",has forced out a great force. It is indeed such a force in the world, and its vitality is invisible. Ordinary people, as long as there is life, this? Force is a stone that needs to be displayed, and it can really be stopped, because it is a force of "long-term war". It is flexible, elastic and tough, and the seeds will not fall into fertile soil and ruins. Feasible seeds will never sigh pessimistically because they have a temper. At the beginning of life, the resistance of grass is difficult, and it is the only grass that can proudly improve the laughter of potted plants in glass sheds. "
Make a splash. Only his pen can write this article! Hundreds of words cover the truth of the universe in ancient and modern times. Pen and ink are so simple, vivid, profound, sharp and romantic that his friends benefit a lot. So he should be a stranger to people.
After the national liberation, Yan Ziyun said in the summer: "Once an editor or reporter puts down his pen, he will tease the actors on the stage." The evening newspaper "opens" the gossip column in order to correct the ills, strengthen the body's resistance and eliminate evil. In the 1960s, his People's Daily contract recorded the mistakes of the Great Leap Forward in the yellow of his pen name with the same general theme, continuously and faithfully issued a summary of experience, and evaluated the pros and cons with delicate readers, which was widely circulated.
Xia Yan's career didn't become a burden or restriction of his outstanding artistic achievements. He loves art, but he is not limited to it. He devoted his whole life to the revolution, and did a lot of organization, mobilization, persuasion, positioning, shuttle, fighting and rescue work that many artists might disdain. This is such a concrete, meticulous, difficult and arduous journey, which directly warms the most precious and affectionate land in life with your body temperature. At the beginning of a semester, the exact conclusion of Summer Citizen has not been studied. In Chongqing, the capital of the Anti-Japanese War, friends from the literary and art circles called him. Openness means honesty. In our traditional culture, public places, the elderly, and obvious honorifics. Then the mountain city of Chongqing is the center of political, cultural and intellectual gathering places in the rear area. Difficult, sinister, contradictory difficulties. Just entering the fourth decade, his work is in this special circle, and this title is not accidental. According to some old comrades' memories, internal contradictions and personal feelings in the literary and art circles, coupled with Gong's sobriety, reason, calmness and patience in summer, often make him blush and turn around harmoniously. He called it the "scavenger" of literary spacing. "
Xia Yan's loyalty. In his childhood, his family came down, and he was the youngest and thinnest of the eight brothers and sisters. My 3-year-old father died, thanks to the assistance of my widowed mother's hardworking relatives and friends, which helped solve the problem of food and clothing. Poverty and embarrassment made him introverted and unsmiling. His loving mother affectionately called him "the hole cat,/kloc-graduated from high school at the age of 0/4, and worked as an apprentice in a dye house at the age of 0/5. When I entered the school, a native of Ali, Zhejiang Province, 19 years old read Enthusiastic Participation in the May 4th Movement and Criticism of Feudalism. At the age of 20, he graduated with honors and was entrusted by "saving the country through industry" to go to Japan to attend school teachers. In the Department of Electrical Engineering of Meiji College, he read the Marxist work Manifesto of the Producer Party, and the idea of "cave cat" caused great waves, from the redemption of industrial countries to "caves". Overseas students appointed General Li Liejun to join the Kuomintang and took care of Dr. Sun Yat-sen's personal care, but later they did not tolerate the right wing. 1927 went back to Shanghai, boasting about the white terror of capitalism, which was far left. Faith, right? Show his true elegance. He was completely disillusioned and decided to throw himself into a revolution surrounded by blood and fire and become a * * * party member. Marxism founded this party because of its strength and self-confidence. In line with the party's ideological line, he insisted on "seeking truth from facts" all his life.
When things happen, it is when the bright sunshine passes through the thick haze, and the great and rapid celebration of the people is the spirit! China * * * produced the anti-Xia Yanping of the CPC Central Committee, arranged a job for him, and restored his reputation. A century ago, he was in good health. The people have lofty ideals, and the China people's journey of trust in socialist modernization includes 20 summers, spring and autumn.
85-year-old Xia Yan wrote an important book "Too lazy to find old dreams", dedicated to people with 330,000 words. He told readers: "I was ordinary, but later my time was too great." "
On his 90th birthday, he made an unusual arrangement behind his back:
All his paintings worth millions were donated to Zhejiang Museum. Bonus: No, no certificate. He can't forget the official expenses that Zhejiang elders sent him to study in Japan.
The rare treasure "Nalan Chengde" rolled away, and he donated it to the Shanghai Museum, provided that he could not forget this splendid city and Shanghai's struggle on the stage.
Valuable and precious stamps are donated to the country free of charge.
His books are donated to modern literature in China.
......
He also donated calligraphy, rolling, stamp collecting and collecting, and then his precious and valuable motherland made him passionate and full of priceless loyalty!
He died in the summer at the age of 95, but his spirit will live on forever!
Today, Xia Yan's talent, wisdom, will and character, as well as his dazzling humanistic spirit, have been introduced into China's ancient and broad traditional culture. At the same time, he once again enriched this great cultural ocean with modern high quality.
1 Huxing Liang's Drama and the Tradition of National Opera House [J]; Journal of Guangxi Normal University (Philosophy and Social Sciences Edition) 2003 02
2 Li Na; Prose essays in Xia Yanzhao [j; Harbin Vocational and Technical College 03 2008
3 China Li Jun and Western Film Adaptation [J]; Theorists; 05
Wei Fuhui on the main features of Xia Yan's realistic drama [J]: Liaoning Normal University; April 2004
5 dispersed powder; Characteristics of Xia Yan's dramatic language [J]; Journal of Ningbo University (Humanities Edition) 2005 04
Bai Jie; ; The power struggle of critical discourse in Wild Rose [J]; Journal of Shijiazhuang Railway Institute (Social Science Edition) February 2008
7 Former Deng Xiaoping; Cao Yu's film adaptation [J]; Journal of China Youshi University (Social Science Edition) 2009 03
Zhu Xiaofeng; Questioning "modernity" and "nationality" [J], the frontier of literature; 02 2002 />9 "wide sea; Mass media and patriarchal society [J], Journal of Southwest Jiaotong University (Social Science Edition) 0 1, 2007.
10 Yuan Ping; The transformation of the adaptation form of modern masterpieces [J]; Xianyang Teachers College; 0 1 2009
The first five articles in the full-text database of Chinese doctoral dissertations, 1: A study of Cao Yu's drama style and discourse [d]; Science and technology of Huazhong University of Science and Technology in 2007;
2 Wang Guoying; Power discourse and political culture [D]; Zhejiang University; Zhang
3. Research on Diaries of Modern Writers in China in 2008 [D]; Lanzhou University;
Lu; The idealistic tendency is to create a new China country film, Fudan University Bay Water.
5. A Comparative Study of Suzhou Story in China and Pansori in Korea in 2007 [D]; Central University for Nationalities; In 2004
Top 5 in full-text database of important conference papers in China.
1 Adapted from Jun Yan's The True Story of Ah Q [D]; Henan University; 2009
2 He Yun, a historical and dramatic figure in Hong Kong [D]; China Academy of Fine Arts; 2009
Chapter 3 Parcel, Xia Yan's thought of running a newspaper [D]; Henan University;
Real Novels and Movies with Golden Emblems —— A Study on the Translation of Modern and Contemporary Literature in China [D]; Qingdao University in 2004
5]; Language function English film and translation [d]; Guangxi University; 200 1 year
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1 pan Xiaolong "; Fuzziness of literary works [a]; Anhui literature (2) [c]; 2004
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6 Luming Literature in summer; Exploration, reflection and learning, in the name of literary translation-"[a];" Lee Porter and the Half-Blood Prince, Proceedings of the Seventh National Academic Conference of China English and China Comparative Research Association [C]; In 2006
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Shi Guangheng; China's Literary Works and High-level Textbooks [Second International Chinese Teaching Seminar]; Selected papers [c]; 1987
9 hurt the spring; Transfer function is counterproductive-in recent years, the phenomenon of different metaphorical genes in novel language has been explored [a]; A study of China's novels [c]; 2003
10 flower, super; The scene of Chinese and Japanese female literature works sponsored by comparative social function-"Good morning, Miss" and "Score" [a]; Proceedings of the International Symposium on Comparative Literature and Comparative Culture between China and Foreign Countries [c]; In 2004
10 full-text database of important newspapers in China.
The reporter also
Reporter Xu 80% of French people don't like award-winning literary works [n]; Xinhua Daily Telegraph; Dark clouds tuya; Seminar [n "Hai Baoxian News and Literary Works"]; Xilingol daily; In 2009,
Xianfeng, 3 yuan, the Propaganda Department of the Standing Committee of Guang 'an Municipal Committee sang "The New Era is Rich in New Guang 'an City" [n]; Guang 'an Daily;
4 Our reporter Shi In 2009, a number of literary works reflecting national unity came out [n]; Aksu Daily; 2009
Qin Wen; Selected Literary Works won five "prizes" in Shaanxi Province [n]; Literary newspapers; In 2009
6 Our reporter Yan Jing, avant-garde literary works collectively appeared [n]; Sichuan Daily; 2009
7 essays; The Taiwan Province Strait West Coast Competition announced the literary works with the theme of "Minnan Style" [N]; Literary newspapers;
8 In 2008, Li Lanqing learned from Xia Yan and strived for the construction of advanced culture in China [n]; Xinhua Daily Telegraph;
2000 newspaper commentator; I can't bear to see it.