Mr. Liang Houmin, a 15-year-old allegro artist, won the first prize in the second national allegro art competition. Later, I took Mr. Jin Wensheng as my teacher and studied the art of storytelling. Often performed tracks include Sword of the Male and Female, Wu Song Beating Shop, Crosstalk Learning Four Phases, Fenhe Bay and so on. In the "25 Beijing Crosstalk Sketch Competition", he cooperated with He Yunwei and won the first prize of the Crosstalk Professional Group with "I Want Happiness".
He is a member of Chinese Quyi Artists Association and China Allegro Art Committee.
Born: August 1st, 1978, June 28th, the fifth day of the lunar calendar
Jing Li is a crosstalk performer with great stage charm. At the age of 29, he is already a veteran of Deyun Society. As soon as he appeared, he won a full house. When the host mentioned his name, the veteran crosstalk fans would give a warm "alas".
Shaowang (August 1, 1978) was a business administration major at Beijing University of Technology.
In p>27, Jing Li, who was 29 years old, set off a craze for cross talk in Beijing.
Now cross talk is on fire. Listening to traditional cross talk in teahouses has become the fashion pursued by college students and white-collar workers. These cross talk artists have infected groups of people who come here, and there is a harmonious atmosphere on stage and off stage, and the twists and turns of artists' revitalization of traditional art have also been affected. Jing Li, a crosstalk performer from Beijing Deyun Society, is an artist with great stage charm. His fans call themselves "Jingmi", and he and his partner got full applause as soon as they appeared.
When I was 7 years old, I was shocked by the bus to school in Liu Baorui.
It's hard to imagine that Jing Li is only 27 years old. Not only is he looks, but his every move and gesture smells like an "old gentleman". He speaks slowly and calmly, and his words are all in the old Beijing dialect. He himself explained that this was due to his plunge into traditional cross talk from an early age. Jing Li didn't come from a family of Quyi, and his parents' occupation had nothing to do with this line, but the way for his family to look after their children was to give him a recording of cross talk and storytelling, and Jing Li-as one pleases Jr. listened to God without crying or making trouble. At the age of seven, when he was riding a bus with his mother, he began to talk about a stand-up comedy. His mother said, "Hey? Isn't this Pearl Jade White Jade Soup? You only remember so many words after listening to it three or four times? " Jing Li proudly said, "I can tell this whole paragraph", but his mother didn't believe it. So Jing Li told Liu Baorui's 4-minute "Pearl Jade and Jade Soup" completely on the bus, and it was clear pronunciation and mellow voice. Although he tampered with some uncommon words that were difficult for children to understand, he said "short words" as "half words", but the rhythm and charm were quite in place. The passengers in the car basically stopped talking and listened attentively to the child's stand-up comedy, which was a wonder. Mother discovered Jing Li's attainments in this method, and immediately recorded this passage when she got home, which has been preserved until now. When Jing Li grew up, she couldn't help laughing when she heard this recording.
Learn Allegro Books on Bike
Before going to high school, Jing Li listened to the cross talk, Allegro and storytelling by himself. To say that stage experience is all kinds of ceremonies and get-togethers at school, teachers and classmates are his loyal listeners, and sometimes students often come to talk to him during the lunch break.
Jing Li, who likes to study hard, embodies this rare spirit in art. He practiced Allegro hard with TV programs. "I didn't know how the four boards made a neat sound at that time, so I glued them together, so that I could make a synchronous sound with TV." Talking about the experience of learning art, Jing Li relished, "I learned later that the reason is very simple, that is, if the rope connected in the middle of Allegro is thicker, this problem will be solved."
At the age of p>15, my mother was seconded to the vehicle management office, and she often met crosstalk performers to apply for a license. When she got home, she asked Li Jing if she wanted to worship a master. After hearing some fairly loud names, Jing Li knew it well and didn't show any special enthusiasm. And when one day my mother said that she met Mr. Liang Houmin, a famous allegro artist, Jing Li immediately decided to learn from Mr. Liang. At that time, he was about to go abroad to study with the school. It was several months before he contacted Mr. Liang after returning home. Unexpectedly, the other party had changed his number and finally met Mr. Liang after many twists and turns. When he came to Master's home, Jing Li showed his talents to Mr. Liang for the first time, and sang a self-taught allegro. Mr. Liang's evaluation was that although the posture was wrong and he lacked skills, the child "had a solid mind". From then on, Jing Li began to learn from his teacher.
The study in high school is very tense, but for the sake of "the board in my heart", Jing Li goes to Mr. Liang's home by bike for 4 minutes every day after school. Mr. Liang is busy with performance affairs and can only give him guidance for one hour. "I only have to listen to kung fu for that hour, and I can't learn at all, and I have no time to practice. I can only think for myself on the way home by bike. It's a 4-minute journey. I will do it as soon as I get home. I practice my homework for a while. Secondly, Mr. Liang also praised Jing Li's cleverness and hard work. When educating other disciples, he often said, "I thought that when Li Jingxue was in this period, the plenary session would be held in a week."
The process of learning from a teacher is very hard. Jing Li has also made great progress in this field since he was a child, but his achievements in school are excellent. Jing Li's middle school is a key middle school in the city. His dream was to be admitted to the law department of Peking University, but the college entrance examination failed to reach Peking University by two points. This is the first small blow for Li Jing in his life. After he went to college, he put more energy into studying arts and performing. Mr. Liang thinks that Jing Li Kung Fu is solid and ready to start.
crustily skin of head to attend class reunion
Jing Li's academic performance during his college years was also excellent. His major was management. In his senior year, he won the first prize in the national Allegro book competition, which made Jing Li make the most important decision in his life: give up his major in college and specialize in Quyi. When he graduated, many promising job opportunities waved to him, and Jing Li was unmoved, waiting for the notice from the army art troupe he was expecting. However, the road of life has been smooth, and he has encountered an unprecedented dark period. The notice of this unit is two years. In the past two years, he can only participate in the performances of some small theaters and teahouses. The situation he often faces is that there are a few spectators under the stage, and the burden is shaken out and the audience does not respond. It is not that the actors are not proficient in learning, but there is really no atmosphere. Even if the funny burden is so old, the audience is embarrassed to laugh. "It's the most depressing thing that I can't get the audience's * * * song. If I feel bad in my heart, I can make a fuss on the stage. If the audience is unhappy, can't I amuse myself?" In this case, the artist's inner loneliness is indescribable, and many young actors who can't endure it choose to change careers. Jing Li once again gave up his job as a radio director and continued to work hard in this line.
College students all have their own positions. Some people just take the opportunity that Jing Li once gave up, and these jobs are very beautiful in the eyes of ordinary people. At the reunion, Jing Li, as poor as a church mouse, was very unhappy when he saw his classmates smiling and laughing. Both young and energetic, Jing Li walked alone in his unique way. "The classmates in our class have deep feelings. Although I was very miserable at that time, I would still go to every party and bite the bullet." Man struggles upwards, but in fact, the heights are too cold; Water flows downwards, in fact, a hundred rivers flow downwards. Perhaps people just need to have the mentality of going upwards and the mind of water flowing downwards.
Up to now, Jing Li hasn't been a formal teacher in the comic dialogue field. In inheriting the tradition, he is eclectic, learning from others, devoting himself to studying the essence of crosstalk masters, and discussing crosstalk skills with his predecessors. One person worth mentioning is Mr. Li Lishan, who is very helpful to Jing Li in traditional cross talk. Jing Li often spends four hours driving across Beijing to discuss crosstalk techniques at Mr. Li's home.
Crosstalk is an art taught by mouth, and the skills handed down by old artists throughout the ages are regarded as classics. From the late Qing Dynasty to the present, the old gentlemen have extracted all the skills that can form burdens and jokes in China language. Now, no matter how new the cross talk is, the burdens are still in the old cross talk, but few people have summarized the rules. Mr. Li Lishan did such a job. He summarized the essence of traditional cross talk into 28 words, each of which was explained by a four-character poem. The clever Jing Li was suddenly enlightened when he saw these 28 poems, and with his years of deductive accumulation, he had a thorough understanding of cross talk. Jing Li said that he is still in the stage of inheritance in the field of cross talk, and he will innovate on the basis of inheritance. Jing Li doesn't feel sorry for his college life, which has cultivated his qualities in many aspects and provided a high platform for personal development. "I want to continue studying if there is a graduate class in Quyi in the future."
Father, Son and Sa hold up the crosstalk meeting
During various performances, Jing Li got to know many other disciples, including Degang Guo. Degang Guo began to hold a crosstalk meeting in 1996, which is now the predecessor of Deyun Society. From Jingwei Library, Zhonghe, Guangde Building, Watson Tianqiao, and now Tianqiao Music, it has experienced ups and downs. From the time when there were only a few people in the audience, people stood at the door in snowy days and called people in, Jing Li has all experienced the hot scene of Tianqiao Music.
At the most difficult time, there were only three actors in the crosstalk convention, Degang Guo, Zhang Wenshun and Jing Li, who was young. Three people held up a crosstalk meeting, and they also held on. First, Mr. Zhang said an hour's stand-up, Degang Guo an hour's stand-up, Jing Li 4 minutes' Allegro, Guo and Zhang a counterpart, and then a group of three men.
At that time, they performed every day, with only four or five audiences, and three of them were still regular audiences, which required that the actors should not do heavy work, the cross talk should be easy to handle, and the requirements for Allegro were very high. For more than a month, Jing Li told the whole story of more than 4 Allegro books he knew. "Recalling the experience at that time, although it was very difficult, it also laid a solid foundation for future performances."
It is conceivable that such a performance can not make ends meet, or even lose money. However, the hardships of life did not shake his belief in the slightest. Talking about those days, Li Jing said lightly: "I go by bike, so I don't have to pay for a ride, that is, I have to pay for a meal." The most painful thing for him is to take Allegro to the street to attract the audience. There was an unprecedented embarrassing situation in the performance of a cross talk conference. There was only one audience, one on the stage and one off the stage. The actors of Deyun Society decided to go out and sing Allegro at the gate of the theater. This killed Jing Li, not because he was freezing in the cold, nor because he couldn't put down his shelf, but because of his feelings for Allegro. He studied Allegro from childhood under Mr. Liang, gave up his bright future after graduating from college and specialized in Quyi performance. Allegro is a sacred art in his mind, but now he is going to be reduced to the point of hitting the board in the street to cater to passers-by, which makes him feel sad for the first time. "Sometimes I deliberately don't take Allegro, pretend to forget to take it, let them play, or I take something else instead." This seems to relieve the inner bitterness slightly.
Today, Jing Li is known as the little gang leader of the Beggars' Guild in Beijing, because he sings Allegro well. It is probably hard for his fans to imagine that the little gang leader once really sang on the street like a Beggars' Guild. Nowadays, Deyun Society is unprecedentedly popular. Their persistent performance in small theaters for many years finally proves that traditional cross talk still has an audience, and most of them are young audiences. Now it is hard to get a ticket for the performance of Tianqiaole Tea Garden every weekend, and the venue is bursting. It is necessary to book a seat one week in advance. On January 12th, 26, Deyun Society's new year's crosstalk show was held in the Opera House of the People's Liberation Army. At 3, the tickets for 5 yuan were sold to 3 yuan by scalpers, and the stage and the stage became a sea of joy. When the host mentioned that the capital was short of Wang, the ticket lovers of the old Tianqiao gave a sound of "alas" at the right time.
It's obviously different to attend the reunion again now. Some students contact him for performances, some contact him for interviews, and most of them ask him to book tickets for the performance of Deyun Society.
Not long ago, Jing Li and his partner, He Yunwei, won the championship in the cross talk professional group with good performance in the cross talk sketch invitational tournament held by Beijing TV Station, showing their profound cross talk skills and stage charm to TV viewers. Asked what the most significant feedback effect was after they won the prize, Li Jingxiao said that it was mainly reflected in the increase in labor services for performances. Just like the first time fans rushed backstage to ask for his autograph, I felt as if I saw the light in my heart, and this road was not wrong.
Jing Li's classic quotation:
1. It's so exciting
It's almost synonymous with him. No matter who says this, everyone will think of the lovely young master.
2. Why do you always say this?
You look innocent and helpless.
3. Besides, I slapped you for being
violent
You can't do that
How did I know
It was all on my cheek
Oh, I didn't know about Allegro? !
"Is that what I smell?"
let's not joke!
word stress of "you-lai-le"