The whole set of standard clothes hasn't changed.
In fact, ordinary people often come into contact with fragments of traditional drama in their daily lives. For example, many restaurants will be decorated with Peking Opera masks, many tourist attractions will also have traditional dramas, and even many songs and dances are inseparable from the embedding of traditional dramas, but these are improved versions. The real traditional drama is actually getting farther and farther away from us, especially the life of young people.
Yibo chose the role of Zhao Yun, a handsome Peking Opera hero, in the program. In the process of practice, he did hanging eyebrow, tie his head and kung fu flat shoes well, which is really difficult for a newcomer to Beijing Opera. At present, most programs involving traditional drama have simplified the standard of dress, because many details are not clear to outsiders. For example, Yi Bo practiced turning and falling many times in platform shoes, and then the teacher suggested that he change his shoes. In fact, the audience couldn't see any flaws when they switched to traditional cloth shoes, but Yibo stubbornly refused.
Adhere to the standard movements without reducing the difficulty.
Ten years of performance under the stage in one minute, especially these traditional folk art performances, can never be performed on stage by singing smoothly, and it can't be carried without three to five years of hard training. But after just a few hours of crash practice, Yi Bo didn't accept the teacher's suggestions for improvement at all, and insisted on using standard movements to make the entrance and end, which made him spend a lot of effort. What signal does the persistence of a first-line traffic convey? Will it gradually stop the trend of innovation, modification and integration of traditional drama that has been emphasized in recent years?
Modesty refuses flattery
As the first-line traffic strongly supported by the column group, Ebo has always been well received and affirmed by everyone during the recording of the program, but Ebo doesn't feel floating at all about these praises. He repeatedly modestly denied the performance of teachers and Han Ge, and refused to flatter. The teacher praised him for practicing well and having ten years of stage skills. He said modestly, "Not one year." When Han Ge praised him on the stage, Bo bowed his head and looked at the ground. When others praised him, they all beamed.
Express one's interest
On the stage after the praise, Yi Bo, who has always been taciturn, expressed his love and interest in traditional drama very seriously. At the same time, when Brother Han asked if he was interested in watching Peking Opera, he also gave a very positive answer. As the flow of the column, everything presented by Ebo is likely to be the stem for the next program, which is not only his personal opinion, but also reflects the significance of the change of Wang Han and even the whole format to a great extent.
In fact, the traditional folk art in China is wonderful, but in recent decades, public opinion has constantly labeled the traditional folk art as outdated, stale and declining, making fewer and fewer young people inherit and love it. In fact, just like hip-hop and rap, these traditional cultures also need young people to continue to write a new chapter. What is lacking is a wave of such rhythm leaders. Do you understand the positive signal of the revival of traditional folk art conveyed by his persistence this time?