Is Mo Fei from Guangmei University?

1. No, he studied in these places: He graduated from the Chinese Painting Department of Lu Xun Academy of Fine Arts in 1973. In 2010, he studied at Huo Chunyang Traditional Painting Studio, a senior graduate class at Tsinghua University. In 2011, he studied in the creative postgraduate class of the Chinese Painting Academy of the China Academy of Art. In 2012, he studied in the flower and bird training class of China Academy of Art. In 2016, he studied in Laopu Studio of Beijing Rongbaozhai Painting Academy and became a special painter of Beijing Rongbaozhai Painting Academy.

2. Mo Fei, (Hu Weihua) Mo Zhibai, named Mo Fei. He is a member of the Chinese Artists Association, a national first-class artist, an academician of the Chinese Academy of Painting and Calligraphy, and a master's degree in traditional Chinese painting (flowers and birds). Special painter of Rongbaozhai, president and tutor of Lingnan Qingxiang Painting and Calligraphy Academy.

3. From a technical level, painting is a practice of using a surface as a supporting surface and then adding color on top of it. Those surfaces can be paper or cloth, and the tools for adding color can be brushes, You can also use a brush, sponge or cloth strip. Different forms of expression, gongbi painting uses neat and meticulous brushes, applies colors layer by layer, and details are clear and subtle. It is necessary to use extremely delicate brushstrokes to depict objects. Freehand paintings use concise, bold, and freehand brushwork to depict the form and spirit of objects and express the author's emotions. Freehand painting uses general and exaggerated techniques and rich associations to express objects. Although the brushwork is simple, the artistic conception is profound and has a certain expressive power. It must have a high level of generalization ability, an implicit artistic conception of defeating more with less, be precise in writing, and skillful in writing, and be able to follow your thoughts and write freely. These two painting styles have existed since the Tang Dynasty. Some are somewhere in between, doing both work and writing. For example, in a painting, freehand brushwork is used in the rows of pine trees, and meticulous brushwork is used in the pavilions. The two are combined to give full play to the skills of using pen, ink, and color. According to the progress of world culture and art, Chinese painting broadly refers to traditional Chinese painting, which is independent of each other in a narrow sense and integrated with Western art in a broad sense. This is mainly reflected in the significant differences in artistic conception and pictorial meaning.