First, balance. In the layout of Chinese painting, the inscription and postscript can solve the balance problem, which includes the balance of space size, handwriting, ink color, shade, word number, glyph composition, horizontal and vertical pattern and so on.
Second, continuity. For the factory, the composition is flexible and "connected", the scenery can be divided, and then the topic can be connected up and down or left and right, so that the momentum of the picture is connected. For example, Shi Tao often uses this composition, which is flexible but not scattered and constantly divided.
Third, wake up. The realm of painting is often profound and implicit. You can awaken the picture through words and poems and deepen the artistic conception in the painting. In the composition of this painting, this inscription is very poetic.
Fourth, set out. Both the ink color of words and the sense of form of line blocks can be imaginary. In order to set off the beauty of objects, for example, Zheng Banqiao's Zhuzhici has the meaning of bamboo leaves, making calligraphy a part of the landscape.
Five, the pen to. Line is a formal beauty of calligraphy. The ancients often demanded that painting should have the meaning of calligraphy. Mr. Li Kuchan also said: "Painting is the height of a book, and painting is the criterion." The brushwork is not only the aesthetic feeling of composition, but also the sense of strength, which conveys the author's feelings. An ordinary painting, if accompanied by wonderful calligraphy, will make it look brand-new. Aesthetically, calligraphy and painting are integrated, and Jin Nong's composition is often surprising and amazing. Therefore, the brushwork of calligraphy has formed a unique style in Chinese painting.
Sixth, the actual situation. Although words can send signals, they do not mean anything, so they are virtual images; But pen and ink are true, which is conducive to the mutual contrast and complementarity of landscape composition. For example, Mr. Pan Tianshou likes to make boulders. If we solve the texture of the stone from a decent point of view, it will cause the flat plate to be blocked, so we often hook the big stone with the outline and carve words on the stone, which makes the composition neither real nor illusory, and also adds luster to the factory drawing because of the formal beauty of calligraphy. When the scenery is true, the words appear empty; If the scenery is empty, the words will be real accordingly, so they can complement each other.
Seven, echo. You can generally pay attention to the echo of the scene in composition, but sometimes the subject (object) on the picture is enough. Is a lack of dexterity. In this case, it is very appropriate to echo with a few words, which can make the picture vivid. Another example is that Mr. Pan Tianshou drew a cat staring at the sky at the bottom of the banner screen, and signed and sealed it at the top of the cat's viewpoint. This kind of echo is fascinating and vivid, and it doesn't make people feel empty.
Eight, decoration. Characters are a kind of decorative beauty in picture composition. Therefore, when writing, the font is determined by the style of the picture, the mood of the pen and ink, and the echo of the color; Considering the overall effect, we should decide the arrangement form, font size, odd number and positive order, change and unity.
The beauty of writing structure is the application of abstract thinking form. At the same time, a word in different fonts will produce various forms of beauty. It does not fall into a specific framework, but it can break through the convention and be shaped according to the laws of beauty. This abstract beauty, like music, is both beautiful and pure, with a high level. Inscription and postscript, for Chinese painting composition, is not an isolated form, it should be an organic part of painting, not "painting ten books", but a combination of painting and calligraphy.
China's art gardens have always been called calligraphy and painting, which come down in one continuous line. The ancients said that "writing bamboo is eight methods" and "calligraphy and painting are of the same origin", and Chinese painting is also called "painting". Because both calligraphy and painting emphasize lines, there are the most basic and important internal relations and similarities between them. Calligraphy can be independent of painting; If China painters' calligraphy is not good, the improvement of painting art will be unimaginable. Which of the famous Chinese paintings, ancient and modern, Chinese and foreign, is not both exquisite?
Master of Arts?
Calligraphy not only plays an important role in the inscription and postscript of Chinese painting composition, but also plays a potentially greater role in training Chinese painting pen lines.