Gu Yongquan was born in February 1955 in his ancestral home in Sichuan. He is the master of Yuquan Zhai, and his nickname is Shashanren and Yanshan Shuren. A well-known contemporary calligrapher in my country, his calligraphy works are loved and collected by many people. Below are the calligraphy works of Gu Yongquan that I compiled for you. I hope it will be useful to you!

Appreciation of Gu Yongquan’s calligraphy works

Pictures of Gu Yongquan’s calligraphy works 1

Pictures of Gu Yongquan’s calligraphy works 2

Pictures of Gu Yongquan’s calligraphy works 3

Pictures of Gu Yongquan’s calligraphy works 4

Personal profile of Gu Yongquan

Gu Yongquan, born in February 1955 His ancestral home is Sichuan, he is the master of Yuquan Zhai, and his nickname is Shashan native and Yanshan Shu native. Ziguquan, Molong, senior calligrapher and painter, member of Jiusan Society. His biographical sketches were selected into "Son of the East", "Experts of the Chinese Century", and "Who's Who in the World" and his works have won elite awards, gold, silver, bronze awards and special grade awards in international and domestic calligraphy and painting exhibitions for many times. He was awarded the "World" by the World Chinese Artists and Professors Alliance. Chinese art celebrity? Honorary title. His works have been selected into the "Classics of World Famous Painting and Calligraphy Artists", "Expo of Authentic Works of World Famous Contemporary Painters", "Grand View of China's Celebrities Engravings of the 20th Century", "Chinese Dragon Rhythm", "Chinese Style", ("Chinese Artists" Famous Portraits) He has published dozens of classics and collections, and published postal postcards of "One Hundred Masters of Chinese Painting and Calligraphy". His works have been widely exhibited and collected by art groups such as the National Art Museum of China, Military Museum, Libo Museum, Tsinghua University, and people from Japan, Hong Kong, Taiwan, Europe and the United States. The Art Talent Center of the Ministry of Culture of China and the Art Steering Committee of the China Federation of Literary and Art Circles specially awarded the honorary title of "World Chinese Artist". In Beijing, he was specially invited to participate in the "Exhibition of Works of Famous Calligraphers and Painters in the Capital" and the "Hundred Generals Hope for Unification Calligraphy and Painting Exhibition" and was awarded "***" The Silver Medal Award for People's Painting and Calligraphy Artists in the 50th Anniversary of the Republic of China. He won the gold medal at the International Aesthetic Exhibition of China, Japan and South Korea, and was awarded the title of "Chinese Cultural Envoy" by the Chinese Calligraphy Magazine and the Chinese Traditional Painting Research Institute.

Tips for using calligraphy brushes

The brushwork is divided into starting strokes, running strokes and closing strokes. It refers to the whole process of the movement of the stroke when writing a kind of dot painting. Writing any kind of dot painting must go through three stages: starting of the stroke, stroke of the stroke, and closing of the stroke. So-called. Reverse entry, astringent movement, and tight tightening are the key points of these three methods of using the pen.

When you start writing, you should start in reverse, that is, start writing against the front. If you want to go right, go left first, and if you want to go down, go up. Even if you write a stippling stroke with a sharp start, you should still take advantage of the trend and start writing. Like jumping forward before retreating, like boxing before stretching before retracting, the pen is particularly powerful in this way. The most taboo thing in calligraphy is to draw the strokes smoothly and straightly.

The writing should be astringent, so-called. Shixing? means that the writer artificially creates a force that hinders the movement of the pen, and at the same time overcomes this force and moves forward. The ancients vividly compared this style of writing to "a house leaking waves". If the edge floats on the paper and passes by, the ink will not enter the paper, and the stippling will be slippery and weak.

To close the pen, you need to "tightly close", that is, to close the pen tightly, which means "no drooping, no shrinking, no direction, no closing" method: when writing vertical paintings, the pen should reach the end. When writing horizontally, draw the pen to the right. When writing to the end, retract the pen edge to the left. Such strokes are subtle, vigorous and powerful.