Magic, absurd, charming, magical. If you want to find the most appropriate title, I think it should be "ghost". In the fields of plane composition, shape gradient, geometric combination, optical illusion (impossible graphics) and other fields, Escher's status may be unprecedented. Many of his works are simply made out of nothing, 1 from 0, some of which are as if Without explaining it in advance, you may even think of it as contemporary CG art run out of a computer - after reading it once, turn back to this paragraph. The influence of his works has the ultimate breadth and depth at the same time, and it is so silent that it is almost impossible for future generations to skip him and open up a new direction. This is my personal opinion and I don't think it is exaggerated. First, let’s briefly introduce his life. Moritz Cornelis Escher (M?C?Escher), 1898-1972, was born in Leeuwarden, the Netherlands, and died in Laren, the Netherlands. His main creative career was concentrated in the 30 years he lived in Barron from 1941 to 1970, which is actually not that far away from now. His father is an architect and his brother is a geologist, which must have influenced his artistic creation. His artistic talent was clearly demonstrated in college, and the accumulation of materials began in 1922 at the Alhambra Palace in Granada, Spain (the pinnacle of Moorish architecture and a pearl in the history of world architecture, but this was That’s another topic). Before 1935, Escher's paintings were relatively "normal". During this time, he lived in Italy and his works were mostly landscapes. I stayed in Switzerland for two years from 1935 to 1937 (Italy was a bit... in those days), and in Belgium from 1937 to 1941. Due to the outbreak of World War II, I returned to the Netherlands, [del]cultivation ascended[/del] and I painted with peace of mind. "Eight Faces", woodcut, 1922, Escher's first two-dimensional mosaic (he is indeed an extraordinary talent!), with a slight bump, he lifted an incredible seal.