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"Businessmen don't know how to hate their country, but still sing backyard flowers across the river."

This is the quatrain in Bo Qinhuai written by Du Mu in Tang Dynasty.

Smoke cage cold water moon cage sand, night parking near Qinhuai restaurant.

Strong women in business don't know how to hate their country, but they still sing backyard flowers across the river.

Precautions:

1, Qinhuai: Jiang Ming, which originated in Lishui County, Jiangsu Province and runs through Nanjing.

2. Businessman: Singer.

3. The backyard flower: The song titled "yushu backyard flower" written by the late ruler of the Southern Dynasties is the voice of national subjugation.

Rhyme translation:

Smoke from cooking stoves permeates autumn water, and moonlight covers white sand;

The ship docked at Qinhuai in the evening, near the restaurant on the shore.

How can a singer know the hatred of national subjugation when he is having fun?

They are on the other side, singing Flowers in the Backyard.

Comments:

? This poem is nostalgic. Jinling was once the capital of the Six Dynasties, and it was prosperous for a while. Today, seeing the decline of the Tang dynasty, those in power are fatuous and dissolute, and it is inevitable to repeat the mistakes of the Six Dynasties, and feel infinite sorrow. The first sentence describes the scenery, first trying to render the elegant night by the water; Two narratives, pointing out the location of parking at night; Three or four sentences of feelings, from the "near the restaurant" leads to the song of the merchant girl, there are many geisha in the restaurant, which is naturally free and easy; From decadent songs, it leads to "I don't know how to die and hate my country", attacking the powerful gentry for indulging in debauchery, which has profound implications; The tune of "backyard flower" is quoted from "national subjugation and hatred", which uses Chen Houzhu's poems to lash out at the debauchery of powerful people, which is profound and sharp.

5. A brief explanation of the allusion to "backyard flowers"

This allusion comes from Chen Shu. Biography. Queen Shen. In the Northern and Southern Dynasties, Emperor Chen of the State of Chen built three pavilions in front of the Temple of Light in 584 AD. Chen lives in the pavilion, lives in the pavilion, and Gong and Kong live in the Jixian Pavilion. These three pavilions are all connected by elevated horizontal roads and can communicate with each other directly. Every time Chen Houzhu invited guests to play and drink with the imperial concubine, he called all the distinguished guests, talented women and guests to write poems and reply to each other. From them, I chose particularly gorgeous poems as the lyrics of the song, and with new tunes, I chose more than 1000 beautiful ladies-in-waiting and ordered them to learn to sing. After learning, we sang in groups in turn. He enjoyed himself in this way. Chen Houzhu's new songs include Flowers in the Garden of Yushu and Music in Spring. The main idea of the lyrics is praise and Kong's beautiful face. Because of Chen Houzhu's obscene behavior, Zhang Guifei and Kong were very powerful, and their arrogance threatened the imperial court. China military commanders in the imperial court also had to obey their intentions. And those eunuchs and those who live by flattery collude inside and outside, regardless of rewards and punishments. As a result, the country's political and legal discipline is completely out of control.

Nowadays, this allusion is usually used to describe the omen of the emperor's national subjugation and his family, so this song is called "the voice of national subjugation"