1. Four-character idioms in calligraphy works
Sweep the army, the pen moves the dragon and the snake, the silkworm head and the swallow tail, the strong muscles and the strong strength, the iron painted silver hook, the fairy dew pearl, tranquility Zhiyuan, vivid charm, vigorous and unrestrained, straightforward and simple, unique personality, hearty and unrestrained, natural and interesting, right in the center, relaxed in the tight, masterpiece handed down from generation to generation, handsome and elegant, gorgeous and natural, smooth and subtle, elegant and elegant, solemn and simple Clumsy, dignified and elegant, fresh and straightforward, steep and sparse, thunderous, mighty as dragons and tigers, powerful and vigorous, forceful and vigorous, rigid, soft and clumsy, round and smooth, well-equipped with muscles and bones, self-contained, natural in nature, well-proportioned in errors, flexible and beautiful Sparse, tight and precipitous, sideways and graceful, free and handsome, straight and strong, strong and powerful, vigorous and powerful, compact structure, flying dragons and phoenixes, graceful style, pen moves like a dragon and snake, as powerful as a frightening dragon, pen force is strong, pen power is dangerous, precipitous. Powerful, strong and upright, penetrating the back of the paper, penetrating into the wood, combining hardness and softness, smooth expression, concise brushwork, skillful brushwork, smooth flow, free expression, hearty, pleasing to the eye, elegant and charming, etc. Chinese calligraphy is an ancient art, which is accompanied by and the development of Chinese civilization.
There are only a handful of nations in the world that possess the art of calligraphy. Chinese calligraphy has a long history. Calligraphy, as an artistic creation, has profound mysteries.
From oracle bone inscriptions and bronze inscriptions evolved into large seal script, small seal script, and official script. In the Eastern Han, Wei, and Jin dynasties, cursive script, regular script, running script, and other styles were basically finalized. Calligraphy always exudes the charm of ancient art. Huifeng Hechang refers to the gentle wind that makes people feel warm and comfortable.
Dragon flying and phoenix dancing originally described the winding and majestic mountains, and later also described the powerful and flexible calligraphy strokes. Sweeping thousands of armies describes poetry, calligraphy, etc. that are grand and powerful. The strokes of dragon and snake describe calligraphy that are vivid and powerful. Silkworm head and swallow tail describe calligraphy that is dignified in starting and finishing with lightness. Fengjinduoli is used to describe the solid and plump structure of the font. The writing force is more than strong. Jiao Ruo Jinglong is often used to describe the strong calligraphy strokes, or the graceful dancing posture to describe the strong and powerful calligraphy. The tip of the pen almost penetrates to the back of the paper. Penetrating wood three points describes the calligraphy with extremely strong writing power. Many metaphors are used to analyze the problem very profoundly. Iron Painting Silver Hook Describes calligraphy as strong and soft. Xianlu Pearl describes calligraphy as elegant and round. Qiujin describes calligraphy as strong and powerful. 2. Four-character words commonly used in calligraphy
Blessings: Baifu Juzhen, Longevity and Health, Rui Qidemen, Hongxi Gathering, Blessings to the Soul, Mentan Gifts and Celebrations, Congratulations on Prosperity, Good Grain, Blessings Qinnan Mountain, good fortune and longevity, good fortune and long life, double cultivation of good fortune and benefit, good luck in virtue, good fortune in parallel, good fortune in Tan, good fortune in parallel, complete five blessings, kaitai in three yangs, auspicious fortune, long-lasting good fortune, Tan Qidiji, Huaxing Ninghui.
Birthday wishes: Longevity without borders, longevity of a hundred years, rejuvenation, life as long as the Southern Mountains, peach of a thousand years old, pine cranes and dancing phoenixes, good intentions and wealth, Magu is full of wine, heaven protects the nines. , look forward to Yi’s longevity, offer praises to Nanshan, calculate the age of spring, bring blessings to the sea and longevity, be promoted to the seventh rank, reach the age of adulthood, congratulatory words: the happiness of family, the harmony of luan and phoenix, flying together, the perfect combination, the orchids for thousands of years, Flowers and candles in the bridal chamber, the good fortune of the Qin and Jin Dynasties, the music and the harp will always be together, the purple air comes from the east, the auspicious star shines high, the newlyweds are born, the happy words of the housewarming: the house is full of gold and jade, the sun turns a thousand steps, the fish leaps through the dragon gate, the star of the first grade is brilliant, the peak is reached, Wealth and splendor, inscription on the wild goose pagoda, drinking to achieve honors, clouds and processes becoming tough, Zhu Huaijin, fish leaping over the dragon gate, congratulatory words: virtuous carrying things, virtue and longing, high expectations, pure and pure, accumulating love and blessings, doing good is the most joyful, dedicating oneself to the best, to the end Words of congratulations to the country and the country: peace of the country and peace of the people, prosperity of the family, peace in the world, prosperity of the people and prosperity of the country, everything goes well, gentle wind and warm sun, harmonious society, bamboo reports of peace, words of encouragement to study: read thousands of volumes , work hard to achieve ambition, be diligent in work, plow the clouds and cultivate the moon, God will reward hard work, open the book is beneficial, never tire of learning, hear the chicken dancing to nourish the heart. Contentment is always happy, a hundred forbearance turns into gold, the energy is like a quiet orchid, open-minded and magnanimous, happy and contented, curling in the autumn moon, artistic language: God blends the pen smoothly, connects the past and the present, the pen inspires nature, speaks of rich mountains and seas, and can be imagined in seconds, The thoughts are superb, the Dharma is innocent, the words are the voice of the heart, the pearls are round and jade, the pearls are precious, and the words to welcome the spring are: spring returns to the earth, the three suns bloom, the garden is full of spring scenery, plum blossoms are counted, the door is full of auspiciousness, the whole world celebrates, all things are bright, everything is brilliant Color, spring is dazzling, the spring is noisy, the green is quiet and spring is deep, the scenery language: singing orioles and dancing swallows, tall willows hanging over the sky, pines and bamboos with rhyme, hundreds of rivers returning to the sea, thunder waves rushing, orchids, flowers and osmanthus, smooth weather, flying dragons and phoenixes, Peaceful and far-reaching, the choice is like the rain, the clouds are blooming, the flowers are beautiful, the orchids are beautiful, the chrysanthemums are fragrant, the green flowers are flowing, the flowers are like the bamboos, the business language: bring the rivers and seas, gather blessings and make money, prosper and prosper, and have great ambitions Zhan, Yuye Fufu's entrepreneurial words: old people, high aspirations, long journeys, all the talents have arrived, great ambitions, continuous improvement, a sea that embraces all rivers, dragons hidden in deep springs, opening words: opening to celebrate, Junye Chonglong , Tao is not comparable, Dingye reformation, enriching the country and benefiting the people, prosperous industry, great achievements, great wealth and good business, great achievements, great achievements, great economic development, rapid development, long history, Jiahui industry and commerce, Thousands of businessmen gather together, great business is opened, great business is opened, a model for the industry, the sun shines brightly, the east wind sends love, virtue shines in the neighbourhood, talents are everywhere, the business is auspicious, and the source of great wealth.
3. What are the four-character idioms in calligraphy works?
Sweep the army, the pen moves the dragon and the snake, the silkworm head and the swallow tail, the strong muscles and the strong strength, the iron painted silver hook, the fairy dew pearl, the quiet and far-reaching, the vivid charm, Powerful and unrestrained, frank and simple, unique in personality, hearty and unrestrained, natural and interesting, in the middle of the story, relaxed in the tightness, masterpieces handed down from generation to generation, handsome and elegant, gorgeous and natural, smooth and subtle, elegant and graceful, solemn and simple, dignified and elegant, Fresh and straightforward, steep and sparse, thunderous, mighty and powerful, vigorous and vigorous, strong, soft and clumsy, round and smooth, well-equipped, self-contained and natural, well-proportioned, flexible, beautiful and sparse, compact and steep, Leaning sidely and graceful, free and elegant, straight and strong, strong and powerful, vigorous and powerful, compact structure, flying dragons and phoenixes, graceful style, pen moves like a dragon and snake, as powerful as a startling dragon, pen force is strong, pen power is dangerous, dangerous momentum, strong and straight, Penetrate the back of the paper, penetrate the wood into three parts, combine hard and soft, have a smooth expression, be concise, skillful, smooth, free, hearty, pleasing to the eye, elegant and charming, etc.
Chinese calligraphy is an ancient art. Developed with the development of Chinese civilization. There are only a handful of nations in the world that possess the art of calligraphy. Chinese calligraphy has a long history.
As an artistic creation, calligraphy has profound mysteries. From oracle bone inscriptions and bronze inscriptions, it evolved into large seal script, small seal script, and official script. In the Eastern Han, Wei, and Jin dynasties, cursive script, regular script, running script, and other styles were basically finalized. Calligraphy always exudes the charm of ancient art.
Hui Feng He Chang refers to the gentle wind that makes people feel warm and comfortable.
Dragon flying and phoenix dancing originally described the winding and majestic mountains, and later also described the powerful and flexible calligraphy strokes.
Sweeping thousands of troops describes poetry, calligraphy, etc. that are grand and powerful.
The pen moves like a dragon and snake describes calligraphy that is vivid and powerful.
Silkworm head and swallow tail Describes calligraphy that is dignified in starting strokes and light in finishing.
Fengjinduoli means that the structure of the font is solid and plump, and the writing force is more than strong.
Jiao Ruo Jinglong is often used to describe the strong and vigorous calligraphy strokes. Or dance gracefully
Penetrate through the back of the paper to describe the calligraphy that is strong and powerful, and the strokes of the pen almost penetrate to the back of the paper.
Penetrate into the wood to describe the calligraphy that is extremely powerful. The analysis of multiple metaphors is very profound.
Iron painting and silver hook describe calligraphy as strong and soft.
Immortal dew pearl describes calligraphy as elegant and round.
Vigorous and powerful describes calligraphy as strong and powerful. 4. Four-character idioms to describe calligraphy are: Which ones
Sweep across thousands of armies, move like dragons and snakes, silkworm heads and swallowtails, abundant muscles and powerful muscles, as strong as a frightening dragon, power that penetrates the back of the paper, three points into wood, iron paintings with silver hooks, fairy dew pearls
1 , Bǐ zǒu lóng shé [ bǐ zǒu lóng shé ]
Basic explanation:
Describes calligraphy as vivid and powerful.
2. Silkworm head swallowtail [ cán tóu yàn wěi ]
Basic explanation:
Describes calligraphy that starts with a dignified stroke and finishes with a light stroke.
3. Fēng jīn duō lì ]
Basic explanation:
Feng: plump, substantial; tendons: tendons or bones Ligaments; many: redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
4. Jiao Ruo Jīng lóng [jiǎo ruò jīng lóng]
Basic explanation:
Jiao: vigorous. It is often used to describe vigorous calligraphy strokes or graceful dancing postures.
5. Lipen paper back [ lì tòu zhǐ bèi ]
Basic explanation:
Penetration: pass through. The calligraphy is described as strong and powerful, with the strokes almost reaching the back of the paper. It also describes poems with profound ideas and concise words.
6. Enter the wood for three points [ rù mù sān fēn ]
Basic explanation:
It is said that Wang Xizhi was writing on the wooden board. When the carpenter was carving, he found that the writing penetrated three thirds of the wooden board. Deep. The calligraphy is described as extremely powerful. The problem of multi-metaphor analysis is very profound.
7. Iron painted silver hook [ tiě huà yín gōu ]
Basic explanation:
Painting: strokes; hook: hook. Describe calligraphy as strong and soft. 5. Four-character idioms to describe calligraphy works
Hello, I have written a few four-character idioms for you, please go and take a look
Sweeping the Army Describes poetry, calligraphy, etc. as grand and powerful
Bi Zonglong Snake describes calligraphy as vivid and powerful.
Silkworm head and swallow tail describes calligraphy that starts with a dignified stroke and ends with a light stroke.
Fengjinduoli means that the font structure is solid and plump, and the writing power is strong.
As powerful as a frightening dragon is often used to describe the vigorous calligraphy strokes, or the graceful dancing posture.
The power of penetrating the back of the paper is used to describe the strong and powerful calligraphy, and the tip of the brush almost penetrates to the back of the paper.
Penetrating into the wood describes calligraphy with great power. The problem of multi-metaphor analysis is very profound.
Iron painting and silver hook describe calligraphy as strong and soft.
Fairy Pearl describes the calligraphy as elegant and round. 6. A collection of four-character calligraphy idioms
The dragon and snake at the bottom of the pen still means the dragon and snake at the bottom of the pen. Calligraphy is described as vivid and powerful.
Source: Chapter 31 of "Jin Ping Mei Ci Hua" written by Lanling Xiaoxiaosheng of the Ming Dynasty: "Wen Gong is erudite and has extensive records, and his writings are about dragons and snakes. He is a true genius."
The pen moves like a dragon and a snake describes calligraphy as vivid and powerful.
Source: Tang Dynasty Li Bai's "Cursive Script Song": "From time to time, only dragons and snakes are seen walking away, left and right are frowning and shocked."
Silkworm head and swallow tail describe the dignified start of calligraphy. The writing is mild.
Source: Song Dynasty Zhao Ji's "Xuanhe Painting Book·Yan Zhenqing" "But he is loyal to the day and has knowledge of the world, so his spirit can be seen in the expression of calligraphy and ink, which is unique and inclusive. ... Later secular studies , I am looking for the end of its shape, so I call it a silkworm head and a swallow tail, and I just got it. "
Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Volume 1 of "Yao Lu" of the Southern Dynasties and Song Dynasty quoted Yang Xin's "Able to Write People's Names from Ancient Times": "The emperor of Wu people can make grass like an elephant, and he is known as calm and happy."
Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Song Dynasty Yan Yu's "Canglang Poetry Talk·Poetry Debate": "There are probably two types of them, namely, leisurely travel without urgency, and calm and joyful travel."
Feng Jin Duo Lifeng : plump, plump; tendons: tendons or ligaments on bones; many: redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
Source: "Xuanhe Shupu" by Anonymous of the Song Dynasty: "At the beginning of the Three Kingdoms, calligraphy was not taught at all, so Yao became a family method, and some commentators said that it had abundant muscles and strength, and was able to travel in the clouds and rain. Sudden trend. ”
Feng Boluan drifts, moored: drifting with the current. It originally described the calligraphy style as free and elegant, but later it was used as a metaphor for a couple being separated or a writer being frustrated.
Source: Tang Dynasty Han Yu's poem "Xunji Mountain": "Ke Douquan's body is covered with sage, and the luan is floating on the phoenix and holding the tiger and chi."
The phoenix dances and the dragon flies to describe calligraphy The writing style is strong and flexible.
Source: Chapter 10 of "The Biography of Heroes of Sons and Daughters": "This calligraphy can also be written in such a way that the phoenix dances and the dragon flies. It is really admirable."
Feng Zhuluan returns to Zhu. : Goofy. It is a metaphor for the flying and stretching of calligraphy strokes.
Source: "Fu Yun Fu" by Lu Ji of Jin Dynasty: "Luans soar and phoenixes fly, cranes fly in fear, whale salamanders trace the waves, sharks and crocodiles rush along the road."
Ancient and modern times The different styles of calligraphy are metaphorical.
Source: Volume 2 of "Calligraphy Essentials" by Zhang Yuanyan of the Tang Dynasty: "Impermanence is called fat in ancient times, and Zijing is called barren today. The ancient and the present are different, but fat and thin are quite opposite."
Crane's knees and wasp's waist ① This refers to two of the eight diseases of poetry's rhythm. Generally refers to the mistakes made in the rhythm of poetry. ②Two kinds of diseased pens in calligraphy.
Source: Song Dynasty Wei Qingzhi's "Poet's Jade Chips·Poetry Diseases·Eight Diseases of Poetry": "The third is called wasp's waist, the second word must not sound the same as the fifth word...the fourth is called crane's knees, the fourth is called "Crane's Knees" The five characters must not have the same sound as the fifteenth character. "
Hu Fei Zhong Shou Hu: Hu Zhao during the Three Kingdoms period; Zhong: Zhong Yao during the Three Kingdoms period. Hu Zhao's font is fat, while Zhong Yao's font is thin. Each person is good at describing calligraphy in its own way.
Source: Tang Dynasty Zhang Yanyuan's "Book of Laws": "Liu Desheng in the Wei Dynasty of the Three Kingdoms was named Junsi, and he was famous for his running script. Hu Zhao and Zhong Yao also learned from his method. The Hu style was fat, and the Zhong style was Thin, each has its own beauty."
The calligrapher's method of painting with sand seal clay is a metaphor.
Source: "On Calligraphy" by Chu Suiliang of the Tang Dynasty: "The pen should be like a cone to draw sand, like sand and clay."
Painting worm graffiti describes poor calligraphy or writing. Often used as a word of modesty.
Source: Ming Dynasty Song Lian's "Preface to Han Bo in Kuaiji": "Gu Yu is not sensitive and practices useless learning. He only writes empty words to meet the needs of the times, draws graffiti, and has no time to give.
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