There is no explanation for Shen Yi's family in the play, only his teacher and Jenny, so his family relationship should be broken.
The first trauma comes from his growing environment and broken family relationship.
The second traumatic state may stem from his "talent" of killing policemen.
At the age of three, painting has always been a talented artist, and he is very proud.
But when talent is bound by life, his self-esteem and morality are not allowed, which is also the root of his trauma.
The root of this trauma is that he is losing and giving up a lot of things.
First, I lost my parents and family, then I gave up the aura of a talented artist, lost the reputation and wealth brought by genius, and then I lost my important teachers and mentors in my life.
I don't know what Shen Yi will lose in the future.
Although Shen Yi is constantly failing, he is also constantly gaining and becoming stronger.
I hope to see Shen Yi in the second film, a gentle and firm little painter.
JC-T said that Shen Yi's state was mild, but his heart was hard.
When the audience watched the play, they actually wanted to feel his trauma, so I made the corresponding identity substitution. I asked myself if I could do what he did in his state. I can't treat people with physical trauma selflessly.
I also received feedback from some people, who got some inspiration and healing from me.
But my subconscious. I'm just being myself. But he is braver than me. He heals in his own way. Even open your own wounds.
There is also a scene where he is drawing, his hands are shaking and he is breaking the brush. This is all emotional progress, and there is no dialogue.
Because people do lose their voices when they are in pain. The artist's talent lies in solitude. Loneliness also gives the artist purity of mind. The two complement each other.
How can a person really shine if he can't completely precipitate and doesn't consider silence?