I wonder if it's because I followed Fan in arles? When I came here after a high life trajectory, when I was reading the works of Rotleck, I always saw Van Gogh. Tall appearance. Is the life of Rotleck the same? Gao is comparable in many ways. Two people lived in the same period and were both representative painters of post-impressionism.
Apart from this similarity, there are many similarities in their lives. First of all, they are gifted, because of poverty and anxiety, and because of despair and inferiority. They ended their lives tragically when they were all 37 years old.
Where is it? Gao shot himself. Although Rotek is still alive, he is almost dead. Regardless of his tired body, he committed suicide passively. Where is it? There is a deep friendship between Gao and Rotlek. 1886, Rotleck Studio in Courmont, Paris, with Van? First meeting in high school.
Rotleck was 22 years old. Who? 33 years old, because of Fan? He died in 1890. Their friendship lasted only four years, but they cherish this profound friendship. Who is introverted? Gao always sits there quietly, waiting for people's favor for his paintings, but often goes home alone.
Although other painters whisper to each other, who do they think? The spirit is highly abnormal, but Rotleck seems to be right? High talent and belief are touching. Where is it? After Gao's death, Rotlek said, "Although every? Gao has only a short life of 37 years, but he has created great art without sighing. I hope I can do the same one day. "
Sure enough, after 1 1 year, what will Rotlek be like? Like Gao, he left behind great works of art and ended his short life. Rotleck vs. Van? High feelings are also reflected in Vincent? Where is it? In the painting Liang Hequn Van Gogh. There is a glass of absinthe in front of Fan? Gao Zheng stared into the distance. This painting was painted by Rotleck before he went to arles, and his figure can be seen everywhere in the painting. Trace of high brush strokes.
Two painters who are almost the same on the road of life have significant differences in their attitudes towards themselves. I came to Rotleck's self-portrait, which was completed before Rotleck went to Paris, and it is almost the only self-portrait we know. This reminds us again that he just didn't leave a self-portrait.
And constantly describe your own style in the painting? Different from Gao, Rotlek has painted many people in his paintings since his early racetrack works, but he is not interested in depicting himself in his paintings, which should be due to his short and ugly appearance, which has made him feel strongly inferior. I have seen some photos and recorded his appearance.
Short nose, thick lips, round glasses and hat, and a pretty good formal suit, but one hand is on crutches. This is the familiar image of Rotleck. In the self-portrait, he was covered by dark shadows, and it was difficult to see his true face clearly. Because it's too vague, even the expression is hard to recognize.
He should be hiding his short body in the debris piled up on the table, secretly looking at the mirror and creating. It is said that Rotleck is extroverted and eloquent. Although he is short and ugly, his tone is cheerful and confident, and his painting strength is excellent, which is very popular among people. However, he can't fool himself by drawing a self-portrait.
Where is it? Gao Lian wanted to show his skin lines, but Rotek blurred his outline. Where is it? Facing himself, Rotleck stepped back and buried himself in the darkness. The former is afraid of losing himself, while the latter struggles for fear that others will know him. Although I don't know which side is more real, the lives of both sides must be difficult and painful.
Should the attitudes of the two painters be similar or different? Compared with other works depicting the movements of the dancers in Moulin Rouge, a sad painting caught my attention, that is, Rotleck's work depicting his mother? Adel? De? Toulouse? Countess rotleck (La countess Ad? Ludtulus-Lautrec).
The husband was very dissatisfied with his son because of his physical disability and indecent painting. The mother silently supported his son without telling him. For the painter, his mother has always been his strong backing. This painting is similar to the self-portrait of Rotleck. Three years later, on 1886, Rotlek took his mother as a model and left another portrait.
In this picture, my mother is sitting on the sofa reading quietly, with elegant gestures, full lips and slightly drooping eyes. The mother in the son's painting exudes aristocratic elegance, but it also flows with unknown sadness. This is quite different from other works. Looking at his mother's face, I remembered his other portraits. And "Susanna? Valadon's Blanzy Seth and The Hangover are typical examples.
It gives people a feeling that when Rotleck wants to achieve something, he will always make mistakes because of mistakes. Rotleck is a painter involved in vulgar disputes. Because of the brand of "decadent painter", his solo exhibition was forced to be cancelled in one day. But for me, Susanna? Valadon's painting as a model looks more erotic.
A woman who casually wears a shirt and has messy hair covering half her face exudes a dull charm from somewhere. Susanna? Valadon is not only a model of Rotleck, but also a model of Renoir and Degas. She is a famous woman in the history of art. Susanna, the illegitimate daughter of a washerwoman, was abandoned by her mother in her early years.
She moved around restaurants, acrobatic troupes and laundry rooms, and finally made a living as a model. She is bohemian, going in and out of Montmartre pub every day and having an affair with all kinds of men. Musician Eric? Sadie used to be lovers with her. Rotleck met Susanna through a friend's introduction, when she was Renoir's model.
/kloc-when she was 0/8 years old, she was pregnant, but she didn't know who her father was. Ricky Rotleck has always been surrounded by women. Rotlek, who didn't expect these women, made a request to Susanna, and that was "love". The name "Susanna" was also named by Rotek.
Susanna found that unlike other painters who tried to tap her sexy charm, Rotleck captured a tired life, and she also had special feelings for Rotleck. I didn't expect Renoir's "Dance of Bougival" and Rotleck's "Hangover" to be the same. She became "Susanna of Rotlek", and Rotlek silently left her own image.
But their relationship did not last long. At first, Rotleck did not intend to get married, but introduced her to Degas. Degas found that she had the potential to sketch, so he took her as an apprentice. As a result, Rotleck and Degas broke up and never saw Susanna again. With the help of Degas, Susanna was recognized by people, and she was regarded by later generations as a painter who opened up a new world of nude painting.
With Susanna? Valadon's masterpiece The Hangover is now in the Fogg Art Museum of Harvard University, which is rare in France. That's why Poser Castle insisted on choosing this painting. Perhaps Rotleck thinks Susanna, who has captured the hearts of many artists and is full of charm? Valadon can't belong to his ugly and disabled self.
Deep despair does not allow sweet and romantic love to exist, and he is caught in the quagmire of impulse. During this period, the number of Rotleck's works increased sharply, and he also formed his own unique painting style. But the more he reached his peak, the more desperate he became. Getting comfort from many women in Montmartre Street and depicting them after drunkenness became the only outlet for Rotleck to vent his emotions.
His health deteriorated sharply. Even so, he kept drinking and drinking. Relatives and friends are very worried about him and have made many attempts, all of which have no effect. Eventually, Rotlek died of syphilis and alcoholism in September of 190 1. Rotleck is not satisfied with himself. He wanted to leave his father and hometown, which were ashamed of his existence, but he returned to Albi before he died.
This is a life of leaving yourself and returning to yourself. Although he was determined to get rid of himself, it was always the face of his mother and Susanna who refused to stop him. Their faces made him sit in front of the mirror again and stare at his ugly son, the disabled man abandoned by his family.
The white horse gazelle in Toulouse? Rotlek, 188 1 year-old Rotlek used to draw horses in the stable when he was young. This work was created in Apollo Castle, and Rotleck named the horse "Gaze".
Toulouse's The Knight of Death? Rotleck, 1892 This is a poster for Montmartre Japanese Concert Hall. Avery is a model, but also shows Rotleck's keen observation and sense of humor.
Toulouse? A portrait of Edward de Toulouse Lautrec? Will, 1898 Will is both a Nabi painter and a friend of Rotleck. He wants to depict the happiest image of Rotleck in his works. When preparing for cooking, Rotlek threw a cordial smile at his friends.