The first song "Looking at the Yueyang Tower at Night"
Thousands of miles across the world, the fishing boat is like a pingpeng and comes back again.
The north wind blows obliquely upstairs, and the west sun in the lake touches the mountains.
There are people who hate the poets in Huaisha, and the emperor is idle in silence.
What's the matter? Still watching at dusk, there are several rows of smoke trees and thorn bushes.
---The author Cui Jue is not an unknown poet. There is one volume of his works in the entire Tang poetry. It's just that there were too many outstanding poets in the Tang Dynasty, and he was really inconspicuous. But as far as this one is concerned, the level is pretty good. The first couplet is written from a broad perspective, broadening the horizons first; the middle two couplets are followed by close-up views, which is very neat; the last couplet already has a slight hint of the artistic conception of "where is the hometown at dusk, and the misty waves on the river make people sad". He is just an ordinary Jinshi, a small county magistrate, but this poem has the style of a great scholar.
The second song "Yueyang Tower"
Leaning on the tower and looking up to the sky, thinking about the future.
The late leaves are red in Chu, and the autumn river is green in Wu.
The geese are rushing in the clouds, and the sails are alone at the end of the day.
Whoever is with me in the bright moon is like God.
——The author Jiang Wei is a poet of the Southern Tang Dynasty. Jiang Wei was not a nobody. At that time, he was quite a famous talent. He once wrote a poem at Bailu Temple in Lushan Mountain, which was later seen by Empress Li, who greatly appreciated it. As a result, Jiang Wei became conceited, frivolous and dissolute, thinking that gaining fame would be easy. Unexpectedly, he was always made things difficult by the officials of the Southern Tang Dynasty. In a fit of anger, he wanted to defect to Wu and Yue. This poem "Yueyang Tower" is written in a pure and elegant way, and it is not inferior to those of other writers.
The third poem "Rebuilding Yueyang Tower to express feelings"
This is the only building that has been built throughout the country, and its name has been passed down from ancient times to modern times.
However, I watched the new sceneries on the Xiang River and recalled my old trip to Junshan.
Feng Yue is still an old friend, and Xuan Chuang is now crowned Nanzhou.
Chasing the traces of Prime Minister Zhang and Marquis Teng from afar, I was lucky enough to sneak ahead and make a grand tour.
---The author Zheng Mingzhan knew the Yuezhou Army during the Yuanfeng period of Emperor Shenzong of the Song Dynasty. This poem is very ordinary, and its artistic quality is not high at all. It is only better than most Internet rhymed poems nowadays. However, considering that the author is just a small local military attache, after all, he is not a scholar who makes a living by reading. Moreover, the admiration for the predecessors and the humility expressed in the poem are so humble that even the most generous people dare not express them. There is still something worthy of recognition in this poem. There are very few full-time military officers in history who also have literary names. Based on this work, this man has obviously worked hard on rhythmic poetry. It is unknown whether he studied for a few days because of his own hobby or because he studied for a few days to please his superiors under the Song Dynasty's policy of "civilians serving as chiefs and military attaches as deputy".
The fourth poem "Yueyang Tower"
The couplet with wild geese written in August, the Yueyang Tower overlooks the Qingchuan River.
The sound of water sounds like Emperor Xuan's joy, and the mountains look like the Jade Emperor's incense table and smoke.
The big ship rides the wind to the outside of the island, and the solitary cloud carries the sun in its mouth.
There is no such landing place in the southeast, and I am so excited that I feel like a fairy.
---The author Liu Xianlun, a poet in the Song Dynasty, and Liu Guo together are known as the two scholars of Luling, and they are quite famous. This poem changes the thin characteristics of Song poetry, but it is very similar to the work of the Tang Dynasty. If it is attributed to Wang Wei, Du Fu, Cen Shen and others, it may not be able to hide it from people's ears.
The fifth song "Yueyang Tower"
After the music, I have to worry about the full view, now I can only lean on the railing of the tower.
The waves of Tutun Nine Waters are wide, and the realm of the Three Lights of Cashier is wide.
The Yellow Emperor’s music is noisy across the vastness, and the shadow of the Hunan monarch’s servant girl is soaked in the clear waves.
How can Jiangshan alone help Zhang Shuo and clean up Qinghui's writing.
The author Wang Shipeng is a poet in the Song Dynasty. He was the number one scholar during the Shaoxing period of the Southern Song Dynasty and a famous minister of the Anti-Jin Dynasty. He had been giving lectures in his hometown of Yueqing, and did not take the exam until Qin Hui's death, which shows his firmness in resisting the Jin Dynasty. This poem also has a Tang Dynasty style, and the neck and jaw couplets have a sense of grandeur.
The sixth poem "Tao Jing Baling Climbs Yueyang Tower with Meng Xiangyang Rhyme"
Seeing off guests in the west of Dongting, there are two green dragon piles.
The Chen Palace is bright and clear, and Wucheng is vast.
In spring, the color of the lake becomes darker, and the sound of the tide becomes louder when the wind blows.
Yangliu Reading Hall, hibiscus picking oars.
My love for my loved one is not over yet, and my longing for you will come true.
——The author Yang Weizhen was a Shaoxing poet in the late Yuan Dynasty. When he became an official in the Yuan Dynasty, Zhu Yuanzhang arranged for him to recruit him to edit the "Book of Rites and Music". He was dismissed from the official position and returned home in a hundred days. This work is written fresh and beautiful, "The color of the lake is deep in spring, and the sound of the tide is long when the wind blows." and the two couplets "Willow Reading Hall, Hibiscus Picking Oars" are even more impressive. It can be vaguely seen that the Jianghu School of the Song Dynasty and the Yongjia Four Ling's demeanor shows that the influence of the environment is still very large. Most of the Jianghu Sect and Yongjia Four Spirits are from Zhejiang and operate in the Hangzhou and Wenzhou areas.
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The seventh song "Yueyang Tower"
The wind blows in the wooden leaves in Dongting Whispering, white gulls are flying across the vast expanse of snow waves.
The sky is soaked in air, the sun and the moon are wet, and the shadows shake the earth, mountains and rivers float.
Several cracks in the jade cave, a little bit of lingering sorrow for Xiang'e.
An Detian dipper drank fairy wine, and crossed the whale and went straight to Fusang Island.
---The author Chen Fu, a native of Taizhou in the late Song Dynasty, became a monk to escape the war. He won the official position by presenting "Fu on Great Unification" during the reign of Emperor Shizu of the Yuan Dynasty.
At a time when national hatred is at its most acute, selling oneself to flatter the enemy and joining a foreign race shows that this person's character is really bad. It is estimated that the contemporaries such as Xie Zhade and others were ashamed to mention this person. But as far as poetry is concerned, this piece is quite good. The momentum is not inferior to that of Li and Du, and the allusions are naturally appropriate. Even if it is placed in a Tang poem, it can be regarded as a top grade poem. "The sky is soaked in air, the sun and the moon are wet, and the shadows shake the earth, mountains and rivers float." This couplet is quite similar to Lao Du's style of "stars hang down on the plains and vast fields, and the moon surges into the rivers", but it can't compare with Lao Du's sense of heaviness. But the spirit of the whole poem can be said to directly catch up with Li Bai.
Obviously, the author was greatly influenced by Li Du (in fact, how many later poets were not influenced by outstanding poets of the Tang Dynasty?). In comparison, the neck couplet and jaw couplet are a bit heavy and steady like Lao Du's, but the first couplet and the last couplet are based on Li Bai's romantic, unrestrained, exaggerated and frivolous style. Obviously, he should be a person with great artistic talent, and he was awarded an official position through his gifts. Of course, the literary talent must be outstanding, but in comparison, Sima Xiangru won the official position by offering gifts in the prosperous age of the Han Dynasty. Even if it did not benefit the country or the people, it was harmless. But this dear friend cannot escape the reputation of being a traitor and seeking glory. Of course, this is just what I say based on the actual situation. If I go by my personal opinion, I will not belittle him because of it. "Qin loses his deer, and the emperors of the world chase him away." Once a dynasty loses its way, a new dynasty will inevitably rise to replace it. Why must it be loyal to the decayed old dynasty? It's just that the national hatred was at its most acute at that time, so it was inevitable that he would be criticized by the world for doing this. If it were him, I probably wouldn't be able to do it. It's not that I don't do it, it's that I don't dare.
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The eighth song "Climbing Yueyang Tower"
In the vast expanse of independent mist, I know that the beautiful scenery is far away from the world.
There is no land at the end of the sky, but there are mountains in the center when the water reaches it.
The wind and clouds come from far away, and the building drums and horns are magnificent.
The affairs of the princes are now ancient, and there is no immortal who returns across the crane.
---The author Li Chun, a poet of the Ming Dynasty, was born in Huarong, Hunan, and was born as a scholar. After all, it is the number one scholar, and it is written in the style of everyone. It's just that the jaw couplet cannot escape the suspicion of plagiarizing Xu Tang's "Looking around, there is no place, and suddenly there is a mountain in the middle". You must know that Xu Tang is famous for these two sentences! This is the title of "Xu Dongting". The neck couplet of this poem is written vigorously and majesticly, while the tail couplet contains a hint of nostalgia for the past and hurts the present. It is implicit but not revealed, which is like the handwriting of the number one scholar.
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The ninth poem "Climbing the Yueyang Tower"
The abrupt high-rise building is leaning against the city, and the spring water of Dongting sits on the afterlife.
From the three rivers to the sea, the wind is strong, and the islands are floating in the sky.
The verses about the universe of Wu and Chu, the ancient friendship in the rivers, lakes, corridors and temples.
There may be a dragon cave in the middle of the stream, where you can lie down and listen to the sound of Junshan's flute.
---The author Li Dongyang, a famous poet in the Ming Dynasty and the founder of the Chaling School of Poetry, is by no means an unknown person. After all, he is a master of the same school. This poem is extremely stable and the quotation is natural. The two couplets on the jaw and neck are very neatly aligned. The neck couplet uses Du Fu's "The world of Wu and Chu is in chaos, and the universe floats day and night" and Fan Zhongyan's "If you live high in the corridors and temples, you worry about your people, and if you live far away from the rivers and lakes, you worry about your king." The tail couplet quotes "Liu Yi" "Biography" and the legend of Lu Dongbin, thereby hinting at his own detached thoughts. In fact, most of this is just an empty talk style of literati. These literati, if they have a little bit of literary talent, start to be arrogant and arrogant. They pride themselves on their ability to navigate the world and stabilize the country. In fact, literary talent has nothing to do with the ability to govern the country through hard work. of. As far as poetry is concerned, although the artistic conception, momentum, words and sentences of this poem are excellent, what is the profound thought behind it? Works without ideas, apart from their artistry, have no practical significance.
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The tenth song "Baling"
Go upstairs to the West Lake in Baling City, and the waves in front of the building reflect the clear autumn.
Counting the sails and setting sail in the sky, I don’t know who is the boat on the five lakes.
——The author is Tang Yin, a famous man from the Ming Dynasty. When I first read this poem, I felt that it had more of an ink-painting image, and I saw that the author was actually the famous Tang Bohu. Although he is known as the leader of the four great talents in Jiangnan, in fact, the calligraphy and painting of the four great talents in Jiangnan are far more accomplished than their poetry. Art is interrelated. After all, Tang Yin is better at painting. When composing this poem, what probably comes to mind first is painting scenery, right? The pure connotation of this poem is also in line with the style of traditional landscape painting.
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No. 11 "Yueyang Tower"
The pavilions by the lake are about to soar into the sky, and there are guests there when the spring comes.
It is said that Teng Wang is far away and wants to win, but looking back at Huang He's near struggle for supremacy.
Beyond the wind curtain, there was a sound of iron flute, and several fishing boats were in the smoke.
The huge waves and huge waves shake the heaven and the earth, but who is the mainstay?
——The author Mao Bowen, a native of Ji’an, was a poet of the Ming Dynasty. I must have experienced many ups and downs in the officialdom, so the last couplet contains a hint of self-praise. This poem comes from an event (accompanying guests to visit Yueyang Tower in spring, talking about the comparison of the three famous towers in the south of the Yangtze River, and looking at the scenery).
), and then the theme is derived from the scenery (iron flute, smoke, huge waves, huge waves, who is the mainstay.), and it continues to be tactful and natural step by step. The conception is very mature, and the dialogue is also very stable.
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Song 12 "Yueyang Tower"
The water is flowing all over the world in Dongting, and the water is flowing down from the sky in Yueyang.
Who is the best scholar in the world? He is in the drinking room.
---The author Wei Yunzhen, a native of Henan in the Ming Dynasty, was an official in the Wanli period and became the Minister of the Ministry of Personnel. There is an unwritten rule between old-style poetry and modern-style poetry. Because the number of words is inherently small, the content of expression is naturally limited, so repeated words are usually avoided as much as possible. Cui Hao's Qilu "Poetry on the Yellow Crane Tower" was called bold by later generations for even using several "yellow cranes". This poem is even better. The Qilu has fifty-six characters at least. His five-character The quatrain uses three "天下" (天下) in only twenty words, and it destroys the meter just like Cui's poem. However, form serves content after all, and form cannot be higher than content. If you think your content is really brilliant, why not break the format? The author obviously wrote with this idea in mind. After praising the Water of Dongting and the Tower of Yueyang in the simplest and most direct way, I will praise myself in the most simple and direct way. I will not play the trick of being subtle and restrained with you at all. If Mr. Wei is not a fanatic who knows nothing about heaven and earth, he must be a straightforward and passionate person. As far as poetry is concerned, this "simple and direct" is very creative, and this lofty sentiment is still very good.
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The thirteenth song "Yueyang Tower"
Jie Pavilion goes out of the city to forge a mountain, and the waves are pounding it day and night.
The earth swallows eight hundred miles, and the clouds soak two or three peaks.
Having reached the peak of my eyes, my mind is really open.
If you don’t accept Jian’s destiny, then you will meet each other on a grand tour.
——The author Qian Daxin is a famous poet in the Qing Dynasty. As expected of a person with a well-known literary reputation, except for the last couplet, I think the first three couplets are well written, broad and open, and have the style of Lao Du. In fact, the Yueyang Tower only has three floors and is no more than ten meters high, but his neck couplet "has reached the top of the eyes, really opening up the chest" makes me feel like Du Fu "the chest is filled with clouds, and the canthus is like a returning bird". Why is Wei Lian trying to flatter the emperor for no reason? A little off-putting. There were many literati like this in Qianlong's tent.
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The water falls into the lake and the light is as flat as a mirror. Weary tourists pass through Yueyang City.
I am ashamed of my worry-free and happy life, and I want to imitate the immortals and live this life.
The strong energy swallows Yunmengze, but only the weak dare to bear the name of Du Ling.
Why listen to the Xiangling drum and harp? Maybe you will meet the old tree spirit.
——The author Zhao Yi is a famous poet as famous as Yuan Mei in the Qing Dynasty. However, his poetry is really not very good. The jaw couplets are the best, with neat dialogues and good meaning. The neck couplet may not be too loud. Based on his achievements, there were no poets in the Tang Dynasty who were worse than him. To actually compare him with Du Fu is indeed a bit arrogant.
p>The sunset in Junshan is beautiful, and the autumn remains in the middle of the lake.
But seeing the endless water, I don’t know that I am leaning against the building.
A wild goose crosses three times in ten years, and a sand gull travels a thousand miles.
Just take advantage of the wind and wander in a sweat.
---The author He Shaoji was a Jinshi during the Daoguang period of the Qing Dynasty and a famous calligrapher. Wang Zengqi, a contemporary master of traditional Chinese culture, once called him "that Daozhou He Shaoji who wrote everywhere" because, like Emperor Qianlong, he liked to write poems and couplets on famous pavilions in various places. His handwriting can be found on the three famous buildings in Jiangnan. Written couplets. Frankly speaking, calligraphy is pretty good, much better than Qianlong's. The couplet is average, probably a little less than Qianlong's. As far as this poem is concerned, it's pretty good. It's pretty good. The two couplets of the jaw and neck are also remarkable, especially the couplet of "Three crossings of geese in ten years, and a sand gull in a thousand miles." , one chant and three sighs, it has profound meaning and is definitely a good sentence. This is the only work of his that I have read.
Thousands of acres of spring sound roll into the waves, and a lonely boat is parked at the end of the sky.
There is nothing to do in the building in Yueyang. Try Junshan tea in Dongting water.
——The author Wang Wenzhi, a native of the Qing Dynasty, his life is unknown. This poem alone has a rather "light and romantic" style, and the last two sentences are a bit like Zhao Shixiu's "I didn't come over until midnight because I had an appointment, and I knocked the chess pieces and let the lights fall".
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Song 17 "Yueyang Tower"
The lakes and mountains are the most affectionate for me. Every time I climb there, I can see clearly.
The waves are flying, the flowers are flying, the rain is falling, and the lonely clouds are setting, and the sun is clearing in Dingzhou.
When you chant loudly, you feel like diving and jumping, and when you sit quietly, you feel like listening to the sound of music.
It is a pity that the loyal soul has no place to pay homage, but it teaches Yu Ke to sit in the Huaying.
——The author Chen Yuhuan was the magistrate of Baling (now Yueyang) County in the Qing Dynasty. The first three couplets of this poem are unremarkable, and the neck couplet is barely good, with nothing outstanding. However, the last couplet contains rich thoughts and unique insights, which immediately elevates the entire poem to another level.
Lu Dongbin is enshrined on the third floor of Yueyang Tower. He advocated that Qu Yuan should be enshrined. Wang Zengqi mentioned in an article that he agreed with this idea. It can be seen that the most important thing about poetry and articles is not the craftsmanship of the form, but that the words must be meaningful in order to achieve great popularity.
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第十八首〈过洞庭湖〉
The shock wave is often unstable, and the temples are stained for half a day.
Looking around, there is no place, but suddenly there is a mountain in the middle of the stream.
The bird is always afraid of falling when it is high, but the sail is far away but feels free.
The fisherman leads each other leisurely, and the song is vast.
---This is the last poem I chose about Yueyang Tower. The author is Xu Tang, whose works are included in "Complete Poems of the Tang Dynasty". He became famous with this poem and was known as "Xu Dongting" at that time. I found this poem, including his introduction and comments, directly from the Internet.
Xu Tang is famous for this poem, which describes the vast ocean of the eight hundred miles of Dongting, as if it were a silent scroll. The chin couplet "I looked around but there was no place, and suddenly there was a mountain in the middle of the stream". It not only captures the environment of Dongting Junshan, but also contains a lot of philosophy. Therefore, it was highly appreciated by people at the time. "Chronicles of Tang Poems" called these two lines "people are writing fans". Sun Guangxian's "Bei Meng Suoyan" states that "Senior Xu Tang's "Poetry of Crossing the Dongting" was the first to be published, and there has been no successor since then", which seems to be an over-reputation. Compared with Meng Xiangyang's "The clouds are steaming in the dreamland, and the waves are shaking the Yueyang City". Du Shaoling said, "Wu and Chu are in the southeast, and the world floats day and night." There is still a room between them. However, Tang was well-known for this, so much so that he was nicknamed "Xu Dongting" (see Pan Deyu's "Yang Yizhai Poetry Talk"). He was one of the tallest among the shortest.
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The following begins with the words.
The 19th poem "Linjiang Fairy"
The lake water is continuous every day, and it is especially clear in autumn. Junshan is naturally a small pengying. The steam is rising over the Yunmengze, and the waves are shaking Yueyang City.
The emperor's son has the spiritual power to play the harp, but he is still sad. I could hear the fragrant sound of orchids moving. At the end of the song, no one can be seen, and there are several green peaks on the river.
---The author Teng Zijing, named Zongliang, and Fan Zhongyan were both Jinshi scholars and good friends. In fact, I personally think that Teng Zijing's poetry level is pretty good. Unfortunately, his "Preface to the Yueyang Tower Poetry Collection" is too long, and it cannot be as good as the model essay, so I won't type it out. That prose is actually pretty good. This poem is also beautifully written and refined. The trouble is, out of only ten sentences in total, he actually directly borrowed four sentences! The upper que "The steam is steaming over the dreamy lake, and the waves are shaking Yueyang City." It was borrowed from Meng Haoran, and the lower que is "the song ends and no one is seen, and the peaks on the river are green." It was started with borrowed money, and it seems that it cannot escape the suspicion of plagiarism. Wang Zengqi made fun of it. He "was too economical."
But then again, these four famous quotes from the past are embedded here very naturally, completely natural, without any sense of being far-fetched. This should be regarded as a brilliant artistic creation. In fact, plagiarism no longer has a derogatory connotation regardless of utilitarianism and fame. With Teng Gong's knowledge and fame at the time, it is impossible for him not to know that these four sentences are famous sentences. As soon as they are written, everyone will naturally know where they come from. If he had felt guilty first, he would not have dared to expose it to the public and humiliate himself. It can be seen that he must be open-minded and calmly allow others to comment.
------------------------------------------------------------------------------------------------------------------- no. "Yueyang Tower"
Under the wooden leaves of Junshan, the sky is full of water. He pours wine very much to make his face beautiful. If you are not a guest from the west of Weicheng, please stop singing at Yangguan.
Drunk sleeves caress the danger, the sky is light and the clouds are leisurely. Who can survive this way? Looking back at the red sunset, it should be Chang'an.
---The author is Zhang Shunmin, a native of the Song Dynasty and a native of Chang'an. The two sentences after the upper and lower lines vividly describe the separation and farewell, "If you are not a guest from the west of Weicheng, you will not sing at Yangguan." The writing is quite unique. Others unintentionally sing the song of farewell and cause pain in one's heart. From the side Writing about separation seems to be a step above direct positive description.
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Twentieth A song called "Wind Butterfly Order"
The autumn wind blows, rustling the leaves. The mourning kites are heard upstairs in Yueyang, and who understands the desolate moonlight in the river downstairs?
The fog and rain are sinking into the clouds and dreams, and the mist is misty in the cave. There is nowhere to ask for Xiang Ling, only the ruthless river flows around the lonely city.
---The author Li Qi from the Song Dynasty, this poem seems too sad. The series of images of "Autumn Wind", "Lost Leaves", "Mourning Kites" and "For Whom the Desolate River Moon Shines" in the upper part render it very sad. I don’t know the author and the background of this poem, so I don’t know whether he is “expressing sorrow to compose new words” or whether he is really feeling it. But even so, compared with the later poem, the main theme is “like a river of spring water flowing eastward”. "Flow", there is still a long way to go. Too many words and sentences with strong colors make the work lose its depth and restrained beauty.
The author has obviously designed the layout carefully. The series of "autumn wind", "broken leaves", "mourning kite" and "who shines for the desolate river moon" in the upper queue echo each other, and the series of verbs "shen", "miao", "ask" and "round" in the lower queue also echo each other. This poem is made of It has to be more refined. It can be seen that he must have carefully studied the method of planning and layout.
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第二十二首《满庭芳》
The Han Dynasty was prosperous, and people from the south of the Yangtze River were still famous for their Xuanzheng style.
Green windows and red doors, ten miles of rotten silver hooks. Once the swords and soldiers are raised together, there will be millions of brave men and banners. Long drive in, singing and dancing pavilions, the wind blows away flowers and sorrow.
Three hundred years of the Qing Dynasty, all the officials and figures have stopped sweeping the floor. Fortunately, I am not in the north, but I am a guest in Nanzhou. Where is Xu Lang? Empty and melancholy, there is no reason to meet each other. From now on, my soul will be broken for thousands of miles, Yueyang Tower every night.
---This first poem is my most admired among the Yueyang Tower poems, so it is placed at the end. Shangque describes the prosperity of the Song Dynasty, even compared with Liu Yong's "Looking at the Sea Tide", which is said to have made Wan Yanliang, the gold medalist, covet the prosperity of the south of the Yangtze River. Xia Que changed his writing style and wrote in a heavy tone the pain of losing his country and his family, as well as his determination to die for sacrifice. It can be said that every word is filled with blood and every sentence is filled with tears. The whole poem is full of powerful writing and profound thoughts. Even those famous masters of the past generation will have some respect when reading this poem.
This poem plays an important role in the history of Chinese literature. The author was a woman from Yueyang in the late Song Dynasty who was kidnapped by the Jin soldiers and brought to Hangzhou. Because of her beauty, the master wanted her to sincerely submit to him, so Never used force. She never obeyed, and the master was so angry that he wanted to use force. She cleverly said that she needed to pay homage to her husband first, and then she left this fatal word on the wall and threw herself into a pool to die. She left no life story or name, and was only known as "Xu Junbao's wife" in history.