Mbth: Mullen Schlumberger
Nationality: China.
Ethnic group: Mongolian
Place of birth: Ming 'an Banner, Chahar League, Inner Mongolia Date of birth: 1943 10+05.
Occupation: essayist, poet, painter, professor of fine arts department
Graduate school: Royal Academy of Art, Brussels, Belgium
Representative works: Qilixiang, There is a Song, and Exploration of the Soul.
Gregorian calendar 1943 10/5 was born in Jingangpo, a suburb of Chongqing, and his ancestral home was Ming 'an Banner, Chahar League, Inner Mongolia. 1948 entered the first grade of Nanjing primary school. /kloc-moved to hong kong in 0/949 and entered the primary school attached to Tongji middle school. 195 1 won the first place in the composition competition of the fourth grade group in the whole school. 1953 After graduating from primary school, the composition My Autobiography was selected for the back cover of the school magazine. I went to the first grade of junior high school in the same school. 1954, she moved to Taiwan Province province, took the entrance examination, and was admitted to the second grade of junior high school of Beier girl (now Zhongshan Girls' High School). Mr. Zhao Jing, Mr. Dong Xiu and Mr. Yang from the Ministry of National Science gave a lot of encouragement. Start writing poems in your diary. The first book of poetry is Yu Guangzhong's Blue Feather. 1955 won the first prize in the Chinese reading competition of the third grade group in the school. 1956 entered the art department of Taipei Normal University and began to learn painting. The earliest teachers were Sun Liqun and Zhou Ai. Participated in the editing of Youth in Beijing Normal University within three years. Published essays and poems in the school magazine under the pseudonym Cai Xia. He published poems in off-campus educational journals and contributed "Free Youth", which was also published. In-school speeches, debates and essay competitions all won the first prize. 1959 Joined the Art Department of Normal University. Sketch works include Chen Huikun and Yuan, watercolor works include Ma Baishui and Li Zefan, oil paintings include Li Shiqiao and Liao, and Chinese paintings include Lin Yushan,,, and so on. 1960, a watercolor still life was selected for the provincial art exhibition. 1963, Taipei Women's Association won the third place in watercolor in the provincial youth art competition. Oil Painting of Graduation Art Exhibition of Normal University
Xi Murong
Third place, second place in watercolor. Graduated from Normal University, taught Ren 'ai Junior High School in North City. Participated in the essay writing of "Unforgettable Figures in the Crown", with Xiao Rui as his pen name and the article "Souvenir" as his masterpiece. 1964 went to the Royal Academy of Art in Brussels, Belgium for further study and entered the advanced oil painting class. Because of his excellent entrance performance, he was directly promoted to the second grade, and studied under Professor Leon Devosse. 1965 her works were selected for the 70th Independent Salon in Paris and participated in the 81st Joint Salon of Female Painters and the 10th International Women's Exhibition. In the same year, he was invited to participate in the "China Contemporary Painters Exhibition" held by the Beijing Royal Museum of History and Fine Arts. 1February, 966, he held his first solo exhibition at Egmont Gallery in Beijing on the recommendation of the professor. Seven major newspapers in Belgium have commented on this painting. Invited to participate in the 3rd1marine painter exhibition. Graduated first in July. Won the first prize of the best class, the Dutron de Terry Foundation Award, the gold medal awarded by the Brussels municipal government, and the gold medal of the Kingdom of Belgium. 1967 entered Professor Claude Lee's copperplate studio, specializing in etching copperplate for one year. Participated in the "European Art Exhibition" held in Beijing and won two bronze awards from the European Artists Association. Hold a solo exhibition at the University of Fribourg, Switzerland. Hold a solo exhibition in Wintertu, Switzerland. Hold a solo exhibition in Beijing Coca-Cola Factory Cultural Center. 1968, he held a solo exhibition in Egmont Gallery and Horn Gallery in Beijing. 1969, he published his works in the Central Supplement under the pseudonym of Xiao Rui. 1970, he published his works in the Joint Supplement under the pseudonym of Mullen. In July, I returned to Taiwan Province Province to teach fine arts in Hsinchu Normal University. In the following years, he was invited to participate in many provincial and international art exhibitions. He also contributed under the pseudonyms of ·Xi·ao Rui, Mo Rong and Mullen Xi Lianbo, and most of his works are essays. 1974, he held his first solo exhibition in the National Art Gallery of Taiwan Province Provincial National History Museum. 1976 participated in the first novel award of United Daily News, and the article Birthday Cake is the masterpiece of Qian Huawei's pen name. 1977 held a solo exhibition at the American Information Office in Taichung. 10, the column "Poems Painted, Poems Painted" was published in Crown magazine. 1April, 979, he began to study laser painting. Mei held a solo exhibition at the German Cultural Center in Taipei. In July, he published Painting Poetry in cooperation with Crown magazine. 1 1 month, I began to write a column on children's art education in Women magazine, Letter to Young Mothers. /kloc-In February, he held a solo exhibition in Taiji Art Museum, which was the first exhibition of laser painting in Taiwan Province Province. Poetry began to be published in the joint supplement. 1980, he continued to study laser painting, published papers and exhibited them in the form of prints and oil paintings. In July, the long poem "My Mom, My Mom" was published in "Young Lion Literature and Art". Began to paint no.300 oil painting "Lotus". 198 1 year 1 month, participated in the laser art exhibition held in San Diego, USA. His poems were published in United Supplement, China Times, China Daily, Little Lion Literature and Art, Taiwan Times, Taiwan Daily, Free Tabloid, China Literature and Art and Sunshine Collection. The April poem "The Name of Love" was published in Taiwan Times. In June, he held a solo exhibition in the National Gallery of Taiwan Province Provincial National History Museum as a gift for his father's 70th birthday. Mirror series and no.300 lotus exhibition. Qi Li Xiang, a collection of poems in September, was published by Dida Publishing House and will be reprinted within one month. /kloc-in October, he was invited to be the judge of the oil painting department of the provincial art exhibition. /kloc-in 0/2 months, "Departure" won the Best Lyrics Award of Jinding Records. 1982 In March, the essays Traces of Growth and Painting a Rainbow in My Heart were published by Erya Publishing House, and Introduction to Laser Art was published by Taiwan Province Laser Promotion Association in February. 1February, 983, poetry anthology "Trace of Growth" and "Draw a Rainbow in My Heart" were published by Dida Publishing House. In July, Feng Xiao and Ai Ya wrote Three-string Prose Collection, which was published by Erya Publishing House. There is a song, October prose collection, published by Hongfan Bookstore. 1984, the Department of Fine Arts of Donghai University opened the course of materials research. Start a journey of sketching wild plants and record with needles, pencils, pastels and crayons. Start the experiment of laser engraving. 1in March, 985, a collection of essays with Liu Haibei-Concentric Collection was published by Jiuge Publishing House in the order of Xin Dai. In June, an exhibition of paintings was held in Apollo Gallery and Crown Art Center, and four years' works-night series and lotus painting were exhibited in Apollo Gallery. A retrospective exhibition of oil paintings and sketches of the past 20 years was exhibited at the Crown Art and Literature Center. In July, he was invited to attend a literature summer camp in Hong Kong. For Happiness, a collection of essays in October, was published by Erya Publishing House. 1986, I continued my journey of sketching wild plants. The first time I saw alpine plants in Taiwan Province Province was when I was climbing Shimen Mountain. Photo taken with Chen, Xi Murong in April (20 photos)
Brother Chu made a three-person joint exhibition tour and exhibited it in several county and city cultural centers. In July, he was invited by Hong Kong Baptist College to give a speech in Hong Kong. In August, I began to write 300 long poems, The Legend of a Summer Night. /kloc-started to create landscape series monochrome oil paintings in 0/0. 1987 1 month, Erya Publishing House published Nine Poems of Time. In April, Shi Jiu Pian won the New Poetry Award of ZTE Literature and Art Medal. In May, he exhibited with Chu Ge and Jiang Xun in Dunhuang Art Center, and published a collection of Landscape. Mother died in May. At the end of June, he gave a speech in Los Angeles at the invitation of the annual meeting of the American Chinese Association. In July, he participated in the symposium on "Meeting with Literary Friends" at the book fair of San Francisco Dongfeng Bookstore. /kloc-started to create lotus series oil paintings in 0/0. 1988 In March, Shenyuan Publishing House published a collection of poems and essays "In that faraway place", and the photography part was Dongsheng Lin's works. In July, I went to Bali, Indonesia to sketch lotus flowers. In September, he was invited to give a speech at the "Reading Month" of the South China Morning Post in Singapore. 1989 1 month, the collection of essays and sketches "Souvenir" was published by Shenyuan Publishing House. The Sketcher, a collection of essays in March, was published by Dayan Publishing House. In April, he held a solo exhibition in Apollo Gallery and was invited to exhibit in Xingang. In August, I took my daughter Fang Ci to travel to Europe. I went to my parents' hometown in September and saw the Mongolian Plateau at first sight. Since September, at the invitation of Ms. Ji Ji, the editor-in-chief, she has published ten articles in the humanities section of China Times-"My hometown is on the plateau". Since 10, with the help of my friends, I have read many works of modern Mongolian poets and Mongolian history. 1July, 990, the collection of essays "My hometown is on the plateau" was published by Shenyuan Publishing House, and the photography part was Wang Xinggong's works. At the same time, he also published an anthology of Mongolian modern poetry, Starlight in the Distance. In August, my son An Kai and I traveled to Europe. In September, I returned to the Mongolian plateau and visited the mausoleum of Genghis Khan, the holy father. At the end of September, I went to Ulaanbaatar, Mongolia and the old forest capital. /kloc-cross the Gobi by train in October/October, which coincides with the full moon night on August 16 of the lunar calendar. 199 1 year, I took an annual leave in normal college. In April, he jointly exhibited with Chu Ge and Jiang Xun in Qingyun Art Center, and published "Hua Ji Hua Ji". The collection of essays in May, Waiting on the Mountain, was published by Hongfan Bookstore. In June, I went to Berlin to read poetry at the invitation of Berlin Art and Culture Palace. He was invited to teach the course of modern China literature at Hamburg University. In July, a cultural delegation from Taiwan Province Province 16 people went to Ulaanbaatar to celebrate the 70th anniversary of the founding of People's Republic of China (PRC) at the invitation of Mongolian Ministry of Culture. In July, he was awarded the Cultural Medal by the Mongolian Ministry of Culture. In August, the mainland edition of Jiangshan Waiting was authorized to be published by Guangzhou Huacheng Publishing House, and it was learned that Huacheng alone had published more than1.5000 volumes of Xi Murong's poems. In September, it signed a contract with Beijing Zhonghua Copyright Agency to deal with the serious infringement of Xi Murong's works in mainland provinces. In September, I visited local artists in Mongolia again, and went to sogou Bo Library in northern Mongolia for interviews and photography. 1February, 992, she published the planned Mongolian Literature Album in the supplement of United Daily News. In February, he published the slide show "Looking at Mongolia" and gave a special speech on Mongolia with Wang, Fan Mannong, Wang Xinggong and others. In April, Mongolian folk musicians were invited to visit Taiwan to record. In May, he was invited to participate in the international seminar on Mongolian culture held in Taipei, and published a paper "Seeing Mongolian Contemporary Intellectuals from Poetry Creation". In June, he held a solo exhibition in Taipei Qingyun Art Center, and published a collection of paintings "Picking Hibiscus on the River". Song of the River, a collection of poems in June, was published by Donghua Bookstore. In addition, Xi Murong's "Shell" was included in the Chinese textbook of the first day of the People's Education Edition; Homesickness was included in the third grade Chinese textbook of Guangdong Education Edition. However, there is another saying: Xi Murong 1943 was born in Sichuan. After that, she lived in Shanghai and Hongkong, and then went to Taiwan Province Province. Originally, Xi Murong, a Mongolian, didn't feel any different from the students around her, but in a geography class in junior high school, the teacher said something that hurt the Mongols, and all the students focused on her. After class, the students seemed to forget what had just happened and played with her, but after that, Xi Murong never wanted to say a word to the teacher again. After many years, Xi Murong said that if she met this teacher again, she really wanted to say sorry to him. Maybe he didn't mean it at that time, just wanted to make a joke and cheer up the classmates. In recent years, Xi Murong gradually understood some things. She thinks that a Han Chinese can be friends with you for life, but once he retreats to his own ethnic group and comments on the culture, beliefs and even everything of other ethnic groups with his own eyes, his prejudice will be very serious. At least in that class, the teacher's description of Mongolia is far from what her parents told her. Xi Murong's father was a Mongolian intellectual of the previous generation. After 1949, I traveled to Europe from Taiwan Province Province and never came back until my death. "He doesn't want to go back. Because his previous impression was so good that he was afraid of ruining his own. In particular, it has experienced the destruction of the' Cultural Revolution'. " Xi Murong said. When Xi Murong was a professor of fine arts in Taiwan Province Province, there was an archaeological history bookstore near the school. Xi Murong's Works (7 pieces)
She is a layman in archaeology, and she has never been back to the Mongolian Plateau at that time, but for a while, every time she went to the bookstore, she found that the book she bought was related to Mongolian archaeology in Otawa. "Just because it is the culture of my parents' hometown, it will make me feel more at ease after buying it back. "From 1989 to now, the endless vagrancy of the grassland has made her happy, but it is also accompanied by sadness and regret. Apart from the environment, what saddens her most is the gradual confusion of values and the demise of traditional rituals. She firmly believes: "Every culture has its own values. "In 2006, Xilinhot held the Nadam Conference, and various literary and art groups from the Yellow River Basin performed gongs and drums." But they dance some dances that have nothing to do with Mongolian culture. "Nadam means a fun club, and now Han friends like to participate. Xi Murong said it should be welcomed. But Nadam has its own rituals. From beginning to end, it is a very old rule passed down from generation to generation, such as wrestling, archery and horse racing. " Why invite circus and acrobatic troupe? "Xi Murong feels very sad." It's not like Nadam anymore. After two generations, perhaps no one can tell what a real nomadic culture is. "Once after signing a book in Beijing, Xi Murong was about to leave for Ejina and Alashan in Inner Mongolia. For her, the Mongolian plateau will never end. There is really too much fresh knowledge in it, and the attraction of nomadic culture is too strong. She clearly remembers that when her father traveled with her in Europe before his death, he said it was too boring. He didn't like things blocking his sight. At that time, Xi Murong had not been to the Mongolian Plateau. " I think Europe is so big and the scenery is so beautiful. How can it be boring "I don't understand, can a mountain so far stop you?" It was not until he returned to the Mongolian plateau that Xi Murong knew what it meant to have nothing at present. On the first day back to my hometown, I saw a herdsman riding from the distant grassland. "He is dressed in blue, so far away, I can see the light of the yellow belt around his waist, just like the tip of a needle shining in the sun. In fact, I am nearsighted, but I can see clearly on the grassland. " "oh! My god, I understand how my father feels. " At this time, Xi Murong deeply understood his father. "This is a memory passed down from generation to generation." Xi Murong once told the reporter of Youth Weekend. If we look closely, it is not difficult to find that 1989' s trip to Mongolia was a watershed in Xi Murong's creation. Before, she lived in her parents' homesickness. Later, she lived in her own homesickness. Xi Murong described the difference with transformation rather than change, and revealed a short story that made her think for a long time. Before public officials were allowed to visit relatives, she had written some words about homesickness according to the accounts of her parents and grandmother. Then Dongsheng Lin, a Hong Kong photographer, went all the way to Mongolia to take many photos of his hometown, and published a book "In that faraway place" (a round god) in an illustrated way. Unexpectedly, a friend of Xi Murong threw cold water on her and said to her, "Anyway, what you wrote is only second-hand experience." This sentence left her speechless. But when she really got on the train home and saw the familiar station names jump into her eyes, what she thought was what more parents told her in those years. For example, after Xuanhua, she thought of what her mother said, Xuanhua grapes are the best; After Zhangjiakou, she thought that her grandfather and uncle had run a Mongolian compilation hall here, which was as big as half a street. At this time, Xi Murong suddenly understood, "This is how the original culture is transmitted", "All first-hand experience must go through second-hand experience, and the strength will be stronger." This is why when she came to her mother's hometown, she wanted to find Jyukai, a fragrant and endless pine tree, but found that there was no pine tree here. How shocking and puzzling it was. The gloomy forest that has been maintained for thousands of years may be destroyed in just a few decades, just as the Han people can easily destroy the Mongolian cultural tradition with their rude monistic values during the Cultural Revolution.