Camille Claudet dreamed of becoming a talented sculptor as admired as Rodin. She met Rodin in the winter of 1885. Her teacher Mr. Boucher entrusted her as a student to Rodin before traveling to Rome. This is a master who has been talked about a lot. It is said that his models have affairs with him and women are obsessed with him. Some people say that one of his sculptures was cut directly from the human body because it is so realistic and perfect that it is unbelievable. Rodin wept over this slander, and Camille had no doubt that this perfection was the product of the selfless labor of genius.

Camille asked Mr. Rodin for a piece of marble. She wanted to carve a bust for her brother Paul. In this family, besides her father, Camille loved her younger brother Paul the most. Although he was still very young, he could write extraordinary and good poems.

Papa Mr. Claudel is back, and Camille goes to the station to pick him up. Before entering the house, the father gave his beloved daughter some money. But this scene was still seen by my mother who was standing at the window upstairs. She shut herself up in the back room with tears in her eyes, scolding her family members for lying to her and sharing the suffering for a crazy fool who played in the mud.

In order to express his gratitude to the teacher, Camille carved a foot with slightly exposed veins and gave it to Rodin. This work made Rodin immediately decide to ask Camille to be his assistant and participate in the art museum commemoration. Large sculptural work in the foyer.

That day, Camille was working on the scaffolding. She accidentally saw Rodin playing with the plump and white nude female model in front of him with an ambiguous movement. Camille was shocked. Her My eyes were filled with tears for some reason.

At night, in Paul’s room, Camille lowered herself and told her brother that she didn’t want to go to Rodin’s place anymore. Paul looked at his sister sympathetically. Maybe Rodin didn't know what she was thinking at all. The behavior of legendary characters is unimaginably bohemian and arbitrary. Hugo, whom he admired, said this.

Early the next morning, Rodin asked if there was any news about Camille. His assistant shook his head and suggested hiring another one. "No!" Rodin refused without thinking, and decided to go find Camille himself. The sculpted foot on the table told him that she was an irreplaceable assistant, a sculptural genius par excellence.

Rodin’s visit made Camille’s resentment and grievance disappear. As Camille posed for a nude female model, Rodin could see that Camille had mastered what he had spent years mastering.

When Hugo died, people rushed to tell each other and were very sad. Hugo's death made Rodin feel the depletion of life. He looked at the model's naked body blankly and had no inspiration. So, Camille decided to leave her destiny to Rodin for the first time, and she climbed onto the stage of modeling. Nude Camille allows the Master to see a perfect Eve. The skin and body, as plump as white jade, disturbed Rodan's mind. He couldn't help but touch and kiss her wildly.

Claudet and his family went back to the countryside to go on vacation in Verov. In order to express his gratitude, Claudel invited Rodin and his wife to Villof despite her daughter's objection. Rosie was Rodin's unmarried wife, with whom he had a son. He accepted the invitation to come to Vilov this time in the hope that Camille could return to Paris as soon as possible. He wants to carve portraits of Hugo and Balzac. How can he reflect the charm of each person on his face? Inspiration is like a naughty child playing hide and seek with him. To complete these tasks, he cannot do without Camille. Only she can bring him a steady stream of inspiration.

The passionate love between his sister and Rodin made Paul feel that he had been left out and became a superfluous person. Camille moved into the newly-bought Perian Garden in Rodin, a suburb of Paris. In this temporary home, which was more like a factory, she worked day and night, alienated from her family and friends, and almost cut off from the outside world. Inspiration, passion, technique and body, she dedicated everything to Rodin.

Rodin's masterpiece was about to be completed, but Mr. Claudette found uneasily that his daughter had stopped doing her own work since she met Rodin. She seemed to be living only for Rodin. But if she didn't exhibit her work, she would never be recognized.

He reminded Camille that her future belonged to herself and that she should not be exposed too much with Rodin. The gossip around her was enough to kill a genius.

Camille found out she was pregnant. She stayed alone in Pei'an Garden, working all day long without any decent clothes or a pair of decent shoes. In addition to hanging out with friends in the art world, Rodin also often stayed with Rosie, who was sick. Rosie comes to the door and makes a big fuss, and Camille has a miscarriage. Rodin cried for three days. A few days later, Camille suddenly disappeared. In her studio, Rodin was excited to discover a statue of himself carved to perfection. He decided to put it on display.

When Camille reappears, she asks Rodin to choose between her and Rosie. Rodin says that he cannot send Rosie away like a servant. Camille suddenly realized how pertinent her father's words were. She worked for him day and night and thought too little about herself. She would never have everything other women had, but only stones.

Camille, who had nothing, came to Paul and asked his brother to let her live for a while. She finally agreed to leave Rodin, and her heart was broken.

After recovering, Camille is still immersed in sculpture. Her younger brother has left for a foreign country, and her parents are returning to Villof. The family originally moved to Paris because of her and her sculptures, but now the whole world has abandoned her. They are disappointed in each other. The only thing Camille owns is the sculpture. Only the sculpture can distinguish her from Rosie.

With the help of musician Debussy and others, Camille's works were exhibited. She wanted to drag her lameness and fly again. Her works, which show distortions caused by pain, have received mixed reviews. But all the praise belongs to Rodin, because she was his student and it was he who pointed her to the gold. Life has become a cross. Paul's words are too clear. He has long said to her: "Rodin dreams, you work." It seems that she will never be able to get out of Rodin's shadow. Camille retreats into her own world more alone than before, she will become a sculpture. But even a sculpture would not be abandoned like this.

Rodin came, but he was turned away. Camille inside the door became extremely fragile and vulnerable. The success of the full-length portrait of Balzac brought Rodin to visit again because Camille had given him inspiration. However, to his surprise, the meeting after a long separation turned into an insult that hurt both of them. Camille, who lost her psychological balance, fell into madness. She suspected that all her misfortunes were due to Rodin's tricks. When the landlord wanted to take back the house, Camille rushed to Rodin's house angrily, smashed his doors and windows with stones, and yelled: "Rodin, get out of your doghouse, what on earth do I love you for!" "

The shrill cries echoed in the dark night.

Paul, who had always been ignored by his father, had become an eye-catching writer when he returned to France. Camille threw herself into her father's arms, ashamed that she had let him down. Mr. Claudel noticed that his daughter's beautiful blue eyes had lost their luster. He put his arms around poor Camille and read Paul's poem to her.

Newspaper reporter Judy came to interview Camille for the purpose of writing Rodin's biography. She told Camille that many people have realized that she is a rare female artist of this era. Even Rodin admitted that he once guided her to find gold, but later found that the gold was in her body. No matter what the reporter said, Camille believed that she was sent by Rodin and refused to be interviewed by her. "My relationship with Rodin is zero."

In the autumn of 1913, after Mr. Claudel's funeral Soon, Camille received a signature from a doctor at the Paris Psychiatric Hospital, proving that she suffered from severe schizophrenia. The moment he was taken to the hospital prison car, Camille held open the car window and clung to the iron railings, her eyes full of desolation and fear.

In the lunatic asylum, Camille wrote earnestly to her brother Paul again and again, hoping to leave this tormenting place as soon as possible: "Don't throw me here, how much I want to go home and live with you." Together, make sure my things don't fall into Rodin's hands. He is afraid of my going out and will do everything possible to stop me. I really want to go home, your exiled sister.

"

On October 19, 1943, Camille Claudel died in the Montcran Asylum at the age of 80.

Rodin built it for Camille. Kiss. ??To Camille. Mir as a model.

For Camille, art is her entire life and represents her place in the world; art means desire, love, destiny, or simply a show. The tragedy and comedy of life.

How to evaluate Camille’s life objectively and correctly? We must first consider the era and historical background in which she lived, including the education, economy, culture and politics of France in the nineteenth century. Various social conditions. Camille is a female sculptor. In France at that time, sculpture was purely a male art, and women had almost no access to sculpture art. Therefore, Camille could not be recognized by the public and was not tolerated by the upper class. Even in events where other female artists gathered, she was unknown because of her lack of social skills and lack of communication with her contemporaries. , it’s no wonder why depression and sadness are always underlying themes in Camille’s works. Underneath the sweet and charming appearance of this talented female artist, there is a lonely inner world that piles up soil all day long.

Through Camille’s correspondence with her brother and nephew in her later years, we can see that she missed her childhood in Villeneuve very much and wanted to return to the village of her youth where she first experienced nature. Silence, purity and serenity. There, silence and nature were her enlightenment teachers. Under their inspiration, she was able to discover beauty in the soil, haystacks and stones, and find happiness in the mystery of nature. She used her passion to To penetrate the profound existence and express the deepest emotions of oneself and all mankind. Indeed, for a sculptor like Camille, a peaceful and quiet life helps her capture the vivid moments of life. /p>

It is also from her childhood memories, the desire, capture and loss of love that Camille transforms her experiences into the motivation for creation. She uses sculptures to record the disappearance and return of life. , searching for the meaning of life, love and death. Here, she expresses her monologue about life and transforms loneliness into praise of the real world.

Secondly, we treat Camille’s sculpture art. It should be clear that they can and must be considered separately from Rodin's sculptures and considered on their own platform. Camille's work is also a mirror of the rhetorical art of her brother, the poet Paul. To the harmonious existence between opposites, between interior and exterior.

Behind the changeable phenomena, Camille's sculptures are able to capture the unchanging essence, just like the "Saint" in the art of sculpture. "Poetry" shows us the traces of life and the diversity of the world. It is derived from Camille's silent dialogue with God and nature. The joy of love and the tenacious resistance to death enable Camille's art to maintain the same connotation in changing forms, and then achieve eternity.

Loyalty, mystery, love, and the ultimate meaning of existence, these are the themes Camille tries to express in her works, and they are the materials she is constantly looking for in her daily life. Her works are distinctive for expressing the harmony of opposites, the interaction of the universal and the particular, the blending of the external and the internal, the communication of eyes and thoughts, the dialectic of time and eternity, and the interrelationship of subject and object.

When evaluating the thirteen-year-old bust and the sixteen-year-old bust of Paul sculpted by Camille, the art critic Mr. Aslan once said: "Although the sculptures were not completed at the same time, neither were the models. Paul of the same age, but they have the same eyes, the same strength and the same belief. This woman's observation is wonderfully penetrating."

Indeed, Camille is such a person. As a sculptor, she is able to harmoniously integrate all these different aspects into a beautiful whole, making her works simple, balanced, wise and timeless.

For her, time can save all existence because it causes all things to return to their origin: silence. Camille observes real life through silence as a means of observation. The feeling of loneliness was so real that she had even forgotten the expressive power of words.

Camille uses her works to communicate the real world and the world observed by people. What she focuses on is the relationship between change and constancy, time and eternity. Ultimately, Camille's works release an Odyssey-like humanistic spirit: one must escape from oneself in order to understand oneself.

Imagination, passion, new and unexpected things, these are part of the mind of a good artist. And Camille's own thoughts are like this: she responds to the beauty of nature, to loyalty and love, and her mind is full of romance