First, "Luo Shen Fu":
Zhao Mengfu loves Luo Shenfu very much. He wrote seven articles back and forth. He wrote this version for Sheng Yimin in the first year of Dade, which can be said to be both good and exemplary. The brushwork is elegant and rich, and the words are dignified and beautiful. Calligraphy and painting are a little fat, like iron wrapped in cotton, and there is no bloated and weak state. With a clear-cut attitude and resolute action, he is the most "two kings".
The whole layout is well-proportioned, dense and well-organized, which has won the legacy of "Two Kings" and is an extremely wonderful work of its kind.
Second, "Autumn Travel Fu":
"Ode to Autumn Stars" is Zhao Mengfu's best work. This volume has no age, but it is familiar with the works written, and has a strong atmosphere throughout, which should be the works of middle age.
Third, the influence of Zhao Mengfu:
Zhao Mengfu's family is very poor, and he often charges for calligraphy and painting to make up for himself. Zhao Mengfu's four-line paintings, books and poems were well-known at home and abroad at that time. Even Japanese and Indians valued his works and made contributions to the cultural exchange between China and foreign countries at that time.
As a master, Zhao Mengfu's painting skills influenced his friends Gao and Li Li, his wife Guan Daosheng and his son. His disciples Tang Di, Zhu Derun, Chen Lin, Yao Yanqing, his grandson Wang Meng, and even Huang and Ni Zan at the end of the Yuan Dynasty all inherited and carried forward Zhao Mengfu's aesthetic view to varying degrees, which made the literati painting in the Yuan Dynasty prosperous for a long time.
Together with his son Zhao Yong and grandson Zhao Lin, he created Matu, which is called "Three Generations of Matu" and has been passed down to this day.
Zhao Mengfu's main achievements and calligraphy works;
First, the main achievements:
Zhao Mengfu is well-read and proficient in China's classical poems, temperament and appreciation. In terms of calligraphy, he is good at official script, running script and small script, and his calligraphy style is round and beautiful, so he is called "Zhao Ti". He and Xian Yushu are called "Xian Zhao", and Ou Yangxun, Yan Zhenqing and Liu Gongquan are also called "four masters of regular script".
His paintings have a wide range of materials, comprehensive techniques and exquisite landscapes, flowers and birds. He advocated learning from the ancients, emphasizing "the same origin of painting and calligraphy", and advocated changing the institutional style of the Southern Song Dynasty Painting Academy, which had been popular for a long time, and creating a new situation of painting style in the Yuan Dynasty. He is a leading figure in the painting circle of Yuan Dynasty, and has the reputation of "the crown of Yuan people". His painting, calligraphy and painting thoughts have a far-reaching influence on later generations.
His poetic style is graceful and restrained, and he also participates in seal cutting, so he is known as "a round Zhu Wen". There are works handed down from ancient times, such as Song Xuezhai Anthology.
Second, the main calligraphy works:
Luo Shen Fu, Tao Te Ching, Danba Monument, Story of Rebuilding the Three Gates of the Xuan Temple, Huanglin Pavilion Classic, Postscript of the 11th Orchid Pavilion in the Dugu Edition, Four-body Thousand-character Text, Gu Yong Family Temple Monument, Ji An Biography, etc.
Sometimes after experiencing something, I feel very distressed or depressed, perhaps because of too much pain or too much helplessness.