Poetry must be flat and level, and must conform to the rules? Of course not. It doesn't matter if you don't pay attention There are four categories of classical poetry, namely, ancient poetry, modern poetry, miscellaneous poetry and ci, among which modern poetry and ci pay attention to meter, so if you don't want to pay attention to meter, you can write some miscellaneous poetry for the purpose of word games or ancient poetry without meter. Classical poetry originated in the pre-Qin period and matured in the Wei, Jin, Southern and Northern Dynasties. The biggest difference between classical poetry and modern poetry lies in the metrical requirements. For example, Li Bai's Thoughts on a Quiet Night, Difficult Road to Shu, Bai Juyi's Pipa Journey, Song of Eternal Sorrow, and Du Fu's Northern Expedition, all of which recite 500 words from Beijing to Fengxian, are ancient poems that don't pay attention to elegance.

Miscellaneous poems originated in the Han, Wei and Jin Dynasties, mainly including poems that can't be classified except classical poems and metrical poems, such as doggerel, Tibetan poems, spiritual poems and pagoda poems. This part of the poem is light and lively in style, mainly based on games, and there is no requirement for format and rhythm, so it is unnecessary to explain the level and level in the creation of miscellaneous poems.

Is there anything in modern poetry that should pay attention to the meter, not to the level or the wrong level? Of course there is. The creation of the ancients was not very rigid. It must be flat, flat. As long as you can express your thoughts and feelings fluently, the images in the poem have vivid effects, even if individual words do not suppress the level of the whole poem, it will not affect the level of the whole poem. The most obvious is Bai Juyi? Wildfire never completely devoured them, and they grew taller in the spring breeze? By level? No? The position of the word should be flat. Blow? The position of the word should be lost, and Bai Juyi's writing is not in line with the rules. Similarly, Du Fu's "To Li Bai at the End of the Sky", "The Wind at the End of the Sky" and so on. This phenomenon is called in poetry? Difficult to save? That is, when the flat sound is used, the flat sound is used as compensation when the flat sound is used below. Compensation in the same sentence is called rescue in the same sentence, or compensation in the upper and lower sentences is called rescue in the opposite sentence.