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Domestic animation is on the rise. What do you think is the difference between domestic animation and Japanese animation?
Guo Man has really risen in recent years, and there are really many good-looking themes and animations. For example, two years ago, I had a soft spot for Soul Street. But in all fairness, domestic animation has a long way to go to catch up with Japan. After all, the atmosphere and state support will not be solved for a while.

Japan itself is a big country of two-dimensional animation, and its citizens have a high degree of acceptance of animation. In China, most people still define animation as a program for children. This inherent concept is not suitable for the development of animation industry. Just like a child wants to learn comics, parents think that Chinese painting is painting and wants to engage in animation. Parents think it's doing nothing. Therefore, in order to make Guo Man rise completely, we need to eliminate the concept that animation is only suitable for children. You know, in Japan, animation is a huge industrial chain. From film and television, to the surrounding areas, and even to restaurants and entertainment, everyone can find their own happiness from animation, which is exactly what China lacks.

In addition, Guo Man's material selection and content, including production, need to be improved. With Japan's lead, in fact, the tastes of fans in many countries have been cultivated. In recent years, the output of Guo Man is amazing, but only a few of them are famous in Miu Miu. Why? Because most of them are not to everyone's taste. At present, domestic animation is mainly based on Xian Xia except novels, and this fixed theme can easily give people a sense of fatigue. Moreover, compared with Japanese anime, it highlights the theme in nuances and brings different feelings to everyone. Guo Man must put the slogan in his mouth and put it on the table, which is really poor in perception.

Therefore, the country still has a long way to go to catch up with Japan, which will not catch up for a while. What we can do now is to raise the public's attention to the animation industry, gradually get rid of the influence of Japanese romance on Chinese people, create a style of going abroad that does not imitate Japanese romance, and then go abroad to the world.