However, Wen kept the ready-made "Longtoushui" unused, but insisted on not writing a song "Far Water Ballad". He did this to inherit the artistic conception of Yuefu, not to order something else; So use "far water" instead of "long water". Far away, far away. The traditional title of bibcock water is used to describe the suffering of frontier fortress, not Gansu, so it is covered with a vague word "distant" to write what you think.
This poem is divided into three paragraphs. The first four sentences are about soldiers entering the frontier fortress, with the focus on "killing Wan Li". "Empty" can be described as lofty, but it is already very high here, so there is no need to describe it as empty. To describe it, we should also refer to flying high or holding high, not flying high. Empty, can also be empty, describe high empty, can only be white high. "The murderous look is too high, and the feelings of Wanli" means that the murderous look is white in Wanli, because it is not the need of national defense, but it is just a waste of feelings. Therefore, he is completely different from the traditional writing. The reason is that he thinks such a March is wrong, so he says "killing people is empty." The words "empty" and "love" are extremely cold. The last four sentences describe the feelings of soldiers stationed in the frontier, focusing on the "cold golden saddle" and comparing the inhuman treatment that soldiers can only rest on the "cold golden saddle" with the comfort of generals. In the last four sentences, the reason why soldiers can't go back for a long time focuses on "Green didn't return during his nameless period", accusing the ruling class of being greedy for utility and being militaristic, which ended in the resentment of the soldier's wife. The whole poem has three rhymes, flat and even, and the rhymes are fierce, just like a brief history of frontier defense thoughts.
At the beginning of the poem, it is pointed out that the time is September, and the soldiers sent by the emperor crossed the distant water and headed for the farther desert. The long journey made the troops exhausted, unable to be mighty, and they could only drag their heavy steps in disorder. The word "step" painted the whole military appearance with a tired gray. It is conceivable that when the frost hangs here in September, even the flag is dignified and withered. However, the momentum is magnificent after all. They trudged in the desert with heavy steps, and no matter how they died, it was a great momentum. Dust collected by people and horses can cover up the army; The noise of people, when the rumors are far away, is to let the geese living at the water's edge of the sand bank fly up early and cry. Seen from a distance, it is Huang Chen and Yanzhan Qi Fei, and the sky and the earth are the same color. Write a March with style, and it will be bad after repetition. Here, the poet attributed the ferocity of this war to the action of coming to Wanli, and expressed his negative attitude towards this March. It can be seen that this March is not to defend the border and defend the motherland. Because if so, Wen will even attend. He said in the poem "Sitting with friends in a quiet mountain in the dead of night, I feel uneasy about frontier defense and showing comrades": "Pottery cymbals are enough to help, but the mountains and rocks are hidden?" This shows that he was in the rock valley, not to be a hermit, but for the emperor. If you want to use him, he even has such ambitions that even Lu Shang, who helped King Wen conquer the world, won't put a crotch on him. It can be seen that his ambition is quite different from the artistic conception of this poem. Therefore, it can be inferred that this parade is an unjust act. Because it is inconvenient to point out, I adopted the traditional writing method of Gu Yuefu, omitting the literal violation and venting my dissatisfaction. Moreover, every time a soldier goes to a new place, of course, it is a bit novel at first, so he should have a look at everything. However, nothing can restrain my yearning for leaving the hot land except the cold wind stinging my eyes. The word "cold" not only depicts the desolate frontier fortress like ink painting, but also depicts the psychological feelings of the garrison soldiers in detail, and looks forward to the future grievances. And these are all wonderful from the novel eyes of the guards. At first glance, it will be even harder to get rid of it in the future. An unbearable feeling, vividly on paper, paves the way for the resentment of "standing up". This group of images, because of the author's strong thoughts and feelings, truly and meticulously represent the objective typical environment, thus providing aesthetic conditions for readers, thus capturing his implication and image outside the image and obtaining the foundation of * * * homonym. So this paragraph is very important.
The second paragraph, Wolf Smoke Castle. It's about being stationed in this frontier fortress. In ancient times, there was no modern electronic communication equipment, and the frontier alerted the police, burning bonfires at night and burning wolf dung during the day. Paragraph "Youyang Miscellaneous Language Guangdong Plant" contains: "Wolf dung smoke goes straight up for bonfires." In the burning castle, because there is no war, no trace of fireworks, only thick frost, in the sand, cold light flashing. On the other hand, dry land, like wormwood with dead leaves and scattered leaves, was wrapped in sand by strong winds and rolled all over the floor. It is conceivable that the sky must be bleak at this time, and in the ancient battlefield, vultures and crows who like war circled around in droves, making noise. Write a vast and desolate ancient battlefield. The weather was dry and cold, and the generals wore ribbons made of cold rhinoceros and soft fur made of mink, drinking around the stove, but their faces were tepid. Soldiers, wearing armor and holding iron bars, stood in the white frost, holding saddles against the cold wind, ready to go at any time. This set of images vividly depicts an ancient battlefield, such as in front of us, even as if the reader himself is the soldier in armor, thus arousing complex feelings as serious and resentful as him. This paragraph pushed it to a higher level and pushed the feelings to a climax. Especially for those soldiers who are so sacred and solemn that their flagpoles can be frozen off in extreme cold, the feelings revealed in the poem are complicated, both touching their spirit and sympathizing with their treatment. This passage expresses the poet's feelings for the garrison soldiers very sincerely and thoroughly. He doesn't need slogans. All the beautiful words he shouted straight from his throat must be rough and hypocritical in front of the clear spring flowing between his lines.
In the last paragraph, for the sake of Zhang Xianzhi, his brushwork changed, as if behind this long historical scroll, four oil paintings with different colors were placed. "Catch dust like fog to cover the pavilion" is a painting with black and red as the background color. Catching dust like fog should be said to be dark enough, but if there is catching dust, it is inevitably not full of bright red blood and fire. Pavilion barrier is the fortress of frontier fortress. The word "Lu" cannot be easily let go here. Of course, it can also be understood as Xiongnu, Hull and the enemy; But in terms of meaning, it can also refer to slaves and prisoners. The battle dust raised by the "Lu" has enveloped the castle, and the war has reached the castle. However, judging from the whole poem, it is obvious that there is no foreign aggression. Then this sentence is an insignificant failure. But a realist who can write a war so vividly will not be so inaccurate in details. If we look for evidence from the author's life, the peasant uprising was in full swing in the late Tang Dynasty, and the biggest one was three times, which dealt a far more serious blow to the Tang Dynasty than foreign invasion. Not only that, the Tang dynasty also used foreign forces to suppress the people's uprising, and ethnic relations were completely chaotic. So he really used the word "Lu" here, saying that he was a foreigner or an uprising farmer. Because all feudal dynasties, although higher than slave society, still want to treat people as slaves. Until the last late Qing Dynasty, Cixi still said that her country "outsiders are not as good as domestic slaves".
What is particularly worth mentioning here is the uprising in Guilin in 1968 (the ninth year of Xian Tong). According to Mr. Xia's "Wen Fei Qing Nian", Wen died in 870 AD, just two years before his death. The uprising was caused by the fact that Qiu Meng, an envoy sent by the Tang Dynasty from Xuzhou, led 80,000 people to guard Guilin. According to the system, the guards are replaced every three years, but this batch has not been replaced for six years, so the guards have repeatedly asked. At this time, Xuzhou villain Cui Yanzeng reused a bunch of corrupt officials such as Yin Kun and Xu Xingjian, and sent troops to replace the old garrison on the pretext that it was too expensive to stay in Guilin for another year. So, "Defend your family and fly to Guilin", "Defenders are furious, kill all the generals, threaten the grain official Pang Xun as the general, take troops out of the library, attack Xiang, Heng and Ludingzhuang, and unite more than a thousand people", suddenly return to Xuzhou and occupy the Jianghuai area. This poem is profound because it reflects the dissatisfaction and tragic fate of the defenders, and they are not allowed to go back when it expires; Since it is a mutiny, it is impossible for our museum to have a name. And the war has settled, and the rebels have become ghosts under the sword. Even "thinking about women in the building" can only "take a look" for nothing. Therefore, this poem of his is either a "rebellion" or a philosopher's prediction.
The second picture, "Han Fei will fly every year in the first year of Gansu", tells the story of using Li Guang to make meritorious deeds and not to seal Hou; It can also be said that the painting is a story of Li Guang. The reason for the change of the garrison in Guilin is that nine people, including Ji Xu, Sail Zhao, Wang Youcheng, Liu Jing, Fu Ji, Wang Hongli, Meng and Yao Zhou, are junior officers and frontline soldiers in the war. However, corrupt officials gained power, just like Li Guang in those days. Although they have made meritorious deeds, they are also overwhelmed by these corrupt officials. And the "first year", together with the garrison, is bound to resent for several years. History has bound them to the fate of the garrison, making them feel as ungrateful as the soldiers, and the generals are mean, so even if this painting is the story of Li Guang, readers can understand their irresistible feelings. There is a limit to patience.
The third painting is a portrayal of the Fang Shuai buffer zone. These soldiers are for their own fame and fortune, but they don't care about their lives. They want these infantry to defend the border area for a long time, but they enjoy themselves in the home front. Gao Shi once participated in this kind of staff life, so he wrote the poem "A soldier was half dead before he died, and the beautiful girls in the camp were still dancing and singing for them". "Rat skin rhinoceros has no warm color, clear light and cold gold saddle", so sharp opposition makes soldiers "nameless", and they are still not allowed to return after several years overdue. This profoundly reveals that the reason why these garrison troops want to occupy their unique territory for a long time is just that Fang Shuai is proud of itself. This is not a courageous act at all.
The fourth picture shows a young woman longing for love. "Young women in the boudoir don't know how to worry, and make up brothels in spring. Suddenly I saw the willow color on the stranger's head and regretted teaching my husband to find the marquis. " The change of Guilin is caused by "flying to Guilin at home". So a single spark soon formed a prairie fire.
These four paintings with different colors: black, gray, red and green, together, are like a montage. Once combined, they immediately have a strong impression, which is no different from the historical picture of Guilin garrison mutiny.
This happened in Guangxi instead of Gansu, which is different from the natural environment that the poet chanted. But militarily, it can be a diversion, so in poetry, there is no need to point at the gourd and say gourd ladle. Location is secondary, which is where the poet is cunning and free. What is important is that the poet foresaw such an earthquake with his political sensitivity, or deeply and vividly analyzed the causes of the earthquake. The so-called "little resentment is awesome." In his short twelve poems, it can be said that there is not a sentence that was not written by a man. It was because he set his eyes on the people's hearts and was closely connected with them that he could write such a profound premonition. Epic, not only lies in its true description of events, but also lies in its writing of the spirit of the times and revealing the essence and core of the historical process. Only in this way can people learn from new events instead of just seeing historical pictures. Then, this poem of Wen meets this requirement. He exposed the contradiction in this matter deeply. Although he did not express his views directly, the so-called "nothing", but through this series of descriptions, it is "romantic" and he has seen the responsibility of the Guilin incident. This kind of poetry, in terms of art, has reached the highest aesthetic requirement for poetry except salty and sour. Ideologically speaking, the poet's tendency, as Engels hoped, is not to resort to slogans, but to "naturally emerge from scenes and plots". From his distinctive attitude, we can see that Wen stood in sympathy with the peasants in the peasant uprising ("Guilin Incident", the form of which was mutiny, but the peasant uprising was fundamental) and pointed his criticism at the imperial court and the entire corrupt ruling class, thus showing the poet's loftiness and greatness. Engels once affirmed Goethe like this. He said: "Every masterpiece of this era is permeated with the spirit of resistance to the whole German society at that time. Goethe wrote Goethe von bell Hinggan, in which he expressed his condolences and respect for a traitor in the form of drama. " It is through poetry that Wen poured infinite affection into the rebels who have already revolted or will revolt. Such a good poem has been rarely appreciated, but it is really unfair to say that it is meaningless. Brief introduction of the author