Defending the Yellow River is the seventh movement of The Yellow River Cantata. Lyrics: Guang Weiran (Zhang Guangnian), composition: Xian Xinghai. The songs are sung in turn in chorus. It has a wide mass, and it is a song widely circulated by anti-Japanese soldiers and civilians. This song uses the rhythm of folk percussion music and the melody of Guangdong lion dance music as the material, which makes the song appear bright and bold, with distinctive musical image and rich national style.
The whole song adopts March genre, with short rhythm, intense tone, loud battle slogan and strong rhythm, which vividly depicts the magnificent scene of guerrillas fighting with guns and spears to protect the Yellow River and the whole of China.
? Appreciating "Defending the Yellow River", the whole song adopts marching genre, with short rhythm, intense tone, loud battle slogan, strong rhythm, fast jumping motivation and gradual expansion of sound type, which makes the song full of vigorous feelings and vividly depicts the magnificent scene of guerrillas fighting to defend the Yellow River and the whole of China.
This song uses the rhythm of folk percussion music and the melody of Guangdong lion dance music as the material, which makes the song appear bright and bold, with distinctive musical image and rich national style.
The first part of the song is a chorus, the second part is a chorus, and the third part is a chorus. The waves are higher than the waves, just like the waves of the Yellow River rolling and rushing, unstoppable. When singing in turn, the backup singer of "Longge Longge" sounds endless and interesting, which enhances the lively, positive and optimistic atmosphere. Clever metaphor for the anti-Japanese armed forces from small to large, from weak to strong, and finally merged into an invincible force. It will overwhelm all enemies and show the great spirit of a heroic nation. A long instrumental interlude after the duet not only rendered the atmosphere and portrayed the image, but also paved the way for the ending to turn to a climax, making the ending more prominent the strong determination of the people of China to swear to destroy the invaders.
The piano concerto "Yellow River" is adapted from the Yellow River Chorus, a famous musician in China. The piano concerto "Yellow River" was written in the early days of 1969 "Cultural Revolution". Defending the Yellow River is the fourth movement of the piano concerto The Yellow River, written in the form of free variations. Its structure: introduction+theme+variation+variation 2+variation 3+variation 4+variation 5+variation 6+variation 7+insertion+variation 8 (end).
The piano concerto "Yellow River" used the expression of western classical piano concertos in its creation, and embodied the traditional style of China in its musical structure, and was written in the form of a title suite. Today, this well-known work has rushed out of the country and become a regular repertoire on the concert stage all over the world.
The electronic piano ensemble Defending the Yellow River is even more touching. The whole song is divided into four parts, and the timbre is piano, piano, strings and bass strings. This song has seven chapters. Players are required to play different notes at the same time to complete the ensemble. So players need to work together.
Guang William. J (1913 ~ 2002.438+0.28) was a poet and literary critic in China. Formerly known as Zhang Guangnian. Hubei Guanghua people.
1927 participated in the first revolutionary civil war in his hometown. He began to engage in progressive drama activities and literary activities in the 1930s.
1936 The lyrics "Flowers in May" were published in Wuhan. After composing, they were widely sung in the anti-Japanese national salvation activities. The Yellow River Cantata, composed by Xian Xinghai, was first staged in Yan 'an. From 65438 to 0940, he went to Chongqing to engage in literary and artistic activities and wrote a long narrative poem Qu Yuan.
1949 has been engaged in literary and artistic activities in Beijing. He successively served as the editor-in-chief of Movie Script, Wen Yi Newspaper and People's Literature, and published a large number of signed literary and artistic comments. The article is rigorous in argumentation, free and easy in style, and brave in expressing opinions on major literary and artistic phenomena.