My animation here includes animation and comics.
First, Japanese animation is about the same as China animation, maybe Japan is earlier. Our animation such as "Making a scene in Heaven" was very good at that time, but then the Cultural Revolution happened, and all cultural industries were greatly impacted, and animation was no exception. For ten years, the cultural industry was depressed. After the reform and opening up, it was not until the 1980s that high-quality animations such as "Black Cat Sheriff" and "Hulu Brothers" appeared, but then the cultural industry began to flourish, and the Rubik's Cube Building came into being in the 1990s. In other words, we developed a little later than Japanese animation, and then we were less than others for more than ten years. American animation began to develop long before the founding of the People's Republic of China.
Second, we lack a complete and mature assembly line.
Animation needs scripts, which come from three sources.
First, most of the scripts written for this animation are directly adapted from fairy tales, fairy tales and other well-known stories, such as "Make a scene in Heaven".
Secondly, adapting a good comic story into a script is more common in Japanese animation circles today. I am also ignorant and have a poor memory. I can't remember which excellent cartoons were adapted from cartoons in China in the 20th century. Please add.
Third, adapt a good novel into a script, such as Zheng's Rubik's Cube Building.
Fourth, write the script directly without any reference.
In fact, when we read all kinds of online novels and comics, it is easy to find that we should not lack good scripts, so why is the national industry still tepid? You can't get all the money without taking it. Luo Xiaohei only had 3000 yuan at first, and assassin Wu didn't have much money in the first season. At least there is a pulse investment in the second quarter. As far as domestic investors don't want to lose money, it is very difficult for a small company that has never heard of it to do animation and find investment. On top of this, there are many novels or cartoons that people have seen, and investors are more willing to invest, especially the author himself is very famous, such as "Fighting the Mainland" and "Fighting the Sky". This is animation, the story is there, and fans pay for it. The script written by the fourth method, except for the company like Blue Arc, dares to do it without voting for me. What investors dare to invest? There is a high probability of not being fired. We should not be blinded by the deviation of survivors. Now we can see that some fourth methods are quite popular to get scripts, but the number of unpopular national romances is increasing every year.
Then to animation production, China's animation industry should be that 3D modeling is more mature than 2D technology (thanks to Mystery and Blue Arc), which is contrary to Japanese. After 20 10, it also appeared in Lei Feng's story.