Author Tang Libai
The lotus flowers in the water hall are fragrant, and the king of Wu is feasted on the stage of Gusu. The stone is drunk and weak, leaning against the white jade bed in the east window and laughing.
By describing the appearance, manners, modality and even living environment of the poem, the poet draws a picture of the life interest of the concubines in the harem, but in fact, he takes history as a mirror, alluding to the poet's dissatisfaction with reality and showing the poet's anxiety about national security and concern for people's livelihood. The whole poem is light and easy, with rough and bold style, enthusiasm and liveliness, which is different from ordinary palace resentment poems.
The slogan in the title of a poem is "oral occupation", which means that you don't make a draft, improvise a poem and recite it casually. Let's take a look at the general meaning of this poem. This poem is about the lotus flowers blowing in the breeze, and the temple is full of incense. On the Gusu stage, the beauty stone of the prince of Wu, who was feasting, was drunk and weak, sitting under the east window leaning against the white jade bed, smiling;
Next, let's look at this poem. First, let's look at the first and second sentences of this poem. The lotus flowers in the water hall are fragrant, and the king of Wu is feasted on the stage of Gusu. These two sentences say that although the lotus is fragrant, it charms the water hall because of the wind, depicting a scene in which the lotus is blown by the breeze and the fragrance permeates the temple. The poet felt sorry for the prince of Wu, because he saw Gusutai, which showed that Qiu Ma was frivolous.
Let's move on to the last two sentences. Shi Zui dances against the white jade bed in the east window. After drinking, the waiter danced a few dances and leaned back in the white jade chair under the east window.
The poet described in detail the graceful and charming image of calligraphy, showing the beauty of celebrities, beauties and talented people. You are willing and wishful thinking. In the open Tang dynasty, the whole poem was very light, which showed the poet's anxiety about national security and concern for people's livelihood.