1 bazin (film critic) film handbook first of all, he spoke highly of the achievements of neo-realistic documentary aesthetics.
Secondly, it is proposed that movies should show people's inner life. (including strangeness and fantasy) (essentially different from Hollywood movies, which are used to tell stories)
Two "New Wave" Films
Proposition: Put forward the slogan of "Author Film", that is, "The important thing in making a film is not to shoot it, but to be a film producer".
Features: low film production cost: non-professional actors are enabled; Real-life shooting without a studio; Do not pursue scene excitement and dramatic conflict. In terms of expression, the film widely uses long shots, mobile phone photography, voice-over, inner monologues, natural sounds, and even Tik Tok shots that break the unity of time and space. Some "documentary" techniques such as follow-up, snapshot, telephoto, zoom, freeze-frame, continuation and synchronous recording are also adopted to combine "subjective realism" with "objective realism". This film has a strong personal biography.
Representative writers, his works are: Four Hundred Strings by Truffaut (1958) and Tired by Godard (1959).
Three "Left Shore" Movies
Creative characteristics: Most of the works combine human's internal reality with external reality, showing the gap and contradiction between human's internal reality and reality.
In editing, the time and space of the film are destroyed by skipping and circular editing. Pay attention to natural sound effects, lines and music; Adopt professional stage actors; Photography emphasizes composition and lighting. This film has a strong literary and dramatic color.
Representative writers and works include: Love in Hiroshima by Allan Ray Nye (1959), Marion Budd last year (196 1) and A Farewell by Galby.