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What are a series of red and green jingles?
In content, jingle reflects a long-standing topic in the streets, fields, teahouses and hotels. It is one of the most commonly used ways for ordinary people to express their feelings, praise and criticize the world, discuss current politics, criticize current abuses, and express love and hate. Do you know what the next sentence is? The following is my red and green jingle. Welcome to reading.

The jingle of red and green.

Red with green, nonsense;

Red with yellow, playing hooligans;

Red with purple, shit;

Red with blue is annoying.

Dingdang detailed explanation

This language phenomenon is generally called by ordinary people? A jingle? . The jingle originates from life and is most commonly used by vendors. The quality of the goods sold has a lot to do with fluency. Proper use of jingles can even achieve the purpose of clearing the field and selling goods.

What is this? A jingle? According to the modern Chinese dictionary, what does it mean? A popular oral verse with irregular sentences, pure spoken language and easy reading. ? We think this popular language phenomenon is called? Folk songs? It might be more appropriate. So-called? Folk songs? , that is? Folk songs are mostly related to current affairs and politics? . So there are the following reasons:

First, it comes from the people and is widely circulated among the people. Is it true?/You don't say. People? Family members;

Second, these today? A jingle? It mainly reflects many bad phenomena in satirical society, mostly related to current events, and has a distinct tendency in the sense of praise and criticism. Folk songs? Define a match.

What is the difference? New? In terms of language. Because this kind of folk songs mainly appeared after 1980s, did they rise with China's reform and opening up, or were they in the new era? Language products? And in a unique way? People just talk verbally, not sing in the form of music? Therefore, we call it one? New? Word, call it? New folk songs? To show the difference between traditional folk songs.

Contemporary China? New folk songs? So what? Developed? In addition to profound social reasons, its carrier? Language? What are the characteristics of form? Work? It is indispensable. Judging from the numerous examples mentioned above, Xinmin ballads have a common feature: easy to catchy, sweet and loud, easy to read and remember, and humorous and vivid. Because of this, new folk songs spread quickly and widely. From the perspective of language application, Xinmin Ballad shows a set of perfect systematic features in phonetics, grammar and rhetoric.

Embodies the national characteristics.

Lexical and grammatical features of jingles

The main feature of new folk songs is to choose words and make sentences, which can be summarized as follows:

The word (1) is well chosen, and the vivid colors are vividly on the paper.

Dressed in material, with a straight belly, dragging the tone and drawing circles.

(2) The sentence pattern is neat, just like the Yangtze River flowing thousands of miles.

Judging from the numerous examples listed above, "New Folk Songs" has a major feature in sentence-making: it pays attention to the orderly arrangement of sentence patterns, the equal number of words, the same sentence patterns and even the corresponding conjunctions between sentences, such as:

Spent a lot of money, sweated a lot and ruined a lot of fields.

(3) Abnormal collocation, seemingly irregular, actually has its own secrets.

In Xinmin ballads, some sentences are wrong and cannot be matched according to logical grammar standards, such as:

Industry and commerce eat stalls, taxes eat factories, traffic eats cars, public security eats bitches, schools eat children, and organizations eat chapters.

(4) There are many omissions, which are caused by the characteristics of folk songs.

In Xinmin ballads, many sentences don't seem to exist? The title is missing a theme, such as:

Sit in the car, watch through the glass, have lunch at noon, pat on the shoulder before leaving, and do well in the future.

3. Compared with phonetics and grammar, the greater linguistic features of contemporary Xinmin ballads are embodied in rhetoric, mainly in the successful use of figures of speech. Metaphor, metonymy, pun, exaggeration, parody, duality, thimble, circle and irony are almost all used.

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