The songwriters headed by Gao should continue their concept of youth ballads. When the music starts, the feeling and hearing immediately converge, which makes you happy for your correct judgment, but also a little bored.
Still lighter than snow, as if this is the best memory of so-called youth. It's just that Gao's minor has long passed their golden age, and all their talents have been dedicated to the 1980s and 1990s. After reading the lyrics of this CD, you will understand that all you have left is empty thoughts and lost the reality of life. It seems to be just a slogan that can be shouted freely, without any means of action.
Her singing is not only romantic, so she seems a little out of place with Gao's idea. She can be as melancholy as a melancholy campus singer in the 1990s, but she still cries softly in a crisp voice from time to time. With the cooperation of the famous guitarist Li Yanliang, it is still a little different from the previous things. I don't care whether the difference is big or not, the key is that the change still exists.
Although Jun Zi's songs are full of pastoral impressions, they still sound like urban folk songs. At the end of the album, she sang: "Hide all your hearts and keep your body at a distance from your heart." Indeed, there are always a few people in the city who entrust their bodies to the city and exile their hearts to distant places. Some people say that they are "floating generation", and they agree.
The distance between body and mind, the distance between city and countryside, the distance between height, the distance between the minority and the public, and the distance between the present and youth, which unit can be accurately determined, is still a mystery, which belongs to itself, and no one wants others to know.
Singers like Jun Zi who went out of fashion a few years ago will not be very popular. In the past few years, it will become a symbol for some people to remember.