The colonel will tell me not to accept my fate and not to be comfortable. There is hope for young people in China. Don't let our ancestors be the last heroes.
Other dramas told me that we were so powerful that we couldn't tear our hands off happily and we could have a gun battle. It took the Japanese eight years to escape from China.
There are many things worth thinking about in the colonel, which are incomparable to other plays. I like to watch bean cakes and say nothing, nothing. Fan Long's masculinity is full of the characteristics of northerners, and the little uncle's bean juice tastes. Oh, hey, the head of the team is embarrassed to laugh, and he is not active in going home. There is something wrong with his brain. The vet's forehead is really hard. A Yi pays attention to tactical action! The bookworm's juvenile Chinese dream …
The best are acting and plot.
There is no supporting role in this play. Everyone has proved what real acting is with more or less acting skills.
Not much to say, directly above:
This cannon fodder regiment is made up of defeated soldiers from all corners of the country. It's called Sichuan legion, but there are no Sichuanese.
Each of them has his own personality, unique clothes, different cultural backgrounds, different origins and speaks different dialects. But the same clothes were stopped and covered with dirt (it is estimated that everyone's glamorous anti-war dramas can be thrown out of 10 street)
They are flesh and blood, once despaired of victory, and once had the will to be crushed under the paralysis of ease. Sometimes they are numb, and more than 20 China soldiers would rather hide in the British warehouse and die than go out to solve the four Japanese soldiers guarding them; Sometimes they are weak, and their little grandfather Meng Fanle (Zhang Yi) has been a deserter for three times, playing dead for survival; Sometimes they are shameless. In order to settle down in Changda, Fan Long swore at the landlord and demanded a luxurious courtyard that did not belong to him. Sometimes they are confused, and snake ass (the nickname of the characters in the play) can't help kneeling when attending Long Zhangwen's trial as a witness. This scene can't help but remind people that it was only 30 years since the Qing Dynasty perished. They are vain, they are selfish, and they don't just want to live comfortably.
Where is Lang Zhangwen? He was a "pseudo-group seat" and was turned into a head by pretending to be trapped. In order to survive the trial, he pretended to be crazy and sold stupidly, and bribed the quartermaster's wife with the money from deducting rations, "in exchange for the equipment that should have been distributed." He is glib, he flatters, he is ruthless, he doesn't know what his ideal is, but he tries to do the things in front of him one by one.
And such a colonel, such a colonel, does not have the aura of the protagonist, but because it is extremely real, it makes people feel more cordial. They finally got rid of people's rigid understanding of the army and gave people a glimpse of the basic living conditions of the lowest-level army in that war-torn era.
And Yu Xiaoqing (Xing Jiadong)? He has patriotic enthusiasm, personality, blood and fearless spirit of senior generals of the national army during the Anti-Japanese War. He is avant-garde and learns the tactics of island capture in the Pacific War of the United States. He loves soldiers as much as children. In order to know that soldiers can eat the same food as soldiers, he is strict with others and treats his brothers one by one according to military law. He has advanced weapons envied by the cannon fodder group, and he has trained an elite "Yu Jiajun" who is as fearless as he is.
However, as if it were a big joke, it was the pseudo-group dragon article that brought cannon fodder back to Changda from Myanmar, but it was the dragon article that won precious time for the West Bank at that time, and it was the dragon article that finally led the brothers to hold the Shubao for 38 days.
The strong contrast between before and after makes people puzzled at first glance, so that we naturally want to find the answer from the play, which leads to the biggest highlight of the whole play.
What I admire most in the play is the portrayal of the Japanese army. Unlike other anti-Japanese dramas, there are no specific Japanese soldiers, and the specific opponents are the opponents. In many scenes, the Japanese army flashed by, but it didn't weaken the Japanese army's sophistication, ferocity, cunning and powerful fighting capacity in the play.
I was most impressed by the close-ups of three Japanese troops. One is wearing a gas mask and killing China soldiers with bayonets (fear), the other is that Japanese soldiers were forced to sing by the river (description of human nature), and the other is that Japanese soldiers killed McLuhan with bayonets (real war).
In the last defense of Worse Doors, American McLuhan was taken as a bargaining chip by the Japanese, put on his own turf, and then sent people to the middle of the battlefield to get the materials dropped by the Americans. At that time, McLuhan shouted: You save me, save yourselves. The expression on the people in the fortress at that time, to be honest, I thought they were going to rush out or something. Look angry, surprised, hesitant and sad. I thought about what to do, and I feel that the plot is going to fall on the old road again.
While I was still hesitating, Long Wenzhong took out his gun and shot, killing the Japanese soldiers coming out of the opposite station one by one. Strangely, these Japanese soldiers did not hide, but continued to get the air-dropped materials. Long Wenzhong continued to fight. Later, people in the fortress fired machine guns, and no Japanese soldiers were near the place where the supplies were dropped. The Japanese didn't fight back. When they saw too many casualties, they turned back.
After reading this passage at that time, I thought this screenwriter was very powerful. This treatment is much better than when Lao Li beat his daughter-in-law in Liang Jian. Other similar film and television scenes are incomparable.
In my opinion, "Colonel" should be regarded as the best domestic anti-Japanese drama, especially in shaping the enemy Japanese army. Compared with other dramas, it is not deliberately artificial, exaggerated and ugly (ugly enemies are ugly themselves), except truth or truth.
The colonel will tell me not to accept my fate and not to be comfortable. There is hope for young people in China. Don't let our ancestors be the last heroes.
Other dramas told me that we were so powerful that we couldn't tear our hands off happily and we could have a gun battle. It took the Japanese eight years to escape from China.
We should respect history and our heroes. Instead of jumping up and insulting them with some cream-skinned little people holding hair gel and sitting under capitalism.
From the point of view of war science, My Head and My Regiment is not true. Compared with those anti-Japanese dramas that insult people's IQ, it is a rare masterpiece of anti-Japanese war. I went to military school and experienced two battles. From a tactical point of view, I want to talk about the shortcomings of this TV series:
First, the Nantianmen blocked the war. In the first half, Long Zhangwen played well, but when he retreated and crossed the Nujiang River, he was much worse. The best time to retreat should be to beat back the Japanese attack, use the Japanese to adjust their deployment to prepare for the next attack, or use the cover of night to sneak into the Nujiang River. On the other hand, when the Japanese attacked, Long Zhangwen chose to retreat. This is a stupid choice. He gave up the high position to the Japanese army, ran in one direction from the lower position, and was hit by the Japanese army under his command as a living target (perhaps for the plot).
The second is the gasoline barrel tunnel laid by the Japanese army in Nantianmen. I can't help laughing when I see this. The main functions of the tunnel on the battlefield are: shooting and bombing prevention, quickly mobilizing troops to supplement troops, transporting food and ammunition, and quickly evacuating the wounded, which are impossible in a petrol tank that is relatively difficult to climb (perhaps it is necessary for the plot).
In terms of the authenticity of the war, the American drama Brothers, followed by the German drama Our Fathers, my head and my regiment are still slightly inferior in all aspects.
When it comes to China's anti-Japanese TV series, My Head and My Regiment always have to be mentioned.
Why? First of all, it's true. So let's see where it is.
The protagonist in My Colonel and My Regiment is no longer an elite soldier in a straight suit, but a group of defeated soldiers with different ages and rags. In Yu Xiaoqing's words, they are a group of "dissolute women".
The whole story is a story of a "colonel" leading the routed troops to resist Japan. So if this colonel is the protagonist, is he still a high-spirited, energetic and determined character? Not exactly. The colonel sometimes cheats and sometimes plays tricks.
Even his resume is not so glamorous, and Yu Xiaoqing praised him as a "handy genius". But he is not an excellent student in the military academy, nor an excellent commander who has commanded countless battles. Even his proud fighting skills were learned from countless failures.
Let's take a look at the reality in the cannon fodder group. I'm tired of being a brave student and educated, but in repeated battles, he didn't realize his brave ambition, nor did he become a determined warrior like other anti-Japanese themes. Instead, he "lost his soul" in repeated battles.
A, an outstanding cadet in the military academy who is eager to kill the enemy and serve the country in the war has been translated into a man who can only shout slogans and become a major who has never fought in a war. However, A Yi, who is naturally weak, also has a heart of serving the country and is full of blood.
Our collective leadership is not generally fearless in the anti-Japanese war drama. Even when I first met Long Wen, a dozen people were surrounded by several Japanese soldiers.
This is the truth, the Japanese army is not made of tofu, they are strong, they are cruel, they can bear it, they can even live like rats in the tunnel, they are as tenacious as us, even more tenacious than us.
Our soldiers are not so fearless. They will be afraid, shrink back, even pee their pants in front of officers, and most importantly, they will be confused. It is easy for them to lose their exploration of the meaning of war.
They are no longer as high-spirited as other anti-war dramas and are driven out of their wits. Dialects from different places are also used in the play. Dialects are like symbols of cannon fodder. There are Northeasters, Shanghai men, Sichuanese and Hunan people.
And they come from different places and different troops. They have their own attachment and yearning, but in the end they came together because they lost their land and their lives were fragmented.
Veterinarian Hao wanted to live with his son, but his son died. Snake ass likes cooking very much, but his kitchen knife is useless. Northeasters can't return to the three northeastern provinces.
This is the real place to direct this play, not a big scene of war, but a portrayal of human nature. Everyone has his own story, but his dream is shattered.
Not everyone is born bloody and fearless. They are all looking for and growing. No one is born a soldier. Are ordinary people like us. They get scared and even pee their pants.
Even people outside the cannon fodder regiment are not careless at all. Love in the play is not necessarily so beautiful, whether it is a dragon fan widow or a bored little drunk.
They are not stories of heroic soldiers and girls falling in love with spring, nor are they stories of handsome heroes and dream-chasing female soldiers. It's a story of a prostitute defeated by a soldier, a story of a veteran who lost oil in his hometown and dragged his son and widow.
Not perfect, but touching and real enough. Xiaozui is a prostitute, but who can make her angry? She is just a poor person of an era.
Finally, Yu Xiaoqing and his "elite" are more like soldiers than cannon fodder, but they didn't do what cannon fodder did.
This is also a fact, well-equipped, Mazhuang's dangerous division did not have a bloody battle with the Japanese army, and Yu Xiaoqing, who made great efforts, did not honor his promise to kill the enemy and serve the country.
He and his mentor finally became the weight of the political game, and Yu Xiaoqing finally failed to do what he wanted to do. His ideals and beliefs were compromised step by step, and finally he became the second donkey.
This is also a fact. Even if the mountains and rivers are broken, politicians can still concentrate on political games, and the lives of soldiers can still be used as chess pieces.
These are the truths of the play. I can say that the play is full of suffocation and despair, and the soldiers are all poor people who are driven out of their wits.
Don't attack me when you see this.
However, the most real point is this. The Japanese invaders are ferocious. From northeast to southwest, everyone is a lost dog. How can we not despair and lose our soul?
But the most addictive thing is a glimmer of hope in the slouches.
A bookworm with a strong mind and a strong heart for young people in China. As long as someone has a heart for young people in China, young people in China will still exist.
There is hope in despair, but the drunkard's sake is not wine, Fan Long and Shangguan. They are all disillusioned people. Their union gave life a glimmer of hope. Even if the mountains and rivers are broken, life is still there, and they have hope for the future life.
Long Wenwen became the god of cannon fodder because Long Wenwen was the person who brought them hope.
Even in despair, these lost souls are still trying to find their own souls.
Therefore, Yu Xiaoqing recruited soldiers in the air-raid shelter, and there was still a glimmer of spirit in the eyes of the defeated soldiers cheated by the Japanese tourist trap.
This is the real reason of this play, and it is a portrayal of human nature. The protagonist is brave and cowardly, great and small, brave and timid, firm and confused, dirty and pure, selfish and selfless.
These contradictory qualities converge on several people at the same time, so the characters are no longer empty, just like they really lived, so they are real.
This is society.
If you change a background at will, it may be the same anytime and anywhere.