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How to explain the "vanguard" of avant-garde poets?
Category: Culture/Art >> Literature >> Novel

Analysis:

Since Liang Qichao 1899 put forward the "poetic revolution", China's new poetry has gone through a hundred years, from Huang Zunxian's "I write my mouth", Hu Shi's "literary experimentalism" to Zhu Ziqing's "polysemy and prose culture". The function of poetry is basically simplification and secularization, which is characterized by socialization, personalization and utilitarianism.

What is "Pioneer"? Its original meaning comes from the famous French La Ruse Dictionary-the so-called vanguard refers to the vanguard of an armed force, whose task is to prepare for this armed force to enter the operation (military terminology). The history of the word "pioneer" began with the French Revolution, and then turned to cultural and literary terms (beginning with 19 th century); No matter they are military pioneers, political pioneers or cultural pioneers, they all have a common feature: "Originated from romantic utopia and its messianic fanaticism, the development route they follow is essentially similar to the earlier and broader concept of modernity." To put it bluntly, modernism is "avant-garde"! It includes "symbolism, futurism, dadaism, imagism, surrealism, abstraction, schools of consciousness, absurdity and so on." Its tendency is to reflect the abnormal alienation relationship between individuals and society, people and people, people and nature, and individuals and themselves in modern western society, and the resulting mental trauma, abnormal psychology, pessimism and nihilism.

The artistic feature of "avant-garde" is that it opposes traditional culture and deliberately violates established creative principles and appreciation habits. One-sided pursuit of novelty in artistic form and style; Adhere to art above all else and do not undertake any obligations; Pay attention to the exploration of the inner world, describe the dream and the mysterious and abstract instant world in detail, and widely use hints, metaphors, symbols, associations, images, synaesthesia, perception and other techniques in skills to explore the inner mysteries of characters, stream of consciousness and make irrelevant events.

A multi-level structure that goes hand in hand. Features, it is difficult for everyone to understand!

During the May 4th Movement, the crescent school, Huxiang school, symbolism school, modernism school and so on, their works were basically diversified. Later, in 1970s and 1980s, because the consciousness of political revolution was greater than that of poetic revolution, the function of microphone as a political and educational tool appeared. From the late 1980s, this phenomenon began to be personalized, and intensified in the 1990s, with a large number of writers appearing to soothe their emotions and meet their aesthetic needs. A large number of personal poems with gentle breeze and drizzle have emerged to soothe feelings. This paper puts forward the poetic form of "poetry ends with language", emphasizing language expression.

In 1970s and 1980s, there appeared poets such as Beidao, Shu Ting, Yang Lian and Gu Cheng, among whom Shu Ting only graduated from middle school, while Yang Lian and Gu Cheng did not even have a complete primary and secondary education. Yang Lian was an unknown poet at that time. His works include The Lost Country and * *. Shu Ting's masterpiece "To the Oak Tree" Gu Cheng's famous sentence "The night gave me black eyes, but I did it. Their poems basically focus on content and ideas. From their poems, we can see that the emotion of expressing "self" is far greater than that of "self". Shu Ting 1980' s Voice of a Generation concludes that the misty poets in this period consciously or unconsciously acted as the mouthpiece of politics and religion at that time, but they did not reflect the avant-garde characteristics!

In the late 1980s, "avant-garde poetry" was at its peak, but almost all the authors came out of the campus. Their most popular terms are "life consciousness" and "mission consciousness", and they put forward the slogan "Poetry ends with language". Take the avant-garde poet Chen Chao as an example. Although he is a knowledgeable scholar, he also knows the importance of language personalization in poetry creation, but he said, "Poetry originates from the deep impulse of the poet's life." Typical representatives of ideological pioneers in this period, such as Ouyang He Jiang and Yongming Zhai, their works are full of reflections on individual life and real society. Some of them even became spiritual pioneers of feminist movement and democratic political reform. Writing this reminds me of a sentence by Wang Guowei: "All philosophers (referring to China) want to be politicians at the same time." "No philosopher is lonely, but poets still exist." He lamented China's philosophy and art (including poetry).

Are vassals of politics, so this is the main factor of China's underdeveloped philosophy and art at that time (1)!

From the late 1980s to the 1990s, avant-garde poets changed from pioneers to pioneers under the pressure of life and social changes. Although the poets in this period still insisted on the purity and sublimity of poetry, they were more sublime in language! For example, Sha Yi's "survival is not an excuse" can explain the problem.

Now, at the beginning of the 20th century, a more special group of "avant-garde" poets appeared. They said, "Avant-garde is one of the important features of new poetry", so free verse in the 20th century became a radical patent. Their radicalism comes from their ignorance of traditional culture poetry, their alienation from China's traditional poetry, their blind obedience to foreign poetry, their self-venting and game functions, and their excessive pursuit of freedom and individuality. Unwilling to combine tradition with personal talent, he said: "I write poetry for' freedom' and for catharsis. I don't need erudition, but I must have myself." As a result, in today's poetry world, we can see that what is obscure, what is decadent, what is world-weariness, and even ignorance and arrogance are the highlights of today's poetry world! It has also become the biggest popular trend in today's poetry!